Anuradha Vikram is a curator, writer, educator, and Director of Residency Programs at 18th Street Arts Center. She has been an instructor in art practice, history, and theory at Otis College of Art and Design, San José State University, College of Marin, and UC Berkeley, and has also curated exhibitions for Craft and Folk Art Museum in Los Angeles, Mills College Art Museum in Oakland, and DeYoung Museum Artist Studio in San Francisco; and served on the boards of Kearny Street Workshop and ArtTable. Her writing has appeared in X-TRA Contemporary Art Quarterly, Hyperallergic, Leonardo, SF Camerawork Journal, Afterimage, and Open Space, the blog of the San Francisco Museum of Modern Art. She is also a regular contributor to Artillery magazine and writes the #Hashtags column for Daily Serving.
California becomes an international export by redefining the concept of city and home.
Through workshops, education and placed based projects, art is the connective tissue of a community.
Funding bubbles, cultural deserts and the politics of access to the arts in the 21st century.
At the shadow of the entertainment industry, video artists and underground filmmakers take a stand.
Noir, sunshine and dystopia create a multi-ethnic narrative that is read, watched and admired around the globe.
Multi-hyphenate works that combine disciplines, remix dogmas, and reinvent the wheel.
A dialogue between cultures, the music of our state serves up the California dream like no other artform.
Staging the drama of California through dance, music and theater.
Breaking away from the European and New York vanguard, California reinvents the art world.