Hillary Mushkin is a visual artist and researcher. She leads "Incendiary Traces," an art and research initiative that she started to consider how landscape imaging helps authorities and the public visualize conflict zones. She frequently collaborates with other artists, architects, poets, scholars, and technologists. Mushkin's projects have been exhibited internationally including at the Freud Museum (London), the Getty Museum (Los Angeles), and White Columns (New York). She has also worked in non-art contexts including the 29 Palms Marine Base, a fishing boat, and the Mexico City surveillance center. Mushkin is Research Professor of Art and Design at California Institute of Technology (Caltech).
California becomes an international export by redefining the concept of city and home.
Through workshops, education and placed based projects, art is the connective tissue of a community.
Funding bubbles, cultural deserts and the politics of access to the arts in the 21st century.
At the shadow of the entertainment industry, video artists and underground filmmakers take a stand.
Noir, sunshine and dystopia create a multi-ethnic narrative that is read, watched and admired around the globe.
Multi-hyphenate works that combine disciplines, remix dogmas, and reinvent the wheel.
A dialogue between cultures, the music of our state serves up the California dream like no other artform.
Staging the drama of California through dance, music and theater.
Breaking away from the European and New York vanguard, California reinvents the art world.