Pomona-based video artist Kent Anderson Butler is open about his Christianity and has found a unique path that allows him to keep-the-faith towards both his religious convictions and towards the contemporary art world's secular persuasions.
Incendiary Traces lists historical and contemporary border walls to provide some global and historical context for understanding Southern California's contested US/Mexico border.
SOC(i)AL: Art + People investigates the precarity of workers in our current economy, the relationship of the university to activism, manifestations of art in politics, and the future of Occupy.
Ken Gonzales-Day brings a grim forgotten California history to life in the present day and addresses art history and its troubled relationship to the representation of race.
November Almanac is an installation at the WUHO Gallery that examines our greater understanding of where and how we are fed by L.A., the city where our food so mysteriously grows.
On Saturday, Nov. 17, a few events will take place at Border Field State Park in San Diego that will call attention to the militarization of the US/Mexico border.
Susanna Newbury examines the history of the U.S./Mexico border and its geopolitical importance to the United States.
In the face of budget cuts to arts education in the LAUSD, Abe Flores of Arts for L.A. argues that advocacy for arts education is advocacy for a complete 21st century education.
The Glendale Narrows, the three mile soft bottom stretch of the L.A. River, is subject to conflicting agendas from river advocates, private enterprise, and government agencies.
The O.C. Triennial Art Fair is taking shape and a slow shift of inventive and edgy contemporary artwork has begun to flow behind the Orange Curtain. The county remains out of the international art spotlight, but some local curators may change that.