On October 13th cog•nate collective hosted our first of four Borderblaster: Live Recording Events at Cognate Space/Espacio Cognado located inside of the Mercado de Artesanias de la Linea at the San Ysidro Port of Entry in Tijuana BC. Each Live Recording Event is free and designed to engage with the public, so we decided to begin these events with a discussion on the very topic of public and civic engagement in the city of Tijuana. Rene Castillo and Elizabeth Chaney gave a brief introduction to their practice and chatted with Misael Diaz and I about the challenges and tactics for working with communities on social practice projects. We also spoke to Tijuana-based historian Marco Kouh, who researches the history of the Jewish community in Tijuana, and indigenous peoples and languages in Mexico--particularly, how young indigenous people have begun relearning languages that were nearly lost after centuries of marginalization. Our conversation, which begins the transmission, focused on the challenges of constructing models that respect and maintain cultural difference in collective formations.
Borderblaster: Transmission 3 "Civic Dialogue"
We were interested in discussing this topic because our projects have sought to create dialogue between the different groups that inhabit the space of the crossing, to not only create or reach consensus on any of the number of challenges that the space confronts, but to begin to create a space for reflection and criticality. We have come to view our projects as a series of experiments in public space, that seek to foster a greater level of connectivity or awareness to the site of the crossing itself as a public space that is not just bureaucratic boundary where the limits of two nations are defined, but as a site that has produced and continues to challenge the very logic of those boundaries. Our work tries to achieve this by mapping and examining the different sorts of exchanges that occur across the porous membrane that nation states would have us believe are air-tight, intellect-tight, culture-tight lines--creating works that attempt to move between Mexican and American popular and folk culture, between high art and kitsch traditions. Our conversation with Elizabeth Chaney and Rene Castillo explored these different areas of cultural engagement in Tijuana, and how each of us is using social, or public practice to create dialogue and explore even perhaps expand community.
More BorderblasterCog•nate Collective Border Line Broadcasts
Transmission 1 'About Crossing'
Transmission 2 'Market Exchange'
Transmission 4 'Poetic Dérive'
Transmission 5 'Open Mic/Discurso Abierto'
Transmission 6 'Mixtape for Crossing'
Rene Castillo's work seeks to create a similar kind of closeness and familiarity with the written word. Rene Castillo is owner and coordinator of "El Grafógrafo: Libros y Café" in Tijuana's Pasaje Rodriguez. Over the past two years the space has offered visitors a place to sit and read books, all of which are used and priced affordably often costing as little as a peso or two--between 10-20 cents. The funds raised through the sale of used books, many of which are purchased by students from nearby high schools and colleges who would not have access to them any other way, are dedicated to putting on the Feria del Libro Usado (FELIUS). Castillo has also coordinated public interventions where books are sold out of a cart that he and local writers and literary enthusiasts pull down the iconic Avenida Revolucion. His aim has been to make "El Grafógrafo" function as a space where all citizens feel welcome regardless of socioeconomic status, to create a sustainable community of readers.
Among the topics we considered during our conversation with Elizabeth Chaney and René Castillo were how each of us attempt to make projects intellectually and economically accessible to community members and how we locate and negotiate the transformative potential of our work. And, returning to our conversation with Marco Kouh, we also consider whether civic engagement is about reaching consensus or highlighting difference in the case of Tijuana.
For us, the conversation was truly illuminating, and we are happy that we could share it at the crossing and at the University Art Gallery as well as here on Artbound. Next week's Transmission 4: Poetic Derive, will be based on a live recording event that took place Saturday October 20, in collaboration with Collectivo Intrasigente, and will include readings by Jhonnathan Curiel, Karen Marquez, and Manuel Paul Lopez.
Join cog•nate collective at Cognate Space/Espacio Cognado, Saturday, October 27th, and Saturday, November 3rd for the final two Borderblaster recording events! For more information visit: Join cog•nate collective at Cognate Space/Espacio Cognado, Saturday, October 27th, and Saturday, November 3rd for the final two Borderblaster recording events! For more information visit: http://borderblaster.tumblr.com
Borderblaster is cog•nate collective's contribution to Living as Form (the Nomadic Version).
Listen to and read about all the Borderblaster transmissions from Tijuana:
Top Image: Misael Diaz with mobile listening station during transmission 3 | Photo: Courtesy of Amy Sanchez.
California becomes an international export by redefining the concept of city and home.
Through workshops, education and placed based projects, art is the connective tissue of a community.
Funding bubbles, cultural deserts and the politics of access to the arts in the 21st century.
At the shadow of the entertainment industry, video artists and underground filmmakers take a stand.
Noir, sunshine and dystopia create a multi-ethnic narrative that is read, watched and admired around the globe.
Multi-hyphenate works that combine disciplines, remix dogmas, and reinvent the wheel.
A dialogue between cultures, the music of our state serves up the California dream like no other artform.
Staging the drama of California through dance, music and theater.
Breaking away from the European and New York vanguard, California reinvents the art world.