This summer, Artbound celebrated its one-year anniversary and finished its second season of programming. Season 2 took our exploration of Southern California's cultural landscape to new heights: from the banks of the Tijuana river, to the depths of the Guadalupe-Nipomo Dunes, the vast lands of the Antelope Valley's high desert, and beyond. We witnessed art in museums and on city sidewalks, in tiny studios and under the spotlights of a stage. Since January, we've published 225 new articles, produced 14 short documentaries, and broadcast three hour-long television episodes.
Today, we look back at five of this season's most memorable profiles of visual artists. Enjoy!
David Adey is the type of artist whose complex ideas and concepts are often too time-consuming or expensive for him to actually bring to life -- but for his big solo show next year, Adey is going bigger and more complex than he's ever gone before.
Orange County painter Justin Bower's oversized faces are steeped in a future dystopia where humans appear to be being subsumed by technology.
Gary Baseman creates a parallel universe of stylized landscapes populated by gently feral creatures and doe-eyed maidens.
L.A. designer Victor Wilde sees fashion as the ultimate forum for a literally and metaphorically collaborative art form.
As an L.A. artist, Michael Massenburg tries to piece together stories about people and place in a region where the narrative is often interrupted -- sections rearranged, re-thought, sometimes entirely elided.
Top Image: Baseman painting with Nightmare and the Cat at the Hudson.
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