Forêt Intérieure/Interior Forest
Forêt Intérieure/Interior Forest is a multi-faceted project by Los Angeles-based artist Alexandra Grant encompassing a series of public drawing sessions, reading groups, artist collaborations and an installation at 18th Street Arts Center. Co-curated by Pilar Tompkins Rivas and Isabelle Le Normand, this work premiers in Santa Monica and is presented at Mains d’Oeuvres in Saint-Ouen, France this fall.

Based on an ongoing exchange with the iconic French author, poet, playwright and philosopher Hélène Cixous, Grant focuses on Cixous’ book Philippinesas a source for imagery, centering on the repeating thematic of the forest as a profound shared space. Drifting between a real and an imagined place, the forest becomes a site for communion with what Cixous terms “the perfect Other.” In Philippines, Cixous explores the philosophical and sociological constructs of the “Other,” linking texts from Sigmund Freud on the shared dream, Jacques Derrida on telepathy, and the story of Peter Ibbetson, a novel by Georges du Maurier, where two childhood friends separated by class and country are reunited as adults in their joined dream-life. Within Forêt Intérieure/Interior Forest, Grant examines the “twinned” ideas of Philippines, such as dreaming and reality, telepathy and empathy, and relationships between man and woman, adult and child, and colony and colonizer, through illustration of the text, an installation of the forest as image and stage-set, and through collaborations with other artists and the public.

Structured as a residency and an exhibition, Forêt Intérieure/Interior Forest extends Grant’s studio practice into the arena of public engagement. Grant will hold collaborative drawing sessions ongoing through the month of May that invite community participation to construct a large-scale, site-specific work. Exploring the space between a specified aesthetic and shared process, Grant engages artists Frances Garreston, Channing Hansen, Bari Ziperstein, Annelie McKenzie and Tina Linville to produce sculptural, “Visiting Trees” (Arbres d’Ailleurs) for the installation. Artists Lita Albuquerque, Renee Petropoulos, Steve Roden and Audrey Cottin will undertake “Drawing Residencies” as part the participatory drawing illustrating Philippines. The general public -- students, guests and passersby -- are invited to draw and will be named as participants.
On Telepathy and Philippines: A Conversation with Alexandra Grant and Hélène Cixous
On Telepathy and Philippines: A Conversation with Alexandra Grant and Hélène Cixous
Alexandra Grant speaks with French writer Hélène Cixous to discuss how her book, "Philippines," was the genesis of Grant's exhibition "Forêt Intérieure/Interior Forest."
1 2 Next >
section header: disciplines
icon, Architecture/ Design discipline

Architecture/ Design

California becomes an international export by redefining the concept of city and home.

icon, Community Arts discipline

Community Arts

Through workshops, education and placed based projects, art is the connective tissue of a community.

icon, Cultural Politics discipline

Cultural Politics

Funding bubbles, cultural deserts and the politics of access to the arts in the 21st century.

icon, Film & Media Arts discipline

Film & Media Arts

At the shadow of the entertainment industry, video artists and underground filmmakers take a stand.

icon, Literature discipline

Literature

Noir, sunshine and dystopia create a multi-ethnic narrative that is read, watched and admired around the globe.

icon, Multi-Disciplinary discipline

Multi-Disciplinary

Multi-hyphenate works that combine disciplines, remix dogmas, and reinvent the wheel.

icon, Music discipline

Music

A dialogue between cultures, the music of our state serves up the California dream like no other artform.

icon, Performance discipline

Performance

Staging the drama of California through dance, music and theater.

icon, Visual Arts discipline

Visual Arts

Breaking away from the European and New York vanguard, California reinvents the art world.


Columnists
Featured • More Columnists
Loading Columnists...