<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    
    <title>KCET Feed</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/" />
    
    <link rel="self" type="application/atom+xml" href="http://www.kcet.org/atom_kcet_full.xml" />
    <id>tag:www.kcet.org,2010-06-18://92</id>
    <updated>2011-02-02T18:26:19Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.361</generator>


  
  
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
  
    
    
  
    
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
            
        
    
  
    
    
      
        
        
    
  
    
    
  
    
    
  
    
    
      
        
            
        
    
  
  
  



<entry>
    <title>California Wine: The Reasonability of Seasonability</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/food/socal-spirits/california-wine-the-reasonability-of-seasonability.html" />
    <id>tag:www.kcet.org,2012:/socal/food//1240.45971</id>

    <published>2012-05-16T19:37:54Z</published>
    <updated>2012-05-16T19:36:04Z</updated>

    <summary>While we live in a culture that&apos;s removed the need to wait, one wine worth it is the Broc Cellars Vine Starr Red.</summary>
    <author>
        <name>Michael Newsome</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1240&amp;id=5058</uri>
    </author>
    
        <category term="SoCal Spirits" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="broccellars" label="broc cellars" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="californiawine" label="california wine" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="chrisbrockway" label="chris brockway" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pacificnorthwest" label="pacific northwest" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pasorobles" label="paso robles" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="redwine" label="red wine" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="syrah" label="syrah" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="waiting" label="waiting" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="zinfandel" label="zinfandel" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/food/">
        <![CDATA[<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/clocks4-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />Waiting is wonderful.  </p>

<p>I know the saying may seem tired, but anticipation really does heighten the pleasure of whatever is awaited. The first tomatoes in the market that weren't force-ripened in the back of a tractor-trailer need nothing but a sprinkle of salt. A waft of night-blooming jasmine quickly turns an evening stroll into a hypnotic walkabout magically making one lose track of time. Sunshine in the Pacific Northwest becomes a moment of work-shirking celebration rather than a reason to pout when not predictably present. </p>

<p>We live in a culture that has systematically removed the need to wait for anything. We ship fruits and vegetables from around the world so it seems that everything is always in season. And because of that, the quality suffers. I would much rather wait for something to arrive in its due time if waiting means it will be better. And it is always better. Fruit ripened on the vine tastes how it should, delicious, and waiting for it makes the experience that much more amazing.  </p>

<p>Wine should be no different. People are finally beginning to appreciate the quality of small production, family-owned, hand-crafted wines, and I am thrilled. What they also need to consider is that small production means these wines will not be available to drink all year. Sure, you can pop into a Ralph's, choose almost any bottle of wine and you will find it on the shelf all year long. It will probably also taste the same all year long, as delicious as a force-ripened tomato.</p>

<p>One wine worth waiting for is the Broc Cellars Vine Starr Red. A blend of 95% Zinfandel and just a splash of Syrah, this wine is a welcome surprise. It is lean and spicy full of both brambly raspberry and fresh herbs. It tastes like what Zinfandel would sound like if it told its tale in a whispery voice, carefully and slowly revealing details constantly keeping its listener held in rapt attention. </p>

<p>It is a welcome contrast to the way it is often vinified in Paso Robles: so full of boisterous fruit and drunken shouting that it can be heard all the way down here in Los Angeles.  Chris Brockway uses grapes that are grown either sustainably, organically, or biodynamically from very specific sites, and it shows. The production on this wine is a mere 300 cases, which sell quickly. However, even though it is only available for a short period of time, drinking it will leave an impression that will easily linger until its next release. </p>

<p><a href="http://www.broccellars.com/">The Broc Cellars Vine Starr Red</a> retails for about $25 a bottle.</p>

<p><em>[Photo of the wall of clocks by Flickr user <a href="http://www.flickr.com/photos/puroticorico/">puroticorico</a>.]</em></p>

<p><em>Los Angeles resident Michael Newsome, a wine buyer for Whole Foods and a Certified Italian Wine Specialist, joins us every Tuesday for an exploration of California wine. See his previous posts <a href="http://www.kcet.org/user/profile/mnewsome">here</a>.</em></p>

<p><strong>Eat better by following KCET Food on <a href="http://www.facebook.com/KCETFood">Facebook</a>, <a href="http://twitter.com/#!/KCETFood">Twitter</a>, and <a href="http://socalfood.tumblr.com">Tumblr</a>.</strong></p>]]>
        
    </content>
</entry>

<entry>
    <title>Midnight Snack: Pacific Dining Car with Jen Cornett</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/food/midnight-snack/midnight-snack-pacific-dining-car-with-jen-cornett.html" />
    <id>tag:www.kcet.org,2012:/socal/food//1240.45964</id>

    <published>2012-05-16T19:03:53Z</published>
    <updated>2012-05-16T19:02:02Z</updated>

    <summary>&quot;I like to call it the Ron Burgundy of restaurants. It&apos;s like, stay classy, Los Angeles.&quot;</summary>
    <author>
        <name>Rebecca Pardess</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1240&amp;id=6072</uri>
    </author>
    
        <category term="Midnight Snack" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="downtown" label="downtown" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="frightenedrabbit" label="Frightened Rabbit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="history" label="history" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jencornett" label="jen cornett" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="midnightsnack" label="midnight snack" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pacificdiningcar" label="pacific dining car" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="whiskey" label="whiskey" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/food/">
        <![CDATA[<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine4-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />If you could choose between flying and time travel, which would it be? If it's the latter, then you're in luck. Just a few blocks from the 110 freeway in the cuts of downtown, you can climb aboard a train to 1923, 24 hours a day, seven days a week, 365 days a year.</p>

<p>Ninety years ago, Los Angeles was building up and out, turning deserts into cityscapes and orange groves into suburbs. In 1923, former opera singer Fred Cook parked a replica of a train car at 6th and Witmer where it stands to this day, marked by a large, steel heifer atop a pole: Pacific Dining Car.   Pull open a heavy, wooden door to the original restaurant: a dimly lit room lined with tables sheathed in white cloths, surrounded by green velvet chairs. Each table is topped with a vase containing a single, white rose and it is eerily quiet. Gary Cooper sips his whisky, lights a cigarette and invites me for a drink as my imagination runs away with me.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine10-300.jpg" width="300" height="462" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />The historical landmark never closes its doors, attracting people from many walks of life, including surgeons from Good Samaritan Hospital next door, families celebrating special occasions and industry professionals like Jen Cornett, whose workdays often culminate at 2 a.m. with ringing ears and an empty stomach. </p>

<p>Jen is a music coordinator for a major motion picture studio who often finds herself at Pacific Dining Car after concerts. We sit in the original dining car at a four-top set against a small window with rounded corners and burgundy valances with fringe. Above us is a gold luggage rack holding a vintage trunk. Jen's beau, Ryan DeMarti, a band manager, joins us for the trip. </p>

<p><strong>Rebecca:</strong> It really feels like we're on a train. Where are we going, guys?</p>

<p><strong>Jen:</strong> Anywhere we want!</p>

<p><strong>Rebecca:</strong> What brought you to this place?</p>

<p><strong>Jen:</strong> The first time was at about 2:45 a.m. after a show at the Mayan, being backstage with Frightened Rabbit.  </p>

<p><strong>Rebecca:</strong> Wow, that must have been fun.  </p>

<p><strong>Jen:</strong> It was! They're so great. I was actually by myself. My friends all had to go to a different show, but we decided to meet up afterwards. It was a large group of us, freakin' starving, and we didn't want to stand out in the cold at a greasy taco truck.</p>

<p><strong>Rebecca:</strong> I'm sure that gets old after a while.</p>

<p><strong>Jen:</strong> Yes! So our party of 10 stumbled in here in our jeans and t-shirts and it was like a time warp. It reminded me of "The Shining."</p>

<p><strong>Rebecca:</strong> But without the "redrum?"</p>

<p><strong>Jen:</strong> Exactly! </p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine2-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><em>A busser dressed in white places a basket of warm, assorted breads on our table, along with a silver, seashell-shaped dish containing scalloped balls of butter. </em></p>

<p><strong>Rebecca:</strong> I didn't realize how fancy it is here. Unusual for a 24-hour place.</p>

<p><strong>Jen:</strong> We had the same reaction. At first when you ultimately see the decor you feel like you're in a nice, fancy restaurant, like you should have worn heels. But they welcome all different types of people.</p>

<p><strong>Rebecca:</strong> Phew.   </p>

<p><strong>Jen:</strong> I like to call it the Ron Burgundy of restaurants. It's like, stay classy, Los Angeles.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine7-300.jpg" width="300" height="462" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><em>Our server, Sergio, dapper in a green velvet dinner jacket, takes our order. Jen opts for a glass of Malbec and the baseball steak off the late-night menu, as made famous by the film "Training Day." Ryan orders Crown and Coke and pork chops off the standard dinner menu. I choose a Shirley Temple and the filet mignon sandwich, also from the late-night menu. Note: The late-night menu starts at 11:00 p.m. with steeply discounted prices as compared to the dinner menu.</em></p>

<p><strong>Jen:</strong> I can actually remember seeing the baseball steak for the first time in all its gluttonous glory. I was like wow, they must have sprinkled vegan people's tears on top it's so amazing. And it's aged.</p>

<p><strong>Re  becca:</strong> An old ball of meat. How do you make meat into a ball without grinding it?</p>

<p><strong>Jen:</strong> I don't know, but it's amazing, trust me.</p>

<p><strong>Rebecca:</strong> So as you've climbed the ladder of the music industry, would you say you've also, you know, risen above greasy, late-night fast food? </p>

<p><strong>Jen:</strong> For sure. I started out as an intern and had to go to shows all the time and would basically be eating scraps. My intern friend would eat half a hamburger and give me the rest of it. I still have no idea why I don't have some extra limb growing out of my head after all that fast food.</p>

<p><strong>Rebecca:</strong> That's dedication right there. Why did you have to go to all those shows?</p>

<p><strong>Jen:</strong> The main reason was to have my finger on the pulse and be ahead of the competition, but the competition usually already exists once you find a band that's amazing. You have to be in consistent mode to do that and be very nocturnal. </p>

<p><strong>Rebecca:</strong> Has it affected your fandom at all?</p>

<p>  <strong>Jen:</strong> It's hard because your ears train to listen to certain things and you have to know right away if there's a hit, or if the band is worth investing in. There are a lot of factors that come with witnessing a show, but it's not like the fandom is completely turned off. And I'm not complaining -- I have one of the best jobs ever.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine3-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><em>Sergio reappears with several white platters, each supporting a substantial slab of meat nestled against a pile of fries of both sweet and non-sweet selections. The busser sets down another silver seashell containing what appears to be ketchup. </em></p>

<p><strong>Rebecca:</strong> That is some fancy ketchup. No plastic squeeze bottles here.</p>

<p><strong>Sergio:</strong> That's actually our steak relish.</p>

<p><em>Jen and Ryan cut into their meals as I struggle to lift my filet mignon sandwich to my mouth. The thick cut of beef is far too vast for my meager bite, especially when pressed between two white, toasted buns, lettuce, tomato and raw onion. To compromise, I attack it open-faced with a serrated knife, and find the meat to be flavorful and perfectly tender.</em></p>

<p><strong>Jen:</strong> I could have sworn the baseball steak was rounder, but I had had a few drinks last time.   </p>

<p><strong>Rebecca:</strong> Well it's round-ish and maybe the size of a baseball?  </p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine1-300.jpg" width="300" height="462" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><strong>Jen:</strong> Yeah and the charcoal sear is awesome, not overwhelming at all. It's perfectly medium rare, not too bloody, not mooing and it melts in your mouth. And this medley of fries and sweet potatoes fries is awesome.</p>

<p><strong>Ryan:</strong> Mine has onion rings.</p>

<p><em>Knives scraping ceramic plates, mouths vigorously chewing, throats gulping it all down with wine and whisky: The sounds of a meat-and-potatoes meal.</em></p>

<p><strong>Rebecca:</strong> Well I'm officially full and tired.</p>

<p><strong>Jen:</strong> Me too. This is a very relaxing place, where you can just sit and digest. Very atypical to the L.A. lifestyle. </p>

<p><em>Sergio returns to clear our plates and we unanimously order the chocolate soufflé, denying our meat-induced lethargy. The busser brushes the crumbs off our table with what he calls "the little vacuum."</em></p>

<p><strong>Rebecca:</strong> How long have you worked here, Sergio?</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine11-300.jpg" width="300" height="462" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><strong>  Sergio:</strong> Thirty-six years, since 1976.</p>

<p><strong>Rebecca:</strong> Wow. Do you work the dinner shift most of the time?</p>

<p><strong>Sergio:</strong> Now I work only dinner, but before I worked all the shifts, graveyard and everything.</p>

<p><strong>Rebecca:</strong> What's your favorite story in all your years working here?  </p>

<p><strong>Sergio:</strong> It's really a great place to work. The customers have been great. A large percentage of our customers have been coming here for at least three generations. I have plenty of regulars who ask for me. It's been a great place to work.</p>

<p><em>His expert blocking and bridging tells me if these walls could talk, we'd be in for a treat.</em> </p>

<p><em>As we await our dessert, we take in more of our surroundings. In its almost nine decades, the restaurant has expanded from a one-roomed dining car, to a compound. Down the hall is the wine room, where gold-framed paintings of dogs decorate the walls and a window to the wine cellar is the main attraction. Further into the depths is the Northern Pacific room, lit by an antler chandelier and an antler-framed mirror to match. This, as we were reminded several times, is where a scene in "Training Day" was filmed.</em></p>

<p><em>The chocolate soufflé finally arrives along with a dish of homemade whipped cream.</em></p>

<p><strong>Jen:</strong> It's so warm and crispy on top and fudgy in the middle. Look at the steam rising off of it!  </p>

<p><strong>Rebecca:</strong> Give me some of that cream.</p>

<p><em>Our supper concludes with one last scrape of warm chocolate off the white ramekin. After our two-hour journey, we're ready to disembark at our final destination: bed.</em>  </p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/pacdine9-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><em>[Photos by <a href="http://www.hagopphoto.com/">Hagop Kalaidjian</a>]</p>

<p><a href="http://www.pacificdiningcar.com/">Pacific Dining Car </a><br />
1310 West 6th Street, 213.483.6000</em></p>

<p><strong>Eat better by following KCET Food on <a href="http://www.facebook.com/KCETFood">Facebook</a>, <a href="http://twitter.com/#!/KCETFood">Twitter</a>, and <a href="http://socalfood.tumblr.com">Tumblr</a>.</strong></p>]]>
        
    </content>
</entry>

<entry>
    <title>Marriage Rights Issue May Shift Coachella Congressional Race</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/socal_focus/commentary/marriage-rights-issue-may-shift-coachella-congressional-race.html" />
    <id>tag:www.kcet.org,2012:/updaily/socal_focus//1239.45985</id>

    <published>2012-05-16T17:30:52Z</published>
    <updated>2012-05-16T17:30:22Z</updated>

    <summary>It didn&apos;t take very long for the consequences Obama&apos;s gay marraige statement to make their mark on the upcoming race to represent the Coachella Valley&apos;s 36th Congressional District.
</summary>
    <author>
        <name>Chris Clarke</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1239&amp;id=2578</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="coachellavalley" label="coachella valley" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gaymarriage" label="gay marriage" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lgbt" label="lgbt" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marybonomack" label="mary bono mack" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="obama" label="obama" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="raulruiz" label="raul ruiz" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="riversidecounty" label="riverside county" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/socal_focus/">
        <![CDATA[<p><img alt="Mary Bono-Mack and Raul Ruiz | photos courtesy the Bono-Mack and Ruiz campaigns" src="http://www.kcet.org/updaily/socal_focus/bonomackruiz.png" width="597" height="322" class="mt-image-none" style="" /></p>

<p>The eyes of the world were on the White House a week ago as President Obama announced his support for the idea of marriage equality, but it didn't take very long for the consequences of that statement to make their mark on the upcoming race to represent the   Coachella Valley's 36th Congressional District.<br />
</p>]]>
        <![CDATA[<p>In an email sent to supporters on Saturday, Democrat Raúl Ruiz, who is challenging incumbent Mary Bono Mack for the seat she's held since 1998, Ruiz pulled no punches in stating his views on the issue of marriage rights for LGBT couples:</p>

<blockquote>I respect that people have deeply held beliefs about gay marriage and that we'll not all agree.  But in the greatest country in the world we should not sanction discrimination, and that is why I support the right of all people to marry. 

<p>I support marriage equality because I am opposed to all forms of discrimination, whether based on gender, race, age, or who you love. The right to marriage should be available to everyone who wants to be in a committed loving relationship.</blockquote><br />
 <br />
When local media tried to get a statement on the issue from Ruiz's opponent, they went away empty-handed. As Representative Bono-Mack's spokesperson Ken Johnson emailed the <a href="http://www.mydesert.com/article/20120510/NEWS0301/205100305/Bono-Mack-stays-mum-Ruiz-backs-Obama">Palm Springs <em>Desert Sun</em>,</a> </p>

<blockquote>"Since this is not a federal issue, Congresswoman Bono Mack prefers to keep her personal beliefs private. This is America. The president has a right to express his opinion, if he chooses. But that doesn't mean other people have to shout out their feelings from a street corner."</blockquote>

<p>This reticence on the representative's part is nothing new. A freelance videographer who ran into Bono-Mack in April at the GLAAD Awards got only a little further. Asked about her position on marriage rights, Bono-Mack let fly with a cloud of rhetorical squid ink and made her escape:</p>

<p><iframe width="597" height="435" src="http://www.youtube.com/embed/MHPitK9Cmgc" frameborder="0" allowfullscreen></iframe></p>

<p>Bono-Mack is clearly walking a <a href="http://www.kcet.org/updaily/socal_focus/commentary/mary-bono-macks-political-tightrope-act-35241.html">political tightrope</a>, and she's not looking particularly secure as she does so. On the one hand, the Congresswoman is not a particularly enthusiastic culture warrior. Her stepson Chaz Bono is a prominent transgender activist, and their relationship gives every indication of being a close one. Bono-Mack enjoys warm support among the Log Cabin Republican set in Palm Springs. She was recently <a href="http://miamiherald.typepad.com/gaysouthflorida/2012/05/ros-lehtinen-bono-mack-vote-against-move-to-stop-obama-from-any-action-in-violation-of-doma.html">one of seven House Republicans to oppose a bill</a> reaffirming the Defense of Marriage Act, the act itself a reaffirmation of her previous opposition to the law. She was one of 15 GOP Representatives to vote to end Don't Ask, Don't Tell. Though her record on LGBT matters isn't blemish-free --  In 1999, for instance, she <a href="http://www.commondreams.org/pressreleases/july99/072999f.htm">supported an attempt to prevent same-sex couples in Washington DC from adopting</a> -- left to her own devices she would likely be as LGBT-friendly as a Republican gets.</p>

<p>But that pesky activist right wing in the GOP demands obeisance from party members, and Bono-Mack is no exception. Her reluctance to sign onto anti-LGBT initiatives, among other things, has eroded her support among the rightmost portions of her party. Her rating by the Christian Coalition, for instance, fell by 51 percentage points between 2004 and 2008. With an effective challenger from the left threatening to siphon away moderate LGBT votes, Bono-Mack would seem to have adopted her own version of Don't Ask, Don't Tell with regard to her position on marriage equality. Or at least the "Don't Tell" part.</p>

<p>That stance in itself is a cession to the likes of the Christian Coalition. To claim that she has no public opinion on marriage equality because it's not a federal issue is basically to agree with the far right's position that states can deny civil rights without running afoul of the Equal Protection clause of the US constitution.</p>

<p>On paper, it's a skillful ploy: letting loose with a rightwing dogwhistle without actually coming out and opposing equal rights for a significant portion of your base. It would likely have worked a couple of years ago. But as events last week have shown, the political climate surrounding marriage rights has shifted radically in the last couple of years. A cautious, triangulating President has stepped up to express his personal support for marriage rights. (Though his policies continue to mirror Bono-Mack's "leave it to the states" position, he said something and that is something.) </p>

<p>While Ruiz's Latino base in Indio and Coachella has not historically been the most gay-friendly of demographics, that seems to be changing. State Assembly member V. Manuel Perez won in the area in 2008 after announcing his opposition to Proposition 8, and a Field Poll in February found that a slim majority of Latino voters in California support same-sex marriage. </p>

<p>The Democratic Party has identified the California 36th as a House district the GOP may well lose in November, and is devoting significant resources to Ruiz's campaign. If the events of the past week are any indication, this may turn out to have been a good call on their part.</p>

<p><em>Chris Clarke is an environmental writer of two decades standing. Director of <a href="http://desertbiodiversity.org">Desert Biodiversity</a>, he writes from Palm Springs regularly at his acclaimed blog <a href="http://faultline.org">Coyote Crossing</a> and comments on desert issues on KCET weekly. Read his recent posts <a href="http://www.kcet.org/user/profile/cclarke">here</a>.</em></p>]]>
    </content>
</entry>

<entry>
    <title>Better Ports, Better Communities, Good Jobs</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/1st_and_spring/commentary/better-ports-better-communities-more-jobs.html" />
    <id>tag:www.kcet.org,2012:/updaily/1st_and_spring//1457.45990</id>

    <published>2012-05-16T17:00:00Z</published>
    <updated>2012-05-16T18:15:31Z</updated>

    <summary>The greening of the twin ports of Los Angeles and Long Beach will help to sustain one of the region&apos;s last big industries.</summary>
    <author>
        <name>D. J. Waldie</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1457&amp;id=16</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Environment" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Transportation" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="containers" label="containers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="goodsmovement" label="goods movement" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="portoflongbeach" label="Port of Long Beach" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="portoflosangeles" label="Port of Los Angeles" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ports" label="ports" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shipping" label="shipping" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/1st_and_spring/">
        <![CDATA[<div> <img alt="This Container Is Green" src="http://www.kcet.org/updaily/1st_and_spring/assets/This%20Container%20Is%20Green.jpg" width="592" height="350" class="mt-image-none" style="" /> <div class="htmlcaption"> </a>| Public domain source </div></div>

<p>The twin ports of Los Angeles and Long Beach are enormous - the largest port facility in the nation, movers of much of the world's goods, and the reason for thousands of jobs. The ports' impact on the environment is enormous, too. Particulates and nitrogen oxides emitted by diesel-powered ships are part of the problem.</p>

<p>To encourage shippers to dock their cleanest and "greenest" ships here, officials of both the Los Angeles and Long Beach ports have begun programs that will reward vessel owners for improvements that reduce emissions beyond the regulatory standards set by the International Maritime Organization.</p>]]>
        <![CDATA[<p>The more a ship uses clean technology beyond what is required by international standards, the more the ports will pay ship's operator as an incentive - as much as $5,250 per docking for ships with the newest engine technology. In ten years, under this and other air pollution mitigation programs, the Long Beach port expects that 90 percent of all ships will run cleaner than those docking today.</p>

<p>Incentives like these are not a complete solution to air quality issues at the ports and in surrounding communities. Rewards are a carrot and they've already been successful in limiting some operating procedures that are polluting. The necessary stick is a requirement that companies leasing port facilities dock only the "greenest" ships. Port lease agreements are supposed to include stricter air quality standards by 2016. That's hardly soon enough.</p>

<p>When "green" ships dock, they'll hook up to an onshore electrical connection and turn off auxiliary diesel generators, a switch underway since 2004. The goal is 80 percent of all ships powered by the onshore electrical grid by 2020. Container movement at the ports is transitioning from diesel to electricity, too. But the new demand will strain the region's electrical generating capacity (with its own pollution issues) and require new or upgraded transmission infrastructure. How costs will be shared between rate payers, the ports, and shipping operators is unclear.</p>

<p>Both ports also are developing cleaner, alternative energy sources, including solar arrays and electrical generators fueled by natural gas. These are comparatively expensive, however, and can't replace all the ports' energy needs.</p>

<p>Enormous and enormously complex, the ports of Los Angeles and Long Beach generate both jobs and environmental challenges. Solving them will keep jobs here and improve the quality of life in portside communities.</p>

<p><em><strong><a href="http://www.kcet.org/user/profile/djwaldie">D. J. Waldie</a></strong>, author and historian writes about Los Angeles on KCET's <strong><a href="http://www.kcet.org/updaily/socal_focus/">SoCal Focus</a></strong> and <strong><a href="http://www.kcet.org/updaily/1st_and_spring/">1st and Spring</a></strong> blogs.</em></p>]]>
    </content>
</entry>

<entry>
    <title>KCET Announces National Syndication Deal with APT to Distribute &apos;Your Turn to Care&apos; Hosted by Holly Robinson Peete</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/about/pressroom/press-releases/kcet-announces-national-syndication-deal-with-apt-to-distribute-your-turn-to-care-hosted-by-holly-ro.html" />
    <id>tag:www.kcet.org,2012:/about/pressroom//667.45968</id>

    <published>2012-05-16T16:00:16Z</published>
    <updated>2012-05-15T19:10:31Z</updated>

    <summary><![CDATA[KCET ANNOUNCES NATIONAL SYNDICATION DEAL WITH APT TO DISTRIBUTE &nbsp;'YOUR TURN TO CARE' HOSTED BY HOLLY ROBINSON PEETE Multi-platform SERIES represents KCET's first large-scale national distribution initiative since becoming independentCaregiving series features leading experts on aging, including acclaimed author Gail...]]></summary>
    <author>
        <name>Meghan Stettler</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=667&amp;id=2627</uri>
    </author>
    
        <category term="Press Releases" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="americanpublictelevision" label="american public television" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="apt" label="apt" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="caregiving" label="caregiving" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hectorelizondo" label="Hector Elizondo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hollyrobinsonpeete" label="Holly Robinson Peete" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="monicaporter" label="monica porter" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="patriciarichardson" label="patricia richardson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertdavidhall" label="robert david hall" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sandratsingloh" label="sandra tsing loh" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stevelopez" label="steve lopez" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yourturntocare" label="your turn to care" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.kcet.org/about/pressroom/">
        <![CDATA[<p class="MsoNoSpacing" style="text-align: center;"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><b>KCET
ANNOUNCES NATIONAL SYNDICATION DEAL WITH APT TO DISTRIBUTE<o:p></o:p></b></span></p>

<p class="MsoNoSpacing" style="text-align: center;"><b><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">&nbsp;'YOUR TURN TO CARE' HOSTED BY HOLLY ROBINSON
PEETE</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></b></p>

<p class="MsoNoSpacing" style="text-align: center;"><a href="http://www.kcet.org/about/pressroom/images/YTTC_hrpeete.jpg"><img src="http://www.kcet.org/about/pressroom/assets_c/2012/02/YTTC_hrpeete-thumb-300x218-23330.jpg" width="300" height="218" class="mt-image-center" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 20px; margin-left: auto; " /></a></p>

<p class="MsoNoSpacing" style="text-align: center;"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
text-transform:uppercase;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in"><b>Multi-platform SERIES represents KCET's first large-scale national
distribution initiative since becoming independent</b></span></p><p class="MsoNoSpacing" style="text-align: center;"><i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Caregiving
series features </span></i><i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;color:black;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in">leading experts on aging,
including acclaimed author Gail Sheehy, as well as personal stories from
Patricia Richardson, Monica Potter, Hector Elizondo, Robert David Hall, Sandra
Tsing Loh and Steve Lopez. </span></i><i><span style="font-size:10.0pt;
font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
color:red;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in"><o:p></o:p></span></i></p>

<span style="font-family: Arial, sans-serif; font-size: 10pt; ">LOS
ANGELES--May 16, 2012--</span><u style="font-family: Arial, sans-serif; font-size: 10pt; "><a href="http://www.kcet.org/"><span style="color:
windowtext">KCET</span></a></u><span style="font-family: Arial, sans-serif; font-size: 10pt; ">, the nation's largest independent public
television station serving Southern and Central California, has announced a
syndication agreement with American Public Television (APT) to distribute its
original series on caregiving, </span><i style="font-family: Arial, sans-serif; font-size: 10pt; ">Your Turn to Care</i><span style="font-family: Arial, sans-serif; font-size: 10pt; ">, hosted by Holly
Robinson Peete. The unique multi-platform series can be seen on public
television stations across the country beginning July 1, 2012. </span><i style="font-family: Arial, sans-serif; font-size: 10pt; ">Your Turn to Care</i><span style="font-family: Arial, sans-serif; font-size: 10pt; "> represents KCET's
first large-scale national distribution initiative since becoming independent.</span>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNoSpacing"><i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in">Your Turn to Care</span></i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in"> explores the challenges facing
America's growing generation of baby boomers who are taking care of ailing or
aging loved ones.&nbsp; APT will distribute
four 30-minute <i>Your Turn to Care </i>programs that focus on the caregiving
journey, as told by the caregivers themselves. Their personal stories offer
hope as well as solutions and resources.&nbsp;
</span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
color:black">To date, more than 70 public television stations have placed the
series in their schedules</span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">.<o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNoSpacing"><i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in">Your Turn to Care</span></i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in"> episodes will also air on
producing station KCET in Los Angeles, the country's 2<sup>nd</sup> largest
market. The series aired in its entirety on KCET this spring and<span style="color:red"> </span>12 segments also ran on its award-winning news
magazine <i>SoCal Connected</i>. <o:p></o:p></span></p><p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in"><br /></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Viewers
can also access the program's robust companion web site where the series can be
seen in its entirety along with additional content provided through 50 videos
and 40 articles (<a href="http://www.yourturntocare.org/"><span style="color:windowtext;text-decoration:none;text-underline:none">www.yourturntocare.org</span></a>).
This video-rich web content includes extended interviews and back stories /
updates on the participants, helpful links and resources as well as tips from
guest experts.</span></p><p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><br /></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">"We
are pleased to be able to share this exceptional series with stations
everywhere as caregiving has become an increasingly important part of a
national dialogue," said Bret Marcus, KCET's chief content officer. &nbsp;"These are remarkably complicated issues
affecting millions of people every day. We are confident the series will help
viewers carve out their own approach to handling some of these very difficult
and emotional caregiving challenges and not feel alone in the process." <br />
&nbsp;<o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">One</span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;"> third of the U.S.
adult population plays a caregiver role including 31% of all households. These
caregivers provide an average of 20 hours of care per week, according to a
recent <a href="http://www.prnewswire.com/news-releases/almost-one-third-of-us-adult-population-plays-caregiver-role-in-households-across-america-657-million-caregivers-78765292.html">study</a>
by the MetLife Foundation.</span></p><p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;"><br /></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Host
Robinson Peete, an acclaimed actress and award-winning author, shares her own
experiences of caring for her father who had Parkinson's disease.&nbsp;&nbsp;Viewers will also hear personal
caregiving stories from </span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
mso-fareast-font-family:&quot;Times New Roman&quot;;color:black;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in;mso-bidi-font-style:italic">Patricia
Richardson (<i>Home Improvement</i>), Monica Potter</span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in"> (<i>Parenthood</i>), Hector Elizondo (<i>Last
Man Standing</i>), Robert David Hall (<i>CSI
Crime Scene Investigation</i>), Sandra Tsing Loh (NPR's <i>Morning Edition</i>, KPCC) and Steve Lopez (<i>Los Angeles Times</i> columnist). </span><i><span style="font-size:
10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
color:red;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in">&nbsp;</span></i></p><p class="MsoNoSpacing"><i><span style="font-size:
10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;
color:red;border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;
padding:0in"><br /></span></i></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">In
addition, several expert voices across Southern California help contextualize
complex caregiving issues for viewers. They include:</span></p>

<p class="MsoNoSpacing"></p><ul><li><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Gail
Sheehy, best-selling author&nbsp;of</span><span style="font-size:10.0pt;
font-family:&quot;Arial&quot;,&quot;sans-serif&quot;">&nbsp;<span style="border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in">16 books on key passages of
adulthood, including&nbsp;her most recent, </span><i>Passages in Caregiving: Turning Chaos into Confidence</i></span></li><li><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Dr.
Gary Small, a renowned expert at UCLA who studies longevity, aging, Alzheimer's
prevention and memory, and best-selling author of seven books, including&nbsp;</span><i><span style="font-size:10.0pt;font-family:
&quot;Arial&quot;,&quot;sans-serif&quot;">The Alzheimer's Prevention Program</span></i></li><li><span style="font-family: Arial, sans-serif; font-size: 10pt; ">Professor
Fernando Torres-Gil, director of the Center for Policy Research on Aging at
UCLA, and author of&nbsp;</span><span style="font-family: Arial, sans-serif; font-size: 10pt; ">more than 80 articles and
six books, including&nbsp;</span><i style="font-family: Arial, sans-serif; font-size: 10pt; ">The New Aging:
Politics and Change in America</i></li><li><span style="font-family: Arial, sans-serif; font-size: 10pt; ">Dawn
Clark-Johnson, eldercare attorney</span></li><li><span style="font-family: Arial, sans-serif; font-size: 10pt; ">Shawn
Herz, Director, Los Angeles Caregiver Resource Center</span></li><li><span style="font-family: Arial, sans-serif; font-size: 10pt; ">Molly
Forrest, Director, LA Jewish Home</span></li></ul><p></p>

<p class="MsoNoSpacing"><i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in">Your Turn to Care</span></i><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;border:none windowtext 1.0pt;
mso-border-alt:none windowtext 0in;padding:0in"> is produced by KCET with
executive producer Margaret Hussey, and Bret Marcus, KCET's chief content
officer. The initiative is made possible by MetLife Foundation, California
Community Foundation, The Lippey Family Trust and Gladyce L. Foster.&nbsp; For more information, please visit: <a href="http://www.kcet.org/shows/yourturntocare/about/">http://www.kcet.org/shows/yourturntocare/about/</a><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><o:p>&nbsp;</o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><b>ABOUT
HOLLY ROBINSON PEETE</b></span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Actress,
author, talk show host, activist and philanthropist, Holly Robinson Peete has
been touched by the entertainment industry all of her life.&nbsp; Her
television career as an actress dates back nearly three decades. Her life
experience has led her to becoming a voice for her father, her son and her
community.</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">&nbsp;</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">In
1996, Robinson Peete and her husband, former NFL quarterback Rodney Peete,
formed the HollyRod Foundation, inspired by her father's courageous battle with
Parkinson's disease, with the mission to help improve the quality of life of
people with Parkinson's. Then in 2005, inspired by their oldest son's autism
diagnosis, HollyRod Foundation's mission expanded to provide access to
treatment, support and other resources to disenfranchised families affected by
autism.&nbsp; Through HollyRod Foundation and her family's personal
experiences, Robinson Peete has become an advocate for consistent and reliable
education, support and compassionate care for both Parkinson's and
autism.&nbsp;&nbsp;</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">&nbsp;</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Her
autism advocacy also extends to her book co-written with daughter, Ryan
Elizabeth Peete. In 2010, they released their award winning children's picture
book about autism from the sibling's perspective, entitled&nbsp;<i>My Brother
Charlie&nbsp;</i>(Scholastic).&nbsp; A follow up book exploring autism and
adolescence is due out in 2012.</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">&nbsp;</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">Over
the years, Holly has received numerous&nbsp;accolades and awards for her
philanthropic work : from the&nbsp;<i>Anheuser Busch John E. Jacob Community
Service Award to&nbsp;</i>her most recent honor,&nbsp;Thurgood Marshall
Foundation Award.&nbsp;In addition to her philanthropic work through her own
foundation, Robinson Peete has become involved in other organizations as
well.&nbsp; She currently sits on the Board of Directors of&nbsp;<i>Autism
Speaks,</i>&nbsp;the&nbsp;<i>Greater Los Angeles Zoo Association (GLAZA)</i>&nbsp;and
the&nbsp;<i>Keck School of Medicine of USC</i>.</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size: 10pt; font-family: Arial, sans-serif; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-top-color: windowtext; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top-width: 1pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-image: initial; padding-top: 0in; padding-right: 0in; padding-bottom: 0in; padding-left: 0in; ">&nbsp;</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in"><b>ABOUT
KCET</b></span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;"><o:p></o:p></span></p>

<p class="MsoNoSpacing"><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;
border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">On-air,
online and in the community, KCET plays a vital role in the cultural and
educational enrichment of Southern and Central California. KCET offers a wide
range of award-winning local programming as well as the finest public
television programs from around the world. KCET currently produces the Emmy®,
duPont-Columbia and Peabody Award-winning&nbsp;<i>SoCal Connected</i>, a
hard-hitting prime-time weekly television news program that examines the issues
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border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">ABOUT
APT</span><span style="font-size:10.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;"><o:p></o:p></span></p>

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border:none windowtext 1.0pt;mso-border-alt:none windowtext 0in;padding:0in">#
# #</span><span style="font-size: 10pt; font-family: Arial, sans-serif; "><o:p></o:p></span></p> ]]>
        
    </content>
</entry>

<entry>
    <title>All Roads Lead to SLO </title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/arts/artbound/counties/san-luis-obispo/all-roads-lead-to-slo.html" />
    <id>tag:www.kcet.org,2012:/arts/artbound//1834.45988</id>

    <published>2012-05-16T07:30:00Z</published>
    <updated>2012-05-16T02:37:55Z</updated>

    <summary>San Luis Obispo County is a landmark destination with a cultural heritage paved by the historic El Camino Real. Today the region is a stronghold of cultural entrepreneurialism with urban transplants and long-time residents working together to enhance the cultural identity and history of the county. 
</summary>
    <author>
        <name>Pedro Inzunza Arroyo and Catherine J. Trujillo</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1834&amp;id=6300</uri>
    </author>
    
        <category term="Multi-Disciplinary" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="San Luis Obispo" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/arts/artbound/">
        <![CDATA[<p><em><a href="http://nothinghappenedhere.org">Art & Culture Along the El Camino Real</a>: Travel along the coastal route of the El Camino Real with writer Pedro Arroyo and curator Catherine Trujillo as they explore the rich and diverse cultural and artistic identity of San Luis Obispo County incorporating personal narratives, photography, art, infographics, and sound.</em></p>

<p>San Luis Obispo County is a landmark destination with a cultural heritage paved by the historic El Camino Real.  The region is wrapped in a pristine landscape fastened on its history and arts, with a "SLO Town" ethos, described by locals as a slow-paced and relaxed way of life without the big city hubbub. This Royal Highway has brought thousands of people to San Luis Obispo County. Spanish explorers, Dust Bowl refugees, Chinese railroad workers, Japanese farmers, Swiss-Italians, media mogul William Randolph Hearst, beat poet Jack Kerouac, James Dean, Mexican film star Pedro Armendariz and architects Julia Morgan, Richard Neutra, and Frank Lloyd Wright have left their mark on the area.  Most recently indigenous people from Oaxaca and Michoacan call the Central Coast home and bring their music, art and culture too.  Today the region is a stronghold of cultural entrepreneurialism with urban transplants and long-time residents working together to enhance the cultural identity and history of the county. </p>

<p>The iconic El Camino Real provides a backdrop for some of the historic and emerging communities in San Luis Obispo County. The artistic life of the county is just as diverse as the region and its people.</p>

<p><u>A cross-cultural cartography of the region</u> <br />
Driving along Monterey Street, in the historic center of town, the "Live Music" sign leans in front of an antique store and seems oddly out of place. An artist in her golden years, Diana Domenghini holds court at the Antique Center which her younger brother (aged 80) owns in the City of San Luis Obispo, California. She is 82 years old, and still very striking. Her hair is worn long and styled.  An artist and musician, she performs live music every Saturday at the Antique Center on a Yamaha keyboard.</p>

<p><img alt="Diana Domenghini." src="http://www.kcet.org/arts/artbound/images/SLO4.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>A native of San Luis Obispo, Domenghini grew up in See Canyon and Avila Beach. Both her mother and father came to the region by way of the Azores off the coast of Portugal, like hundreds of other Portuguese immigrants. Encouraged by her family, she learned to play the piano. Music was all around her. Guitars and harps lounged in their parlor; Domenghini played waltzes on a player-piano while her family danced. She eventually married into a Swiss-Italian family and ran one of the last dairy farms in San Luis Obispo County with her husband. There she built a ranch called La Paloma (the dove) where they played host to many California dignitaries including Ronald Reagan and Bob Hope.  The ranch has a small studio where she paints and teaches art classes.</p>

<p><img alt="Diana Domenghini in front of the Antique Center." src="http://www.kcet.org/arts/artbound/images/SLO3.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Claiming no title or ability to track time, she has many occupations, many different lives. She worked for William Randolph Hearst during his reign at his coastal estate known today as Hearst Castle. She took flight training classes at Cal Poly's aeronautics department, during a period when the university was only open to male enrollment. Later, she pilotted a small, Cessna 206 bush plane for the County Sheriff.  Casual conversations with her reveal her past jobs: Psychologist, musician, massage therapist, minister, spiritualist, rancher, and art teacher.  </p>

<p><img alt="Diana Domenghini and her brother, George Martines." src="http://www.kcet.org/arts/artbound/images/SLO1.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Eccentricity is not a job, but at this, she excels. Her spiritualist qualities stem from a childhood experience that has shaped her life outlook, and connected her to a world beyond. "My art and music is enthused by the out-of-body experiences I have had in my life," she explains. "I first learned about astral projection when I was in High School during WWII. I developed pneumonia and began to have this weird sensation that began simultaneously at my feet and my head and met at my center. I was taken to a place that was out of the world as I knew it. And the colors were like, wow" She sighs heavily and continues the story. "I was left for dead. They covered me with a sheet and took me to the cold-box at the hospital. That's when I came back. The doctors and nurses fell over in shock that I was really quite alive!" </p>

<p>Music and painting are her main passion now. In the Antique Center, tourists fresh from stepping off Amtrak wander up to Domenghini and she invites them to sing with her.  She smiles broadly through her bifocals, encouraging the signing and giving them a double hug.  She shares her sage advice for a long life, "I say 'thank you' before I even get out of bed in the morning."</p>

<p><u>Temple of the People in Halcyon</u><br />
Chris Thyrring is a jovial man, busily readying the Temple of the People for a community Easter egg hunt in Halcyon. He wears a baseball cap with the number 93421 imprinted on the front, the zip code of this small South County township. Halcyon was established in 1898 as a Theosophist community and is the home to the religious arts and sciences organization, The Temple of the People. Thyrring has been a member for 41 years.</p>

<p><img alt="Blue Star Memorial Temple designed by architect Theodore Eisen, Temple of the People, Halcyon." src="http://www.kcet.org/arts/artbound/images/SLOBlue%20Star%20Memorial%20Temple%20designed%20by%20architect%20Theodore%20Eisen%2C%20Temple%20of%20the%20People%2C%20Halcyon.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>The Temple's motto is enshrined over the entry arbor, "Creeds Disappear, Hearts Remain," with a small measure of their objective to promote the study and practice of the arts, sciences, and the fundamental facts and laws on which the sciences are based.  The most prominent work of art is the Temple itself, the Blue Star Memorial Temple.  Built in 1923 and designed by architect Theodore Eisen of Los Angeles, it is named in honor of the Temple's founder Francia LaDue. Temple literature describes the building in arithmetical metaphors: "Like other sacred constructions such as Stonehenge, the pyramids of Egypt and México, the temple was built on lines of mathematical and geometrical symbolism." One of the key numbers used in the design is the number seven with their belief that seven is the key number of the universe. The building is a convex equilateral triangle shape with triangular windows, rooflines, and altars with numeric symbolism in every detail. </p>

<p><img alt="Blue Star Memorial Temple." src="http://www.kcet.org/arts/artbound/images/SLOBlue%20Star%20Memorial%20Temple.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>The Hiawatha Lodge, which serves as the social center, houses The Temple's permanent art collection, primarily by artist Harold Forgostein, who integrated Theosophy with Native American culture into his art. The walls of the social center include a series of twenty-four paintings depicting events in the life of the Native American leader Hiawatha, founder of the Iroquois confederacy. Forgostein was a deep student of Theosophy and the Temple teachings and served as the fourth Guardian of the Temple in 1968, until his death in 1990.</p>

<p><img alt="Halcyon Hotel and Sanitorium." src="http://www.kcet.org/arts/artbound/images/SLO2.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Music plays prominently in the writings and ceremonies of the Temple. American composer and pianist Henry Cowell became involved in Theosophy when he befriended poet and amateur musician and then-leader of Halcyon, John Osborne Varian. Cowell's music is featured at the temple, many of which he wrote during his time at Halcyon. His first complete opera <em>The Building of Bamba</em>, to the words of Varian, takes place in Halcyon, California. </p>

<p><img alt="Actress and playwright Jane Scott reads over her reader's theatre piece titled 'Voices from Halcyon'." src="http://www.kcet.org/arts/artbound/images/SLOActress%20and%20playwright%20Jane%20Scott%20reads%20over%20her%20reader%E2%80%99s%20theatre%20piece%20titled%20%E2%80%9CVoices%20from%20Halcyon%E2%80%9D%20.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Musicians and artists continue to congregate to the Temple. Internationally-known folk-art singer songwriter Ivan Ulz splits his time between Greenwich Village and Halcyon, and is a 40-year member of the Temple. Frequently performing solos at the Sunday morning "Feast of Fulfillment" services for the Temple, he says his music is very much influenced by the meditative non-denominational setting. "I drifted into the Temple post-60's and never looked back."  Actress and playwright Jane Scott has also found inspiration from the Temple. She wrote and produced a reader's theatre piece titled "Voices from Halcyon" which depicts the founding of the community of Halcyon by the early Theosophists and the artists and spiritualists who frequented the Temple. </p>

<p><u>Poetry off the Beaten Path</u><br />
Gathered in a small cafe along the Los Osos Valley corridor, poet Ray Clark Dickson reads a line from one of his poems, "Sounds I Forgot to tell Jack Kerouac." A nonagenarian with an artistry imbued to his voice, Dickson spent a year in Mexico City writing in the same circles as Jack Kerouac. His lyrical voice stems from his experience as a jazz drummer and leader of a 12-piece Big Band he formed during college at the University of Oregon. Cal Poly Professor Kevin Clark describes Dickson as a raconteur of the lyrical narrative "whose poems live in the improvisational git-go bridge between the elegiac basso and the transcendent alto." </p>

<p><img alt="Ray Clark Dickson." src="http://www.kcet.org/arts/artbound/images/SLORay%20Clark%20Dickson.jpg" width="580" height="319" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Balancing a book of his poetry in one hand and gesturing his other in rhythm with his words, Dickson interrupts his own reading to share a recent conversation he had with his son. "My son called me and said 'Dad you know your poem Lady in Red is all over YouTube?' All I could respond was 'how in the hell do I wipe it off?"</p>

<p><iframe width="580" height="423" src="http://www.youtube.com/embed/j4gtS9yjSvM" frameborder="0" allowfullscreen></iframe></p>

<p><em>These are some of the personalities and communities who serve as guardians and modern day cultural explorers of San Luis Obispo County. Next time, El Camino Real takes readers to the rural San Miguel studio of painter David Scott Settino, watercolor artist Tracy Taylor in San Luis Obispo, painter and political provocateur Mark Bryan in Arroyo Grande and meet David Gurney's playful Dia de Los Muertos sculptures in his Nipomo studio.  El Camino awaits those willing to travel the road.</em></p>

<p><strong>Dig this story? <a href="http://www.kcet.org/arts/artbound/vote/">Vote </a>by hitting the Facebook like button above and tweet it out, and it could be turned into a short video documentary. Also, follow Artbound on <a href="https://www.facebook.com/kcetartbound">Facebook</a> and <a href="http://twitter.com/KCETArtbound">Twitter</a>. </a></strong></p>

<p><em>Top Image: Diana Domenghini.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Salt Songs to Break Your Heart</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/arts/artbound/counties/san-bernardino/salt-songs-to-break-your-heart.html" />
    <id>tag:www.kcet.org,2012:/arts/artbound//1834.45989</id>

    <published>2012-05-16T07:30:00Z</published>
    <updated>2012-05-16T16:39:58Z</updated>

    <summary>On a bright day in Twentynine Palms, Chemehuevi Indian Salt Song singer Matthew Leivas invoked the memory of native people who came before.</summary>
    <author>
        <name>Ruth Nolan</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1834&amp;id=6257</uri>
    </author>
    
        <category term="Disciplines" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="San Bernardino" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/arts/artbound/">
        <![CDATA[<p>It's a windy, bright spring day at the Joshua Tree National Park's Visitor Center at the Oasis of Mara, in Twenty-nine Palms. A small group of people stand in the preternaturally vivid sunshine that the Mojave Desert is so famed for on the south side of a cluster of palm trees, indigenous to the area, intently concentrating, waiting for the ceremony to begin. </p>

<p>At the center of the circle of people is a solid, dark-haired man, who beings to rhythmically and soulfully chant and sing, and he shakes, with practiced precision, a surprisingly large, loud gourd rattle that is painted a deep red with black patterns, and filled with dried palm tree seeds. The wind blows in fitful gusts, so hard that at one point, it blows one of the desert's indigenous residents, a huge raven, sideways when it tries to lift off. </p>

<p>But the music and rhythm and singing never stop. And that's when I notice the tears in the eyes of the singer, desert native and Chemehuevi Indian Salt Song singer Matthew Leivas, Sr., and am surprised to feel tears welling up in my own eyes, too. I know intuitively I am participating in these songs, not only observing, but really feeling them, although the words are sung in a language I've never heard, Chemehuevi. I ponder the words of Salt Song Singer Larry Eddy, whose words Leivas quoted before he began to sing: "I'm going to sing you these songs. But before I sing these songs, I'm going to break your heart."</p>

<p>The songs, Leivas told us before he began to sing, bring the singer and listeners back to "a time when all of creation was connected, when there was no separation, back to the thread of continuity between spirit, people, and the geography of the plants, animals and land." The Salt Songs are at the core of Chemehuevi life, and they were, until a decade ago, almost entirely forgotten. "Doing the Salt Songs brings back all of creation again," he says.<br />
<iframe width="580" height="315" src="http://www.youtube.com/embed/rg-bi83mMSI" frameborder="0" allowfullscreen></iframe><br />
The raven tries to lift its heavy wings again, and then waits on a palm frond, just above Leivas's head, as if it would much rather sit in the pulse of the rattle and human song than brave the wind, wherever it might take him. Even a small cluster of red ants, who were frantically scrambling before Leivas unwrapped his gourd rattle carefully from a bandanna and began to sing, have stopped, and gathered, spellbound, as if they know that they, too, are part of the cycle of songs.</p>

<p>I've come today for a weekend class to Joshua Tree National Park - celebrating its 75th anniversary this year - offered by the Park's Desert Institute, which offers classes and lectures to the general public in the spring, winter, and fall in the sciences, culture, and the arts as they pertain to the Mojave Desert and in particular, to the area encompassed by and surrounding the park. Leivas, who lives at Lake Havasu on the Chemehuevi Indian Reservation, 100 miles east of here, has come today to sing. In fact, as he's told us earlier in the day, today's ceremony is only a foreshadowing of a weekend of ceremonies, featuring Leivas and other Salt Songs Singers at the upcoming Chemehuevi Days June 1-3 at Lake Havasu Landing.</p>

<p>Before Leivas began to sing, he shared the knowledge and wisdom imparted by the formation of the Salt Song Trail Project, sponsored by the Storyscape Project of the Cultural Conservancy at San Francisco State University under the direction of Philip M. Klasky and Dr. Melissa Nelson, as well as the guidance of Chemehuevi elders including Leivas and Vivienne Caron Jake (Kaibab Paiute) that began a little over ten years ago to resuscitate, revive, and re-connect the endangered stories, songs, languages and the protection of ancetral lands. The songs of the Salt Song Trail, which have been sung for centuries by the Chemehuevi, and their affiliated members of the total of 14 bands of Nuwuvi, or Southern Paiute, people, whose territory ranges through the Mojave Desert, southeastern Nevada, southwestern Utah, and northwestern Arizona. </p>

<p>Until a little over a decade ago, little academic or anthropological research had been done to study and learn about the desert's native American people, including the Chemehuevi. Although he gave much attention to the nearby Palm Springs-area Cahuilla Indian people, famed anthropologist Alfred L. Kroeber - noted for his early 20th century studies of Ishi, reputed to be the last Yahi Indian of California, very little about the Chemehuevi in his still widely-referenced Guidebook to the California Indian, published in 1925. Carobeth Harrington Laird, who was married first to the noted linguist John Peabody Harrington and spent many years among the Chemehuevi -- and as the wife of George Laird -- is perhaps the only Euro-American researcher/writer who gave a fairly comprehensive nod to the Chemehuevi, in her books The Chemeheuvi (1976), and Mirror and Pattern (1984,) both published by Malki Museum Press in Banning many years after her actual time spent among the Chemehuevi population, in the 1920s and 1930s. </p>

<p>Despite the outstanding contributions made by Laird, remarkable as they are, the widespread cultural decimation and displacement of the majority of California Indian people, including the Chemehuevi that occurring in the latter half of the 19th and early part of the 20th centuries took a heavy toll on their population, not to mention their cultural practices and preservation. In addition, the continuity of their cultural practices and identity was further broken down by the federal government's relocation of many Indian children, including Chemehuevis, to government boarding schools; Leivas himself attended the Sherman Institute in Riverside, CA  in the 1960's.  But now, in the early 21st century, thanks to the efforts of Leivas, the many other Southern Paiute working towards the reinstatement, practice and preservation of the Salt Songs, and the Cultural Conservancy - along with the Native American Land Conservancy, headed by Kurt Russo and based in Indio - has elicited a new and serious academic and indigenous understanding, preservation and perpetuation of the indigenous culture and lives of the Chemehuevi Indians of the Mojave. </p>

<p>And the songs of the Salt Song Trail. We are hearing just a few of them today, as rendered by Leivas. According to the Cultural Conservancy Storyscape Project, "the Salt Songs are the sacred songs of the Nuwuvi people and describe a physical and spiritual landscape spanning ocean and desert, mountains and rivers, life and death." The songs themselves form, as a whole, a ceremonial trail that connects the sacred places and locations into a long, continuous loop, and reveals the complex relationship between people, place, and story. </p>

<p>The Oasis of Mara was once a well-used Chemehuevi village site until the time of the Willie Boy tragedy. Then the small group of Chemehuevi living there were re-located to the Coachella Valley and designated as the 29 Palms Band of Cabazon Indians. Still, the strong presence and resonance of Chemehuevi life remains here, testimony to the enduring, living legacy of these desert people, and the Salt Songs, themselves. In a desert known for its widely-spaced surface water sources and oases, this was, and remains, one of the highly-valued places of water, shelter, rest and renewal. Part of the oasis is now inhabited by the 29 Palms Inn, which is known, in part, for its huge garden, which provides the restaurant there with fresh food. According to Leivas, who is also a leader in the renewal of indigenous farming and agriculture practices at the Lake Havasu/Chemehuevi Reservation, many plants used traditionally for his tribe as food, medicine, and more, are grown here.</p>

<p>The sun has discernibly lowered on this beautiful, motion and emotion-filled afternoon on those of us who stand in reverence and awe to hear but a few of the centuries-old songs of the Salt Song Trail -- whose entire cycle comprises 142 songs and takes from sunset to sunrise to sing -- being sung so powerfully, so beautifully, and so heartbreakingly.</p>

<p>We have been told earlier that Leivas must leave the Oasis of Mara and be on his way well before dark. His presence and his singing are continually requested throughout the desert southwest. He has a long drive home. And then there is his involvement with his tribe's farming renewal and sustainability projects back home. Not to mention the educational trips he leads to the desert's Old Woman Mountains Preserve, another area visited and named in the Salt Songs, in his work with the Native American Land Conservancy. He's also helping prepare for the long weekend ahead at Chemehuevi Days early next month.</p>

<p>But Leivas sings and shakes his gourd rattle powerfully, on and on, while we all stand, alongside the perched raven and the cluster of ants, enraptured by his compelling songs. These are the songs of the ancestors, of the desert dwellers of yesterday, today and tomorrow, all harmonized into one. I look to the west; the sunset is just beginning to flush the horizon into a hue of pink and red, and is sharply backlit by a montage of Joshua Trees. A coyote darts behind a large creosote bush, and several people walk towards the park visitor center. And here, the songs continue on. And for just this sunlit moment of time, even if just a tiny wink in the bigger diorama of desert place and life, we become part of the song, just as this song belongs to yet another song.</p>

<p><strong>Dig this story? <a href="http://www.kcet.org/arts/artbound/vote/">Vote </a>by hitting the Facebook like button above and tweet it out, and it could be turned into a short video documentary. Also, follow Artbound on <a href="https://www.facebook.com/kcetartbound">Facebook</a> and <a href="http://twitter.com/KCETArtbound">Twitter</a>. </a></strong></p>

<p><em>Top Photo: Matthew Leivas, Sr, Chemehuevi Indian of the Chemeheuvi Reservation, California.<br />
Credit: Ruth Nolan</em></p>]]>
        
    </content>
</entry>

<entry>
    <title>Liquid Tuesday: American Craft Beer Week!</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/food/socal-spirits/liquid-tuesday-american-craft-beer-week.html" />
    <id>tag:www.kcet.org,2012:/socal/food//1240.45960</id>

    <published>2012-05-16T03:59:21Z</published>
    <updated>2012-05-16T02:01:12Z</updated>

    <summary>Celebrate American Craft Beer Week with a selection of great events throughout Southern California.</summary>
    <author>
        <name>Farley Elliott</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1240&amp;id=5876</uri>
    </author>
    
        <category term="SoCal Spirits" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="americancraftbeerweek" label="American Craft Beer Week" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="atwatervillage" label="Atwater Village" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="burbank" label="burbank" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="craftbeer" label="craft beer" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="elsegundo" label="El Segundo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="koreatown" label="koreatown" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taptakeover" label="tap takeover" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/food/">
        <![CDATA[<p><img src="http://www.kcet.org/socal/food/BeerFromAbove051412.jpg" width="600" height="400" class="mt-image-none" style="" />People with a predilection for the vino or bubbly, avert your eyes. Better yet, pull down the shades and stay inside for the next few days, because for the rest of us, it's <a href="http://www.craftbeer.com/pages/news-and-events/american-craft-beer-week">American Craft Beer Week</a>! That's right, a weeklong raising of glasses nationwide to celebrate those small-batch geniuses who keep us on our barstools. </p>

<p>You likely won't be able to drive more than a mile or two in any direction without stumbling upon some sort of mini-celebration in accordance with American Craft Beer Week. Out east, <strong><a href="http://www.kcet.org/events/2012/05/tap-take-back-at-golden-road-brewing.html">Golden Road Brewing</a></strong> is turning their taps back over to some of the best beers they've come across in the short amount of time they've been open. That means rare pours, collaborations, and all sorts of madness behind the bar. Just a few miles away, Tony Yanow will be keeping himself busy at <strong><a href="http://www.kcet.org/events/2012/04/firestone-walker-night-at-tonys-darts-away.html">Tony's Darts Away</a></strong> with a night of Firestone Walker beers. They're driving down the coast with some out-of-stock selections that you won't want to miss. </p>

<p>More centrally located, Koreatown's <strong><a href="http://www.kcet.org/events/2012/05/the-bruery-anniversary-celebration-at-beer-belly.html">Beer Belly</a></strong> is putting Wednesday night to good use as they host yet another leg of The Bruery's fourth anniversary celebration. Like the previous versions from the well-known OC brewers, expect a keg of their rare Fruet to be tapped and quickly depleted. Or, if you're headed to the beach this weekend, consider stopping off near the airport (ugh, we know) to try the newest double IPA from<strong><a href="http://www.kcet.org/events/2012/05/one-year-anniversary-at-el-segundo-brewing.html"> El Segundo Brewing</a></strong>. They're celebrating one year in the game with their first ever batch of the hoppy stuff, and have planned a VIP celebration that includes custom growlers and first-in-line fills of their newest creation. $50 gets you in the door early, or hold out until 2pm to get in with everyone else.</p>

<p>There are plenty of craft beer spots around town worth celebrating, so head out to your local hotspot. There's a better than even chance that they'll be having some sort of fun for American Craft Beer Week. </p>

<p>For more food and drink events visit <a href="http://www.kcet.org/events/food/">kcet.org/events/food</a>.</p>

<p><em>Image by flickr user <a href="http://www.flickr.com/photos/whoshotya/3715029879/">whoshotya</a>.</em><br />
<hr></p>

<p><strong>Eat better by following KCET Food on <a href="http://www.facebook.com/KCETFood">Facebook</a>, <a href="http://twitter.com/#!/KCETFood">Twitter</a>, and <a href="http://socalfood.tumblr.com">Tumblr</a>.</strong></p>]]>
        
    </content>
</entry>

<entry>
    <title>The Big Parade: Route for L.A.&apos;s 35-Mile Urban Hike Over 101 Stairways Announced</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/socal_wanderer/outdoors/the-big-parade-route-for-las-xx-mile-urban-hike-announced.html" />
    <id>tag:www.kcet.org,2012:/socal/socal_wanderer//1376.45980</id>

    <published>2012-05-16T00:30:07Z</published>
    <updated>2012-05-16T00:37:09Z</updated>

    <summary>It&apos;s an urban hike that&apos;s not just about exercise, but about seeing Los Angeles while meeting and walking with your neighbors. It&apos;s also one of the coolest experiences that you can have in this city.</summary>
    <author>
        <name>Zach Behrens</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1376&amp;id=1764</uri>
    </author>
    
        <category term="Outdoors" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="dogfriendlyoutdoors" label="dog friendly outdoors" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="downtownla" label="downtown la" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="echopark" label="echo park" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="franklinhills" label="franklin hills" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="griffithpark" label="griffith park" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hollywood" label="hollywood" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="losfeliz" label="los feliz" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="secretstairs" label="secret stairs" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="silverlake" label="silver lake" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="urbanexploring" label="urban exploring" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="urbanhiking" label="urban hiking" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/socal_wanderer/">
        <![CDATA[<div><img alt="" src="http://www.kcet.org/socal/socal_wanderer/big-parade-2012c.jpg" width="600" height="401" class="mt-image-none" style="" /><div class="htmlcaption">At the 2011 Big Parade | Photo: Courtesy <a href="http://www.flickr.com/photos/dropdeadsuit/5747211199/in/set-72157626656154681/">Casey Schreiner</a>/<a href="http://www.modernhiker.com/2011/05/31/big-parade-l-a-recap/">Modern Hiker</a></div></div>

<p><a href="http://bigparadela.com/">The Big Parade</a>, now in its fourth year, returns this weekend. It's an urban hike that's not just about exercise (although you'll get plenty of it), but about seeing Los Angeles -- its past and present -- while meeting and walking with your neighbors. It's also one of the coolest experiences, up there with <a href="http://www.kcet.org/updaily/socal_focus/health/4-families-on-why-they-came-out-to-ciclavia-32168.html">CicLAvia</a>, that you can have in this city. </p>

<p>At 35 miles between downtown and the Hollywood Sign over two days (through <a href="http://www.kcet.org/socal/departures/chinatown/">Chinatown</a>, Echo Park, Silver Lake, Franklin Hills, Los Feliz, and the Hollywood Hills), the walk is not in a straight line, but zig-zags and circles around neighborhoods in order to walk up and down over 100 public "secret stairs" that once served residents in a period of time when the city was better served by public transportation (if you haven't seen our web episode about them, <a href="http://www.kcet.org/socal/socal_wanderer/outdoors/secret-stairs-los-angeles-video.html">watch it here</a>). </p>]]>
        <![CDATA[<p><img alt="Detail of the route for day two" src="http://www.kcet.org/socal/socal_wanderer/big-parade-map-2012.jpg" width="600" height="339" class="mt-image-none" style="" /></p>

<p>Before the prospect of a two-day commitment and all those miles scare you off, let me just say that I've never personally done the whole thing, each year joining for an afternoon and easily making an exit close to where I started. That's part of the genius of organizer Dan Koeppel who has designed loops within the longer hike. There are five in total: four on Saturday, one on Sunday; here's the rundown:</p>

<ul><li>Saturday's first loop begins with the first step of the whole parade -- 8 a.m. at Angel's Flight -- and lasts two miles and one hour. 
<li>For the larger downtown loop, add another hour and a half and you'll end up at the Chinatown Metro Gold Line station where you can easily ride the Gold and Red lines back Angel's Flight at the Red Line Pershing Square station. 
<li>Later on at 2 p.m. is the five-mile main loop in Echo Park that covers 20 staircases in about two and a half hour's time (this year the <a href="https://
www.facebook.com/EchoParkPDA">Echo Park Art Walk</a> will be taking place at the same time so you'll see that, too). This loop will take you to L.A.'s longest stairway and gives you a chance to visit some local art landmarks, "including," according to Koeppel's step-by-step guide, "the former cabin residences of pioneering Echo Park artists Paul 
Landacre and Edward Middleton Manigault, who literally died to preserve the purity of his 
work."
<li>Later at 6 p.m. is the two-mile Angelino Heights loop, a chance to walk among the beautiful victorian homes on Carroll Street. 
<li>Sunday's five-mile main loop begins at 9 a.m. outside La Mill Coffee in Silver Lake. It will take about three and a half hours and includes a tour of area architecture and history.</ul>

<div><img alt="" src="http://www.kcet.org/socal/socal_wanderer/big-parade-staircase-2012.jpg" width="300" height="451" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><div class="htmlcaption">At the 2011 Big Parade | Photo: Courtesy <a href="http://www.flickr.com/photos/dropdeadsuit/5747134989/in/set-72157626656154681">Casey Schreiner</a>/<a href="http://www.modernhiker.com/2011/05/31/big-parade-l-a-recap/">Modern Hiker</a></div></div>Those are just the loops and do not include "a gritty and little-known pathway that threads between the two halves of the Pasadena Freeway,"<a href="http://www.kcet.org/socal/departures/lariver/"> the L.A. River</a>, the famous Music Box Stairs (<a href="http://www.kcet.org/socal/socal_wanderer/briefs/la-staircase-is-one-of-the-worlds-coolest-says-travel-leisure.html">dubbed one of the "World's Coolest" earlier this year</a>), and a sunset finish at the Hollywood Sign, to name a few linear segments. 

<p><br />
And whether or not you're on a loop, The Big Parade is not hustle and bustle ("No whip-cracking," says Koeppel, even if I find myself with a good sweat every year). There are breaks with experts who join in like <a href="http://lacreekfreak.wordpress.com/">L.A. River blogger</a> and CicLAvia organizer Joe Linton at the river part; Diane Edwardson of <a href="http://redcarproperty.blogspot.com/">Corralitas Red Car Property</a> who explain the Silver Lake property she knows so well; and Mike Eberts, author of <a href="http://www.amazon.com/Griffith-Park-A-Centennial-History/dp/0914421190">"Griffith Park: A Centennial History,"</a> who, of course, will join Sunday evening at the park he's so well versed in. And then there is entertainment like a solo performance by Steve Moramarco of the "Soul Punk Swing" band The Abe Lincoln Story and the screening (pending city approval at this time) of Laurel & Hardy's "The Music Box" at a park. </p>

<p>There's a lot packed into the two days that make up The Big Parade (not to mention the Prologue walk on Friday!), but there's no need to be overwhelmed. Koeppel has PDFs explaining <a href="http://dl.dropbox.com/u/363723/Big%20Parade%202012%20How%20to%20Join.pdf">how to join</a>, times and locations for both <a href="http://dl.dropbox.com/u/363723/Big%20Parade%20Day%20One%20Timetable.pdf">Saturday</a> and <a href="http://dl.dropbox.com/u/363723/Big%20Parade%202012%20Day%20Two%20Timetable.pdf">Sunday</a>, and a <a href="http://dl.dropbox.com/u/363723/Big%20Parade%202012%20Transit.pdf">detailed public transit guide</a> to help join or leave the event. And if you have a question, Koeppel is generally available to answer questions on the <a href="http://bigparadela.com/bp-on-facebook">event's Facebook channels</a> (while <a href="http://twitter.com/#!/bigparadela">Twitter</a> is especially useful for live updates during the walk). </p>

<p>For however long or short you can join, I cannot overstate how amazing The Big Parade experience can be. Casey Schreiner of Modern Hiker joined last year and <a href="http://www.modernhiker.com/2011/05/31/big-parade-l-a-recap/">left with these feelings</a>: </p>

<blockquote>Over the past few weeks, I have been falling in love with Los Angeles again, and falling hard. I definitely credit the Big Parade L.A. with jump-starting that relationship. I saw so much of the city I never knew existed, met a ton of great people, and learned a lot about our seemingly non-existant history - and I only did half of the route!

<p><br />
I know most of us think of hiking as a way to leave the grind of city life and recharge with nature, but every once in a while an urban hike like this can remind you why you came to live in this city in the first place. </blockquote></p>

<p>I couldn't say it better. </p>

<p><strong>For more urban hikes, check out our May listings <a href="http://www.kcet.org/socal/socal_wanderer/tours/upcoming-la-urban-hikes-10-bridges-secret-stairs-and-tomato-pie.html">here</a>. And keep up with future listings and other outdoors news by liking SoCal Wanderer on <a href="http://www.facebook.com/pages/SoCal-Wanderer/127964960614699?sk=wall">Facebook</a> and following on <a href="http://twitter.com/#!/SoCal_Wanderer">Twitter</a>.</strong></p>]]>
    </content>
</entry>

<entry>
    <title>Filipinos are the Minority in Historic Filipinotown and L.A.&apos;s Japanese Population in Steady Decline</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/departures/landofsunshine/neighborhood-notes/historic-filipinotown-httpthefilamnetarchives6819-asian-2000.html" />
    <id>tag:www.kcet.org,2012:/socal/departures/landofsunshine//1488.45969</id>

    <published>2012-05-15T23:42:07Z</published>
    <updated>2012-05-16T01:13:37Z</updated>

    <summary>Many of L.A.&apos;s ethnic enclaves now exist more as symbolic and cultural centers with populations not necessarily reflecting their historic characteristics.  </summary>
    <author>
        <name>Yosuke Kitazawa</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1488&amp;id=2924</uri>
    </author>
    
        <category term="Neighborhood Notes" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="asianamericans" label="asian americans" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="asians" label="asians" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="echopark" label="echo park" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="historicfilipinotown" label="Historic Filipinotown" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="littletokyo" label="little tokyo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/departures/landofsunshine/">
        <![CDATA[<p>In Historic Filipinotown, Filipinos are the minority. Among the population of 25,000, 60 percent are Latino, and only 25 percent are Filipino-Americans. That's according to Dennis Arguelles, director of program development of the Search to Involve Pilipino Americans, who presented these numbers at the forum "The Power of Place; Asian American Neighborhoods, Politics & Activism Today" in April, <a href="http://thefilam.net/archives/6819">as reported by The FilAm</a>.</p>

<p>It's an interesting statistic that brings to light the shifting demographics of L.A. and its ethnic enclaves, which historically have been home to a population of its namesake. But when you look at these neighborhoods today, many of them exist <a href="http://www.kcet.org/socal/departures/chinatown/restoring-chinatown/">more as a symbolic and cultural center</a>, with its population not necessarily reflecting the historic characteristics. </p>

<p><a href="http://2010.census.gov/news/releases/operations/cb12-cn22.html">According to 2010 Census data</a>, Asian are the fastest-growing population among ethnic groups in the nation. In L.A. county the Asian population saw an increase from 1.15 million in 2000 to 1.35 million in 2010, and Chinese and Filipinos rank at the top, comprising more than half of the total Asian population. </p>]]>
        <![CDATA[<p>The <a href="http://www.kcet.org/socal/departures/chinatown/restoring-chinatown/">San Gabriel Valley</a> has seen tremendous growth, with much of its local economy pumped up with the wealth of the Chinese community. Koreatown is rapidly growing as well; with its borders seemingly expanding each month, it may soon become downtown-adjacent. But what of Historic Filipinotown? "The Filipinos were never the majority population in this area," <a href="http://thefilam.net/archives/6819">said Arguelles in the article</a>, but "it is the center of cultural activity for the 400,000 Filipinos who live in Southern California, who converge there for events, visit the churches and institutions that continue to thrive there."</p>

<p>But with its location adjacent to rapidly-gentrifying Echo Park, recent neighborhood change may not reflect the needs of the community. Recently opened businesses in the area -- a <a href="http://medicinemancollective.com/">gallery/marijuana dispensary</a>, animation studio <a href="http://www.theeastsiderla.com/2011/09/follow-the-giraffe-to-echo-parks-new-animation-studio/">Screen Novelties</a>, and Bar 1642 -- don't necessarily cater to the historic community, but rather to the neighbors to the north.</p>

<p>Looking at the following data, you can see how the Asian population in L.A. county grew in the past decade across all groups, with one exception: the Japanese. In fact, contrary to the national trend, the Japanese population has seen a steady decline <a href="http://www.laalmanac.com/population/po16_1990.htm">since 1990</a>. It's a trend that's reflected in the Little Tokyo community, where, as with Filipinotown, the ethnic group that gave the neighborhood its name is <a href="http://articles.latimes.com/2007/oct/28/local/me-littletokyo28">slowly fading</a> and becoming the <a href="http://www.theatlanticcities.com/neighborhoods/2012/04/fight-save-los-angeless-little-tokyo/1709/">minority</a>. It may be a sign of the times with Japan's economy in decline for decades, but with <a href="http://www.nytimes.com/2012/01/08/opinion/sunday/the-true-story-of-japans-economic-success.html?pagewanted=all">the country's renewed optimism</a>, it remains to be seen if they will regain its foothold here in Los Angeles.</p>

<p><strong>Asian Population in L.A. County Based on 2000 and 2010 Census Data:</strong></p>

<p><strong>Total Asian Population in L.A. County:</strong><br />
2000: 1,105,752 <br />
2010: 1,346,865</p>

<p><strong>Chinese:</strong><br />
2000: 294,178 (26.6% of the Asian population)<br />
2010: 393,488 (29.2%)</p>

<p><strong>Filipino:</strong><br />
2000: 260,158 (23.5%)<br />
2010: 322,110 (23.9%)</p>

<p><strong>Korean:</strong><br />
2000: 186,350 (16.9%)<br />
2010: 216,501 (16.1%)</p>

<p><strong>Japanese: </strong><br />
2000: 111,349 (10.1%)<br />
2010: 102,287 (7.6%)</p>

<p><strong>Vietnamese:</strong> <br />
2000: 78,102 (7.1%)<br />
2010: 87,468 (6.5%)</p>

<p><strong>Like Departures on <a href="https://www.facebook.com/KCETDepartures">Facebook</a> and follow us on <a href="http://twitter.com/#!/kcetdepartures">Twitter</a> to keep track of the ongoing shifts in L.A.'s neighborhoods. </strong></p>

<p><em>Top: Historic Filipinotown by<a href="http://www.flickr.com/photos/jannon/5627464977/"> jann_on</a> used under a Creative Commons license.</em></p>]]>
    </content>
</entry>

<entry>
    <title>How to Deconstruct Those Glossy Political Ads</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/news/ballotbrief/campaign-finance/deconstructing-crazy-long-campaign-committee-names.html" />
    <id>tag:www.kcet.org,2012:/news/ballotbrief//1823.45894</id>

    <published>2012-05-15T21:48:55Z</published>
    <updated>2012-05-16T17:43:35Z</updated>

    <summary>Knowing the common tactics, and the arcane way political committees get named, and you can get a lot more out of those ballot measure ads.</summary>
    <author>
        <name>Brian Frank</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1823&amp;id=124</uri>
    </author>
    
        <category term="Campaign Finance" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Explainer" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Political Committees" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ballotmeasures" label="ballot measures" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="campaignads" label="campaign ads" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="campaignfinance" label="campaign finance" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="committees" label="committees" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fairpoliticalpracticescommission" label="Fair Political Practices Commission" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="politics" label="politics" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/news/ballotbrief/">
        <![CDATA[<div><img alt="" src="http://www.kcet.org/news/ballotbrief/assets/images/committee-names-feat.jpg" width="590" height="333" class="mt-image-none" style="" /><div class="htmlcaption">The name of the committee that paid for an ad appears at the end by law. Photo: Screenshot from a CA4aCure <a href="http://www.youtube.com/watch?v=8IV8f3kLGII&feature=youtu.be">YouTube video</a></div></div>

<p>Every time an election nears, we're bombarded with increasingly slick, expensive ads that can play almost like Hollywood trailers.
</p><p>
It's no secret the people who make the ads are trying to rile you up and sway your vote. What you may not realize is just how much of an art there is to this game, or how much you can learn from an ad if you know the rules.
</p><p>]]>
        <![CDATA[<big><strong>Same Old Tactics</strong></big> 
</p><p>
Consider the strategy behind the message. In a study of ballot measure campaigns in the Journal of Language and Politics, researchers found that both camps -- for and against -- systematically emphasized certain language regardless of ideology or party affiliation. 
</p><p>
The "No" campaigns tended to emphasize the riskiness, unfairness, and costliness of a proposal, while the "Yes" camps often stressed fairness and benefits, according to Shaun Bowler, an initiatives expert at UC Riverside who contributed to the report.
</p><p>
"That might sound straightforward and obvious (though no one had shown it before), but what is a little more surprising is that we can see that pattern across a whole range of issues," Bowler wrote in an interview conducted by e-mail.
</p><p>
Stem-cell research, term limits, cigarette taxes, school bonds, gay marriage -- name the issue and, according to Bowler, you can more or less predict the arguments for and against.
</p><p>
In addition, you can be sure to expect hyperbole.
</p><p>
"The claims [in an ad] probably have enough of a basis not to be called outright misrepresentations," Bowler said. "But of course campaigns will exaggerate and caricature to try and get an edge and use hypotheticals and possible -- but unlikely -- scenarios to do that."
</p><p>
In other words, taking any of these ads at face value can be misleading. That's why the most useful information you get out of an ad may just be the disclaimer at the end. 
</p><p>
<big><strong>What's in a Name?</strong></big>
</p><p>
By law in California, political ads for a ballot measure must reveal who paid for them, whether it's coming to you on television, on the radio, by mail, or even a robocall. It's the vitamin tucked inside the eye candy of campaign propaganda.
</p><p>
You've probably noticed the disclaimers: "This ad was paid for by Yes on Prop 123, Californians for a Better Life Through the Ability to Breathe Clean Air, with Major Funding from the Coal Industry, a Coalition of Concerned Parents and Advocates."
</p><p>
That one isn't real, of course, but it does illustrate a point. The committee name itself can tell you a great deal about who's really behind an ad and, by extension, who's supporting or opposing a ballot measure. 
</p><p>
The California Fair Political Practices Commission has a very specific set of rules that dictate what information to include in a committee's name (much looser rules apply to candidate ads because, the FPPC says, it is clear that the candidate is the one behind the message). Know the rules, and you can tell not only who's backing a campaign, but also, to a certain degree, how much they're giving.
</p>
<div style="width:450px;margin:0 auto;">
<p>
<div style="text-align: center;"><strong>Rule #1:</strong><br />
Must include the measure number or letter and whether it's for or against.</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #2:</strong><br />
If a candidate controls the committee or contributes $50,000 or more, his or her name must be included.</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #3:</strong><br />
Sponsored committees must include the sponsor's name.</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #4:</strong><br />
Must clearly identify the economic or other special interest of <strong>major donors</strong> (those who contribute $50,000 or more).</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #5:</strong><br />
Top two <strong>major donors</strong> must be listed first, before other groups such as "concerned citizens," "consumers," "taxpayers," or similar.</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #6:</strong><br />
<strong>Major donors</strong> must be listed in descending order based on the amount of their contributions.</div>
</p><hr><p>
<div style="text-align: center;"><strong>Rule #7:</strong><br />
The name of an employer is required if <strong>major donors</strong> share a common employer.</div>
</p>
</div>
<p>
Let's take a look at an example to see what we can learn just from applying these rules. Here's the fine print from an ad in the June 5 primary opposing <a href="http://www.kcet.org/cgi-bin/mt/mt-search.cgi?tag=Prop%2029&limit=20">Prop 29</a>, which would introduce a $1 tax per pack of cigarettes to help fund cancer research:
</p><p>
<div><img alt="" src="http://www.kcet.org/news/ballotbrief/assets/images/political-ad2.jpg" width="590" height="322" class="mt-image-none" style="" /><div class="htmlcaption">Photo: Screenshot taken from <a href="http://www.youtube.com/watch?v=fNHKfj04op4">YouTube video</a> from user irinakachyula</div></div>
</p><p>
<blockquote>NO ON 29 - CALIFORNIANS AGAINST OUT-OF-CONTROL TAXES & SPENDING. MAJOR FUNDING BY PHILIP MORRIS USA & R.J. REYNOLDS TOBACCO, WITH A COALITION OF TAXPAYERS, SMALL BUSINESSES, LAW ENFORCEMENT & LABOR (Committee ID #1336203)</blockquote>
</p><p>
Immediately you know what position this committee is taking. You can also see that the top two major funders are tobacco companies. That means they gave more than $50,000 each (a lot more, it turns out). You also know that Philip Morris gave more than R.J. Reynolds, because it is listed first.
</p><p>
Notice that "taxpayers, small businesses, law enforcement & labor" are bumped to the bottom, no matter how much they represent in contributions, collectively. In fact, campaign finance reports filed by the committee show the two major tobacco companies and their affiliates gave nearly all of the almost $40 million raised so far. Not a single contribution listed could be said to come from law enforcement (not at the time this was written), which makes that reference suspect, though "taxpayers" could mean nearly any person or organization in the state. "Small businesses" and "labor" might (though it's quite a stretch) refer to the only two non-tobacco industry companies that contributed, a pair of trucking companies. 
</p><p>
In other words, be wary of some of these general designations.
</p><p>
Here's another committee name, this one formed to support a referendum on the November ballot:
</p><p>
<blockquote>F.A.I.R. - FAIRNESS & ACCOUNTABILITY IN REDISTRICTING BALLOT MEASURE CMTE. WITH MAJOR FUNDING FROM CA REP. PARTY FRANK GREINKE FRIENDS OF MIMI WALTERS FOR SENATE 2012 & SEN. DUTTON FOR SUPERVISOR 2014 (Committee ID #1339774)</blockquote>
</p><p>
The measure it's addressing would repeal the new State Senate district boundaries set after the 2010 Census. You don't see a clear position of "Yes" or "No" because the measure has not received a proposition number yet.
</p><p>
But let's break it down, anyway. The name alone tells us that the California Republican Party, someone named Frank Greinke (a state senator), Mimi Walters' senate campaign committee, and Senator Dutton's campaign committee likely contributed more than $50,000 each. 
</p><p>
It's also possible that a candidate gave less than $50,000 but controls the committee (a look at campaign filings shows that not to be the case).
</p><p>
<big><strong>The Takeaway</strong></big>
</p><p>
The bottom line is that you'll generally know from a committee name whether they want a "Yes" or "No" vote and on which measure. You will also know, at a glance, who the big spenders are, and their names will be listed in order, from most to least, of how much they contributed. 
</p><p>
If you want specifics -- a list of all contributor names, for instance, and how much each gave -- you can often find them with a little help from your media pals. <a href="http://maplight.org/">MapLight</a> and <a href="http://www.kcet.org/news/ballotbrief/campaign-finance/follow-money-props-june-5-2012.html">Ballot Brief</a> do the legwork for you and post the results online. 
</p><p>
The really courageous can dig through the complete campaign finance filings online. Head over to the <a href="http://cal-access.sos.ca.gov/campaign/">Secretary of State's website</a>, search by proposition number, committee name, or committee ID, and see a list of every associated contribution and expense. We included the committee ID's for each example in this post to help you get started.
</p><p>
However you do it, just make sure you know who's peddling the message.</p>]]>
    </content>
</entry>

<entry>
    <title>Is There a Bigger Environmental Issue Than Climate Change? Scientists Say Yes.</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/the_back_forty/wildlife/is-there-a-bigger-issue-than-climate-change-scientists-say-yes.html" />
    <id>tag:www.kcet.org,2012:/updaily/the_back_forty//1451.45965</id>

    <published>2012-05-15T21:00:00Z</published>
    <updated>2012-05-16T16:42:40Z</updated>

    <summary>Climate change is a serious issue, but a couple of recent studies remind us that it may not be the biggest threat to life on Earth as we know it. What else is there? Loss of biodiversity.</summary>
    <author>
        <name>Chris Clarke</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1451&amp;id=2578</uri>
    </author>
    
        <category term="Wildlife" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="biodiversity" label="biodiversity" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="climatechange" label="climate change" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="deserts" label="deserts" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/the_back_forty/">
        <![CDATA[<p><img alt="White-margined penstemon, a rare plant threatened by solar energy development | James M. André photo, &copy;2006 " src="http://www.kcet.org/updaily/the_back_forty/assets_c/2012/05/palbomarginatus-thumb-597x410-28593.jpeg" width="597" height="410" class="mt-image-none" style="" /></p>

<p>Look at the websites of major environmental organizations and you might be persuaded that climate change is the only real environmental issue we face. A majority of American environmentalists have adopted climate change as their main cause, and it's easy to understand why: when scientists agree that our planet is likely to be 5&deg; to 10&deg; F hotter by year 2100, that'll get your attention. </p>

<p>Climate change is a serious issue, but a couple of recent studies remind us that it may not be the biggest threat to life on Earth as we know it. It may in fact be essentially a symptom of a broader problem, one which hasn't gotten nearly as much attention from either green groups or the environmentally oriented press. What's the issue? Loss of biodiversity, also known as extinction. And ignoring it to focus on climate change can have dire consequences, especially in the California desert.</p>]]>
        <![CDATA[<p>Over the last few years an increasing number of scientists have suggested that the planet's collapsing biological diversity may well be the largest and most intractable environmental problem we face. As threatening as climate change may be, it could be mitigated substantially by making a few wrenching but nonetheless straightforward changes in the way we do our business. (The fact that we lack the political will to make even those changes says more about our collective shortsightedness than about the nature of the problem itself.)</p>

<p>In the interests of full disclosure, I should say that for the last few months I've been working to launch a non-profit, <a href="http://desertbiodiversity.org">Desert Biodiversity,</a> to promote and defend the biological diversity of North America's deserts. I'm not an objective observer here. The deserts of North America are an uncharted biodiversity hotspot, largely intact and with a surprising wealth of species: think "rainforests without rain." And they're ground zero for industrial renewable energy development propelled by national concern about climate change. We have here a situation in which proponents of a solution to a huge environmental problem may actually be worsening a bigger problem.</p>

<p>Despite my non-disinterested point of view, I think it's arguable that the collapse in biodiversity has deeper roots. Even if we transform our society to a carbon-neutral one, as long as our numbers continue to swell and our demand for comforts continues, other species will pay the ultimate price.  As we convert more and more of the planet to resources for our own use, we deprive other species of the habitat they need to survive. Most biologists agree that species are going extinct at at least 100 times the "background rate," perhaps more like 1,000. As one species after another dies out, the total biological diversity of the planet dwindles, and the resilience of the ecosystems on which we depend suffers. The pace of extinction hastens and the web of life unravels even faster.</p>

<p>A recent <a href="http://www.ia.ucsb.edu/pa/display.aspx?pkey=2720">study out of UC Santa Barbara</a> lends support to the idea that biodiversity and the resilience of the environment are deeply intertwined. The study, <a href="http://www.nature.com/nature/journal/vaop/ncurrent/full/nature11118.html">published in Nature on May 2,</a> found that ecosystems that had lost species suffered losses in plant productivity. (This is important: plant productivity -- the use of sunlight to turn water and carbon dioxide into organic matter - is the basis of most life on Earth.) Researchers found that the greater the loss of plant species in an ecosystem, the lower plant productivity became. As postdoctoral fellow Jarret Byrnes said in a press release from UCSB's National Center for Ecological Analysis and Synthesis (NCEAS), </p>

<blockquote>"For the past 15 years, ecologists have built a rich understanding of the consequences of humans driving species extinct. What we didn't know before this paper is whether those impacts of species loss rank up there with those from the major drivers of environmental change. Our work shows that, indeed, the impacts of species loss look to be on par with many kinds of human-driven environmental change."</blockquote>

<p>In other words, according to NCEAS, loss in biodiversity poses just as big a threat to the planet as climate change or pollution.  NCEAS isn't alone in this assessment. In January, biodiversity researchers from around the world convened in Copenhagen to coordinate a United Nations response to the extinction crisis. In a <a href="http://news.ku.dk/all_news/2012/2012.1/biodiversity/">statement</a> released after that meeting, Carsten Rahbek -- Director of the Center for Macroecology, Evolution and Climate at the University of Copenhagen -- said "The biodiversity crisis is probably a greater threat than global climate change to the stability and prosperous future of mankind on Earth."</p>

<p>The sober-sided report out of Copenhagen speculates that if things keep going the way they have been, the current wave of extinctions will reach mass extinction proportions -- with at least 50% of terrestrial animal species wiped out -- by 2250 AD or so. Many scientists find that assessment optimistic.</p>

<p>This isn't news. The greater environmental world of advocacy groups and agencies and scientists knew the gravity of the current wave of extinctions, and agreed that it was a crisis worth immediate action, by 1992. That's when the much-lauded "Earth Summit," formally known as the United Nations Conference on Environment and Development (UNCED), took place in Rio de Janeiro. Over the course of the week-long meeting, representatives of governments and NGOs hammered out two important legally binding agreements that were then distributed for signatures. One was the UN Framework Convention on Climate Change, a precursor to the Kyoto Protocol. The other was the <a href="http://en.wikipedia.org/wiki/Convention_on_Biological_Diversity">Convention on Biological Diversity.</a> </p>

<p>Both were given more or less equal weight by those assembled, but the Convention on Biological Diversity actually attracted more attention at the time, even from the conspiracy-minded anti-environmental crowd, who campaigned against UN Biosphere Reserves the way they do now against the jackbooted Carbon Tax.</p>

<p><a href="http://books.google.com/ngrams/graph?content=climate+change%2Cbiodiversity&year_start=1990&year_end=2008&corpus=0&smoothing=1"><img alt="Image via Google Ngram Viewer" src="http://www.kcet.org/updaily/the_back_forty/ngram-biodiversity-climate-change.jpg" width="600" height="225" class="mt-image-none" style="" /></a></p>

<p>Something changed in the intervening 20 years, though. Check out this Google 'Ngram"  charting the <a href="http://books.google.com/ngrams/graph?content=climate+change%2Cbiodiversity&year_start=1990&year_end=2008&corpus=0&smoothing=1">relative frequencies of the phrases "climate change" and "biodiversity"</a> in English-language books from 1990 to 2008. Both phrases were mentioned with increasing frequency in the early 1990s, with "biodiversity" pulling ahead in the months after UNCED. Then, in 2005 -- a few months before the release of An Inconvenient Truth -- "climate change" started getting more attention, and mentions of biodiversity actually began to decrease for the first time since the 1980s.</p>

<p>This despite 2010 being the year in which some of the biodiversity commitments made 18 years earlier at UNCED started to come to fruition. 2010 was declared the UN's <a href="https://www.cbd.int/2010/welcome/">International Year of Biodiversity</a>, a kickoff to the <a href="http://www.cbd.int/2011-2020/">United Nations Decade on Biodiversity</a> running from 2011 to 2020. In April, 90 governments -- working under the auspices of the UN -- finally established the <a href="http://www.ipbes.net/">Intergovernmental Platform on Biodiversity and Ecosystem Services (IBPES),</a> a global scientific panel that will work to promote biodiversity the same way the <a href="http://www.ipcc.ch/">IPCC</a> works on climate change issues.   </p>

<p>Though official policy is starting, after 20 years, to address UNCED's 20-year-old commitment to address the threats to biodiversity, American environmentalists lag behind. Read the websites and publications of the largest mainstream groups and you'll find some mention of biodiversity as an issue here and there, while every group seems to have a climate change campaign -- even the wilderness organizations, which a person might expect to be biodiversity focused. Of national groups, only the <a href="http://biologicaldiversity.org/">Center for Biological Diversity</a> has an explicit emphasis on diversity and extinction regardless of cause. On the "About us" page of the venerable group <a href="http://www.defenders.org/explore-the-issues">Defenders of Wildlife,</a> which you might expect would be generally oriented toward protection of biodiversity in the animal realm, Defenders explicitly lists three topics as "issues we care about most": climate change, renewable energy, and "living with wildlife." Protection of species and their habitat are listed as topics of interest, but they're relegated to the "you may also be interested in" section. The <a href="http://www.nrdc.org/">Natural Resources Defense Council</a> has a reasonably robust <a href="http://www.nrdc.org/wildlife/">species protection component</a>, and on NRDC's priority issues page that campaign is <a href="http://www.nrdc.org/issues/">listed fourth, with climate change listed as NRDC's first two priorities.</a> The Sierra Club's <a href="http://sierraclub.org/goals/">Goals</a> page -- which actually contains the Goals of the Club's "Climate Recovery Partnership," apparently synonymous with the goals of the Club -- lists the following campaigns: Beyond Coal, Beyond Oil, Beyond Natural Gas, Protecting America's Waters, Resilient Habitats, and a youth outreach program. The Resilient Habitats campaign is a biodiversity initiative, but it's framed entirely <a href="http://sierraclub.org/habitat/">in terms of climate change.</a> Only the "America's Waters" campaign isn't centered on climate as an issue, addressing habitat, pollution, and other traditional environmental concerns.</p>

<p>There's nothing wrong with working on biodiversity issues in the context of climate change. Climate change is a major threat to biodiversity. Climate change alters habitats, threatens species with narrow temperature tolerances, interferes with migration timing and reproductive cycles, and in general just screws up wildlife species' ability to make a living. </p>

<p>By the same token, it would make sense for climate groups to operate biodiversity campaigns, as loss in biodiversity greatly complicates the effects of climate change -- from logged primeval forests that no longer sequester carbon to loss of pollinators making it even harder to grow food in a warmer world to the hundred other ways in which losing diverse ecosystems worsens the effects of global change. But you don't see climate groups starting biodiversity programs. </p>

<p>Quite the opposite, especially in the California deserts, where the threat of climate change is being used as a reason to bulldoze habitat that is vital to endangered, threatened and rare species. Though the popular conception of the desert is of a barren  place unpopulated by wildlife, California's deserts are in fact a biodiversity treasure, with varied topography and climate breeding new species that continue to be <a href="http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2012/05/13/state/n172304D52.DTL">discovered</a> at a surprising rate. Pick a square-mile section of the California desert at random and you run about a 75 percent chance of finding at least one sensitive plant species there, usually more. And yet the once green-leaning Governor of California has adopted bulldozing the desert for renewable energy development as official Administration policy, and the California Energy Commission routinely grants permits to desert energy development despite irremediable impacts to desert biodiversity, citing the need for non-carbon energy as an "overriding consideration" more important than trying to forestall the coming mass extinction.</p>

<p>Until environmentalists catch up with the science that seems to be passing them by, this is unlikely to change anytime soon. In the meantime, May 22 is <a href="http://www.cbd.int/idb/">International Biodiversity Day</a>: you might go out and enjoy some of our remaining biological diversity while you still can.</p>

<p><em>Chris Clarke is an environmental writer of two decades standing. Director of <a href="http://desertbiodiversity.org">Desert Biodiversity</a>, he writes from Palm Springs regularly at his acclaimed blog <a href="http://faultline.org">Coyote Crossing</a> and comments on desert issues on KCET weekly. Read his recent posts <a href="http://www.kcet.org/user/profile/cclarke">here</a>.</em></p>]]>
    </content>
</entry>

<entry>
    <title>Mural Curatorship Gets Crazy on Gideon&apos;s Wall</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/mural-curatorship-gets-crazy-on-gideons-wall.html" />
    <id>tag:www.kcet.org,2012:/socal/departures/landofsunshine//1488.45956</id>

    <published>2012-05-15T18:00:30Z</published>
    <updated>2012-05-16T15:38:48Z</updated>

    <summary>A mural was painted over. Street artists are outraged. It&apos;s a wake-up call that proves the delayed mural ordinance need to be passed through City Hall quickly.</summary>
    <author>
        <name>Ed Fuentes</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1488&amp;id=2510</uri>
    </author>
    
        <category term="Murals" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="artsdistrict" label="arts district" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cityhall" label="city hall" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="crazygideon" label="crazy gideon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="daniellahoda" label="daniel lahoda" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="edfuentes" label="ed fuentes" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lafreewalls" label="la freewalls" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mural" label="mural" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="muralordinance" label="mural ordinance" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="saber" label="saber" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="storyofourstruggle" label="story of our struggle" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="streetart" label="street art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="viewfromaloft" label="viewfromaloft" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/departures/landofsunshine/">
        <![CDATA[<p><a href="http://www.kcet.org/socal/departures/landofsunshine/muralbuffed2.jpg"><img alt="Site of UGLARworks I Photo by Saber" src="http://www.kcet.org/socal/departures/landofsunshine/assets_c/2012/05/muralbuffed2-thumb-250x174-28572.jpg" width="250" height="174" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>A mural was painted over. Street artists are outraged. It's a wake-up call that proves the delayed mural ordinance need to be passed through City Hall quickly.</p>

<p>Yes. It's almost the same story <a href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/buffed-out-street-art-a-case-study-for-what-mural-ordinance-to-solve.html">as last week</a>, to be sure. Yet, there is an interesting twist.</p>

<p>The owner of the wall gave the O.K. for this mural, and many works on other walls are in his charge. He also gave the O.K. for it to be taken down for a production shoot.</p>

<p>This past April, UGLARworks' artists Zes, Push, Chris Brand, and Evan Skrederstu collaborated on a new piece for LALA Gallery to mark the opening of Daniel Lahoda's "L.A. Freewalls: Inside" at <a href="http://www.lalaarts.com/">LALA Gallery.  </a></p>

<p>The street art style mural, at Willow Street and S. Santa Fe Avenue, used to be on the wall belonging to a cluster of buildings owned by Gideon Kotzer.</p>

<p>Kotzer is best known as "Crazy Gideon," the former pitchman who took to the airwaves to sell T.V.s with the late night mantra: "We stack 'em deep, and sell 'em cheap."</p>]]>
        <![CDATA[<p>He no longer uses the warehouse on Traction for retail, and moved on to new ventures, including converting his Willow and S. Sante Fe property into Willow Studios, facilities that serves the film and television industry.</p>

<p>Two weeks ago, a production company wanted to use the wall that had the mural. Despite Gideon and Lahoda scouting other locations, the production team wanted to use that particular site.</p>

<p>Both Gideon and Lahoda stated the artists were informed of the decision.</p>

<p>The wall remains in the colors used for the shoot.</p>

<p>"I have given many walls for free to the artists. It is very important to the neighborhood," said Gideon late Monday. "I am, though, trying to pay a mortgage on those walls."</p>

<p>"I'm devastated," said Lahoda. "And it is another clear example why we need clear [mural] policy."</p>

<p>Street artist and activist Saber saw the walls a few days ago, and with the mural gone, he took to Twitter with the same advocacy he has become known for since his air tag "Art Is Not A Crime" over City Hall in Sept. 2011.</p>

<p>As reported before, the ordinance was first drafted to enable artists to produce works, and property owners to commission them, providing sorely needed policy that keeps artists, property owners, local government, law enforcement and the community-at-large on a shared set of guidelines.</p>

<p>One can only speculate how the upcoming mural ordinance, still delayed from being approved by the various departments in City Hall, would have prevented this particular mural from being painted over.</p>

<p>It is not clear if the mural ordinance will make a distinction between street art / graff-style murals, which are referred to as an rotating use of wall space, or the traditional mural designed to be part of a community as long as possible.</p>

<p>It appears each mural has its own set of circumstances. To recap:</p>

<p>Some graf artists are still mumbling and bemoaning how a Oct. 2011 wheat-paste job covered a set of <a href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/mural-conflict-has-artists-call-for-respect.html">graff murals in the Arts District,</a> despite the building manager allowing it, and becoming less tolerant of street artists demanding he follow their politics of wall "ownership."</p>

<p>Theresa Powers 1996 "Quinceañera" was saved, even after building owners contacted her, the artist surrendered the piece, <a href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/echo-park-quinceanera-mural-to-be-saved.html">then changed her mind. </a>That mural is less street art and falls in the tradition of community murals. The mural was repaired, and now the restaurant is set to open,<a href="http://www.theeastsiderla.com/2012/03/echo-park-quinceanera-mural-prepares-for-a-touch-up/"> reported The Eastsider L.A.</a></p>

<p><br />
"Story of our Struggle" is a 1974 tiled mural that is <a href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/east-los-angeles-a-story-of-our-struggle-endangered.html">threatened with removal</a>, though considered a landmark work. It is still up in the air if it will kept, relocated, or become part of the exterior of a new charter school,<a href="http://egpnews.com/2012/04/art-and-development-on-collision-path-in-east-la/"> reports EGP News.<br />
</a></p>

<p>Last week, a <a href="http://www.kcet.org/socal/departures/landofsunshine/arts/murals/buffed-out-street-art-a-case-study-for-what-mural-ordinance-to-solve.html">graff-style piece was painted over before the building owner,</a> who gave the artists permission, could stop it. The uncompleted mural would have been located next to the LAPD garage and motor pool. There still has been no statement coming from Downtown Center BID, but discussions about the incident are underway. In what may be similar cases, L.A.P.D. have allegedly accused property owners of supporting illegal gang tagging, or refer to murals as illegal, even as the ban on murals has been suspended since ordinance draft and approval process began.</p>

<p>As for this current coverup, street artists and advocates, who did not work on the project, were in an uproar and took it to Twitter. Saber named a production company, but by the end of Monday the accusation was refuted by the producer.</p>

<p>Once the final mural ordinance is approved, it remains to be seen how street artist's insistence that their work be allowed to be an evolving set of temporary images, versus how murals designed to last as long as possible and traditionally goes through a community process, will be handled.</p>

<p>Just as a property owner, or manager speaking for an owner, can and should have a say when LAPD or a BID can take down a street art piece, it would be reasonable to expect they have a say in how long it stays up -- more so if the work is defined by a subculture that defines itself as temporary aesthetic, and the work is a verbal agreement with no paperwork, contract, or community survey.</p>

<p>While Los Angeles waits to see the outcome of those subtle twists, artists and property owners are eager to be part of the mural revival. That has to be credited to the caretakers of the walls, like Gideon, who are at times stuck in between the politics of art and business, while trying to help make them both happen.</p>

<p>"This could be the largest area for street art," says the man whose Traction Avenue warehouse was once filled with TV's deep and cheap. It's now covered with large-scale art.</p>

<p>"We do what we can. It helps downtown, and it's my way to help the area." Then taking on his late-night TV commercial voice, Gideon adds one last thought about the direction Los Angeles murals can take: "We'll stack them high, and let them fly."</p>

<p><em><br />
Mural by UGLARworks -- Zes, Push, Chris Brand, and Evan Skrederstu -- a new piece for LALA Gallery I Courtesy of Daniel Lahoda</em></p>]]>
    </content>
</entry>

<entry>
    <title>Art in the San Gabriel Valley: Where is It?</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/arts/artbound/counties/los-angeles/art-in-the-san-gabriel-valley-where-is-it.html" />
    <id>tag:www.kcet.org,2012:/arts/artbound//1834.45954</id>

    <published>2012-05-15T07:30:00Z</published>
    <updated>2012-05-15T21:49:34Z</updated>

    <summary>The San Gabriel Valley is home to large immigrant communities, and features every flavor and style of Asian cuisine you could possibly wish for. But when it comes to art, that&apos;s a tall order. </summary>
    <author>
        <name>Sharon Mizota</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1834&amp;id=6290</uri>
    </author>
    
        <category term="Los Angeles" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Visual Arts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/arts/artbound/">
        <![CDATA[<p>Situated just northeast of Los Angeles, the San Gabriel Valley is home to large immigrant communities, and features every flavor and style of Asian cuisine you could possibly wish for. But when it comes to art, that's a tall order. </p>

<p>I've lived in the San Gabriel Valley for a few years now, and as a working art critic, I've complained about spending so much time driving to the usual suspects of the gallery world: Santa Monica, Culver City and West Hollywood. With the exception of Pasadena, which has a plethora of museums and galleries, art in the SGV never seems to make it onto my radar. But why not? Does it not exist, or have I not looked hard enough?</p>

<p>A few weeks ago, I set out on a mission: find art in the SGV. The San Gabriel Valley includes monied bedroom communities in Pasadena, San Marino, Rowland Heights, and others, but has yet to spark a really lively contemporary art scene. My search was far from exhaustive--I excluded museum-rich Pasadena and I'm sure there are many more neighborhoods and areas to explore. I didn't find much. However, looking for art in the SGV did make me re-examine my definition of the term, confronting some deep-seated biases. Basically, I am a snob.</p>

<p>For example, instead of the hushed, pristine white rooms I'm familiar with, galleries in the SGV seem to be cluttered with an array of gifts, cards, and books. In the SGV, galleries look more like stores. They might also provide framing services or art classes. I won't even mention the many coffeehouses and cafés that line their walls with art. Of course, their more "serious" compatriots on the Westside are also essentially stores--they may try to look like museums, but they are still in the business of selling things. Admittedly though, I prefer the white box. I found it distracting to try to look at art in cluttered spaces, amid tea pots, hats, and jewelry, but perhaps I was falling prey to the logic of the luxury brand: If your store has almost nothing in it, and something is perched alone on a pedestal, it must be inherently more interesting and valuable than the stuff piled high at the discount store down the street. </p>

<p><img alt="<em>Fingolfin and Melkor</em>, from Justin-Gerard's 'Silmarillion'. Watercolor | Courtesy of Gallery Nucleus." src="http://www.kcet.org/arts/artbound/images/SGV_Justin-Gerard-Silmaril.jpg" width="580" height="425" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Another reason SGV galleries don't receive much media attention is because they deal in genres or styles of art that are considered old-fashioned or "lowbrow." Whereas contemporary art galleries elsewhere tout the intellectual underpinnings and historical pedigrees of the works they champion, art in the SGV seems to be much more about aesthetic pleasure and entertainment. At Nucleus, a combination store and gallery on a nondescript section of Main Street in Alhambra, it's directly related to the entertainment industry. With a sleek, futuristic logo and interior design reminiscent of an Apple Store, the gallery sells work by hip commercial artists as well as an array of prints, books and toys. Owner Ben Zhu defines "commercial art" as drawings, paintings, and graphics created by artists who work in the illustration, design, film, and video game industries. "It's the stuff that goes into the films and video games we love," he says. For him, Nucleus is a way to get people to see and appreciate this work as art in its own right. </p>

<p><img alt="<em>Hiding Behind A Walrus</em>, Abira Ali. 2011, 22x28, acrylic and gouache on canvas board | Courtesy of Space." src="http://www.kcet.org/arts/artbound/images/Hiding%20Behind%20A%20Walrus_Abira%20Ali.jpg" width="580" height="441" class="mt-image-none" style="" /></p>

<p>Katya Shaposhnik, the gallery director at Space art center in South Pasadena, describes much of the work being shown in the SGV as "safe"--mostly picturesque California landscapes. By contrast, at Space she says, "We choose artists whose work ignites our passions." When I visited, the walls of the small gallery were covered with works that were neither entirely safe nor exactly cutting edge. Abira Ali's brushy, earnest portraits of animals possess a naïve charm, but don't risk much beyond that. Kathleen Coyle embellishes painted abstractions with lovely, delicate needlework, although some of her compositions tend toward the busy and overwrought. And a window installation by Joan Weinzettle consisting of hanging columns of twigs is perhaps too subtle--it's hard to differentiate it from the displays at the fancy landscaping store next door.  </p>

<p><img alt="<em>WithinYou</em>, Kat Coyle. 2009-2012, 24x30, mohair yarn, cotton thread on canvas | Courtesy of Space." src="http://www.kcet.org/arts/artbound/images/WithinYou_Kat%20Coyle.jpg" width="580" height="718" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><img alt="<em>Veil of Tears</em>, Kat Coyle. 2012, 11x14, wool stainless steel thread canvas | Courtesy of Space. " src="http://www.kcet.org/arts/artbound/images/VeilofTears_KatCoyle.jpg" width="580" height="869" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>Yet this last critique feels unfair. To be sure, a lot of "high-end" contemporary art is hard to distinguish from construction materials, interior design, or, well, just plain trash. The difference, often times, is all in the framing. Most museums and blue chip galleries are not located next to a gardening store; their clean, white, spacious galleries are designed for careful, rapt, contemplation. It's this setting that confers the status "art." As we've seen time and time again--ever since Marcel Duchamp placed a urinal on a pedestal in 1917--you can put anything in a gallery, and voilá, it's art. </p>

<p><img alt="<em>Homecoming Party</em>, from Scott C.'s 'East Dragon, West Dragon' | Courtesy of Gallery Nucleus." src="http://www.kcet.org/arts/artbound/images/SGV_ScottC_DragonParty.jpg" width="478" height="209" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>So do SGV galleries that look like stores also confer this status? Not so much. Here, the artworks look more like consumer goods, but that's largely by design. Shaposhnik says they don't want Space to be intimidating; in selecting art to exhibit, she emphasizes affordability and wide appeal. "We encourage people to buy art that speaks to them," she says, "art they fall in love with and want to look at for a long time."</p>

<p>This comment reminded me of a recent visit to the Los Angeles County Museum of Art. After seeing the Surrealist exhibition "In Wonderland," one of my companions remarked that she had a hard time imagining any of the paintings hanging on her walls at home. This is not surprising given that much of the work in the show involved severed body parts and grotesque imaginary creatures, but the comment took me aback. As someone who looks at art regularly, I never think about whether the art I see would go well with my couch. For one thing, on a writer's income, I could never afford to buy most of the art I write about--in the art world, I am a perpetual window shopper. What's more, my companion's consumerist approach to art appreciation is widely frowned upon in the upper echelons of the art establishment, where ideas and bombast usually come first. High-end collectors are typically more interested in enhancing their social and financial portfolios than their home décor. </p>

<p><img alt="<em>Glaurung and the Dwarf King</em>, from Justin Gerard's 'East Dragon, West Dragon'. Watercolor | Courtesy of Gallery Nucleus." src="http://www.kcet.org/arts/artbound/images/SGVSilmaril09-watercolor01a-e.jpg" width="580" height="719" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>What this divide comes down to is an issue of class, of course. We elevate and value expensive art--whether a diamond-encrusted skull or a canvas full of polka dots--because it is expensive, and rich people have more power and influence than poor people. I've been paying lots of attention to art for the 1%. Why haven't I shown more interest in art for the 99%? As Zhu says, "People in Alhambra need art too."</p>

<p>However, one of the problems I've found with writing about "safe," commercial, or lowbrow art is that often, there's just not that much to talk about. You can discuss the expressiveness of a line or the skillful use of color; admire an impish grin, or wince at a torturously twisted limb. But it's usually hard to find anything more meaningful than that. For me, it's not that interesting to just look at pretty (or shocking or amazing) pictures. I want them to "say" something. I want them to change the way I look at the world, to make me question or see something anew. In some ways, I want them to step out of that frame called "art" and colonize something that wasn't art before.</p>

<p><img alt="<em>Dragons at Home</em>,  from Scott C.'s 'East Dragon, West Dragon' | Courtesy of Gallery Nucleus. " src="http://www.kcet.org/arts/artbound/images/SGV1.jpg" width="580" height="241" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>In a 1983 performance in Harlem's African-American Day Parade, artist Lorraine O'Grady gave gold picture frames to a group of young performers who walked the parade route inserting their own faces and the faces of others into the frames, declaring themselves and their neighborhood to be art. Art's not the stuff in the picture, O'Grady was saying, it's actually the frame. It's a giant arrow, a nearly empty white room, that says, or whispers, or shouts, "Look at this!" It's a mechanism for sharing something that the artist wants us to see differently, whether that's the horrors of war, the play of light on the water, or the beauty and vibrancy of Harlem.</p>

<p>Some contemporary art does this; an equal amount pretends to do this; and much of it doesn't give a damn one way or the other. I suppose most of the art I've seen in the SGV falls into this last category. It's not trying to change the world or make us see it anew--it just wants to be loved and appreciated. </p>

<p><img alt="<em>Heavy Spring</em>, Kat Coyle. 2011-2012, 22x28, oil on canvas, wool yarn, cotton thread | Courtesy of Space." src="http://www.kcet.org/arts/artbound/images/heavyspring_Kat%20Coyle.jpg" width="580" height="739" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p>And sometimes that's enough, even for the big shots. Also on view at LACMA is Chris Burden's "Metropolis," a huge, jumbled mass of toy car and train tracks that swoop and curl through a miniature city made of blocks, erector sets, and myriad toys. It's Hot Wheels on steroids; an ultimate childhood fantasy. As I watched the colorful cars zoom endlessly around, I struggled to distill some greater meaning from it all. Perhaps it was a comment on the congestion and stress of the city. It would also be easy to critique the vast amounts of time and resources the piece consumes. But it's so successful at creating a spectacle of pure, naïve joy that I'm tempted--despite my better critical instincts--to say it was worth it. Despite the fact that there's a ton of money flowing through it, the work does share something with the best of its down-market brethren in the SGV: it's all about making us happy. </p>

<p><strong>Dig this story? <a href="http://www.kcet.org/arts/artbound/vote/">Vote </a>by hitting the Facebook like button above and tweet it out, and it could be turned into a short video documentary. Also, follow Artbound on <a href="https://www.facebook.com/kcetartbound">Facebook</a> and <a href="http://twitter.com/KCETArtbound">Twitter</a>. </a></strong></p>

<p><em>Top Image: Swinging, Abira Ali. 2011, 9x12, acrylic on canvas. Courtesy of Space.</p>]]>
        
    </content>
</entry>

<entry>
    <title>The Desertification of Imagination</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/arts/artbound/counties/los-angeles/theres-lots-of-talk-about.html" />
    <id>tag:www.kcet.org,2012:/arts/artbound//1834.45959</id>

    <published>2012-05-15T07:30:00Z</published>
    <updated>2012-05-15T21:48:35Z</updated>

    <summary>There&apos;s lots of talk about artists behaving more like entrepreneurs lately. The idea is that an artist who is able to easily sell their artistic product has a better chance of making a living at it. This trend is impacting artistic conversations all over the country.</summary>
    <author>
        <name>Corbett Barklie</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1834&amp;id=3101</uri>
    </author>
    
        <category term="Cultural Politics" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Los Angeles" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/arts/artbound/">
        <![CDATA[<p>There's lots of talk about artists behaving more like entrepreneurs lately, and by lately I mean over the last decade, maybe longer. The idea is that an artist who is able to easily sell their artistic product has a better chance of making a living at it - simple enough.  And I've seen plenty of artists take this idea to heart and start developing entrepreneurial muscle around selling and planning and positioning. </p>

<p>And business-y notions and conversations are running rampant in arts groups of all sizes, many of which are nonprofit and hanging on by a thread. The widely accepted logic is that if artists and arts groups can find a way to operate more like businesses -- get some cash flow going -- then the whole arts field would grow.  </p>

<p>This entrepreneurial trend is impacting artistic conversations all over the country. Here's an example of how this business-y conversation might play out in, say, a theater: </p>

<p>Producer:  "Let's pick a play with a small cast, so we can keep the budget down."</p>

<p>Marketing Director:  "Let's pick a play that will sell tickets."  </p>

<p>Managing Director: "I know a guy who had a TV show in 1986, let's pick the play he wants to do -- people will want to see him on stage."</p>

<p>Artistic Director: "Let's pick the one I want to do."  Everybody chuckles.</p>

<p>Variations of this conversation are taking place, not just in theaters but in music organizations, museums and dance groups. Visual artists and writers are trying to think this way too. This trend has caught on.</p>

<p>Major art institutions have this conversation most often and most earnestly. Places in Los Angeles like Center Theatre Group, the LA Opera, LACMA, and the LA Philharmonic as well as their slightly smaller counterparts like the Geffen, the Pasadena Playhouse, and MOCA are willing to give primary consideration to the desires of the consumer.  Art institutions' need for increased earned income is easily understood because 1) ticket sales or memberships support their expensive facilities and staff, and 2) donors have started looking closely at the arts fields' ability to earn its own keep -- pay its own bills -- without relying on the "generosity of strangers" in the form of hard to come by grants and donations.  </p>

<p>But in order for an artist to make a commitment to sales, the artist must also be willing to set aside their own creative and artistic imperatives.  It is this setting aside of imperatives that allows the artists to ask: Will it sell?  And now, having listened to consumers, artists everywhere are hauling out their smoke machines and trapezes, cranking up the volume, bedazzling, Cirque du Soleil-ing, mass producing, and waiting for people to come clambering to buy. </p>

<p><strong>The Flip Side</strong><br />
I see another trend that has developed in lock step with the entrepreneurial movement and this one's got me worried: We're losing audiences and arts consumers.  </p>

<p>Arts authorities are quick to say that declining audiences are a result of bad or not enough arts marketing.  In fact, many well-meaning marketing programs have developed as a result of this theory like the "Free Night of Theater" that New York's Theatre Communications Group cooked up in 2005.  The idea is that theaters across the U.S. offer the general public free tickets on a couple of designated nights each February.  The expectation is that good and focused marketing combined with free tickets will build audiences.  Here's a question for you: "Have you ever heard of "Free Night of Theater?"</p>

<p>Every time I produce a play, it seems someone has the idea to use free or reduced price tickets as marketing ploy.  I personally have been involved with this concept at least a dozen times and have yet to see it work.  In my opinion, slashed prices most often end up creating the perception of inferior product or producer desperation. Oh sure, it works for people who were planning on seeing the piece anyway, after all who doesn't love a bargain, but I've never seen it convince a non-arts patron to attend.</p>

<p>I'm willing to go out on a limb here and say that I believe that there is a direct correlation between an artist or an arts group's willingness to put consumers first and the decline in arts audiences.  I do not believe that it's the lack of marketing or the cost of the ticket that's keeping consumers away; in my opinion these are both convenient excuses. I believe that it's the artist's willingness to put the desires of general public before their own artistic instincts that's gotten us into this mess.  We, as artists, have to own up to the fact that we -- often against our better judgment -- have listened to arts authorities and donors and have embraced the notion that the consumer knows best as a means of increasing our coffers.</p>

<p>It's time to man up and consider that it's the constant menu of overly palatable artistic offerings designed to appeal to the masses that started this downward consumer spiral and continues to fuel it.</p>

<p>I did a two-year stint as an interior decorator.  Clients would look at their re-done rooms and pretty much all say the same thing:  "I never could have imagined this!"  That's right.  They couldn't imagine it.  That's why they hired me.  I was the imaginer.  That was my value -- my worth in the marketplace.  I imagined and they didn't.  </p>

<p>It is imagination and instinct (coupled with hard-earned skill sets) that are the artist's stock in trade; this is what we have to sell - we possess and can produce what the audience can't even imagine it's going to love.  So setting aside our fundamental abilities and turning to the general public for curatorial advice is antithetical to who and what we are and can only serve to have a negative effect on the arts field now and in the future.</p>

<p>As artists, it is our primary responsibility to cultivate the tastes and desires of the marketplace over time by consistently providing excellent artistic product developed from true artistic impulses.  The artistic appetites of audiences will only mature when the artist is ahead of the consumer. Conversely, when audience expectations are not developed, a cycle of superficial artistic supply and demand is created.  This is what we see throughout the arts field today, with audiences dwindling in general and those that remain demanding well known, entertainment-based, escapist products.  </p>

<p>By accepting the responsibility of audience cultivation through excellent artistic work, the artist will naturally assume his position has a leader.  I believe this is the Artist's proper role in society.  I believe this because I have seen it countless times.  The public naturally turns to its artists in times of both joy and sorrow.  Society instinctively knows that artists will interpret or re-interpret what it is unable to process. Particularly in times of crisis, it is the artist who guides us. After 9/11 it was our poets and musicians who helped us get through it by making the inconceivable comprehensible.  </p>

<p><strong>Dig this story? <a href="http://www.kcet.org/arts/artbound/vote/">Vote </a>by hitting the Facebook like button above and tweet it out, and it could be turned into a short video documentary. Also, follow Artbound on <a href="https://www.facebook.com/kcetartbound">Facebook</a> and <a href="http://twitter.com/KCETArtbound">Twitter</a>. </a></strong></p>

<p><em>Top Image: Photo by Drew Tewksbury.</p>

<p> </p>]]>
        
    </content>
</entry>

<entry>
    <title>New Shuttles with Increased Bicycle Capacity to be Used at Devils Postpile</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/socal_wanderer/transportation/new-buses-to-be-used-at-devils-postpile.html" />
    <id>tag:www.kcet.org,2012:/socal/socal_wanderer//1376.44922</id>

    <published>2012-05-15T01:27:41Z</published>
    <updated>2012-05-15T01:29:01Z</updated>

    <summary>When Reds Meadow Road opens for the summer season and shuttles begin to bring visitors down into the area around Devils Postpile National Monument, things will be a little different.</summary>
    <author>
        <name>Zach Behrens</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1376&amp;id=1764</uri>
    </author>
    
        <category term="Transportation" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="devilspostpilenationalmonument" label="Devils Postpile National Monument" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dogfriendlyoutdoors" label="dog friendly outdoors" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="easternsierra" label="eastern sierra" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="easternsierratransit" label="eastern sierra transit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="monocounty" label="mono county" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="redsmeadowvalley" label="reds meadow valley" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/socal_wanderer/">
        <![CDATA[<p><img alt="One of the 11 new shuttles to be used between Mammoth Mountain and Devils Postpile National Monument | Photo: Courtesy Eastern Sierra Transit" src="http://www.kcet.org/socal/socal_wanderer/devils-postpile-bus.jpg" width="600" height="310" class="mt-image-none" style="" /></p>

<p>When Reds Meadow Road opens for the summer season and shuttles begin to bring visitors down into the area around Devils Postpile National Monument, things will be a little different. Eastern Sierra Transit has announced that it will operate 11 new buses with better features. </p>

<p>For one, there will be more bicycle capacity. Only a handful of shuttles in the previous fleet had bicycle racks, which had room for two bikes. Now every shuttle will have a bicycle rack with room for three. </p>]]>
        <![CDATA[<p>There's about <a href="http://www.nps.gov/depo/planyourvisit/bicyclinginformation.htm">six and a half miles of paved road</a> (no mountain bike riding on trails allowed here) available to cyclists along Reds Meadow Road past the Minaret Vista Station.  Because there's a 2,000-foot elevation drop, some cyclists may want to ride down, but catch a shuttle back up, which is an available service, but a round trip ticket must still be purchased (credit cards can be used if bought in advance at Mammoth Mountain's Adventure Center where other visitors catch the shuttle. Passes can also be purchased from the driver for a ride back with cash only). </p>

<p>Day passes <a href="http://www.nps.gov/depo/planyourvisit/feesandreservations.htm">cost</a> $7 for adults and $4 for children, 3 to 15 years old. Children under two are free. Shuttles run every 20 minutes or less between 10 a.m. and 4 p.m and every 45 minutes or less from 7 a.m. to 10 a.m. and 4 p.m. to 7 p.m. 2012 service is expected to begin June 16. </p>

<p>Additional new features for the new shuttles that can carry 37 passengers include a low-floor design (one step and you're on board), expanded window area, a hands-free driver communication system, and mobility device access via a ramp. And as always, well-behaved dogs with muzzles are allowed to ride as well. </p>

<p>To learn more about Devils Postpile National Monument, watch <a href="http://www.kcet.org/socal/socal_wanderer/video-portraits/video-visiting-devils-postpile-national-monument.html">this short video</a> produced by KCET. </p>

<p><em><strong>Say hello</strong>: "Like" SoCal Wanderer on <a href="http://www.facebook.com/pages/SoCal-Wanderer/127964960614699?sk=wall">Facebook</a> and follow <a href="http://twitter.com/#!/SoCal_Wanderer">@SoCal_Wanderer</a> on Twitter to talk about the latest in outdoors with other enthusiasts. </em></p>]]>
    </content>
</entry>

<entry>
    <title>Where&apos;s Huell? From Kelp Beds to Gold Country to the Very Center of California</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/shows/tvtalk/wheres-huell/wheres-huell-from-kelp-beds-to-gold-country-to-the-very-center-of-california.html" />
    <id>tag:www.kcet.org,2012:/shows/tvtalk//59.45950</id>

    <published>2012-05-14T21:55:45Z</published>
    <updated>2012-05-15T21:16:21Z</updated>

    <summary>Huell&apos;s travels take him from a kelp bed to gold country, from the center of California to a jackass named Mollie.</summary>
    <author>
        <name>Drew Mackie</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=59&amp;id=4544</uri>
    </author>
    
        <category term="Where&apos;s Huell" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="huellhowser" label="Huell Howser" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="innout" label="In-N-Out" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shasta" label="shasta" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tuolumnecounty" label="tuolumne county" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/shows/tvtalk/">
        <![CDATA[<p><i>What's a week without the continued adventures of KCET's Golden State-trotting hero, Huell Howser? It's like springtime without poppies, that's what. This week, Huell crisscrosses the state, from kelp beds to gold country to very center of California. (And no, it's not L.A.)</i></p>

<p><strong>Monday -- May 14, 7:30 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/san-luis-obispo-train.html">San Luis Obispo Train</a></strong></p>

<p>The citizens of San Luis Obispo celebrated the 100th anniversary of the first-ever arrival of a steam train with a re-creation of the event. And you can bet that Huell was there to watch as SLO transformed from the bustling metropolis it is today back into the sleepy, isolated town it once was.</p>

<p>Watch a video clip of the steam train's passage back into town: </p>

<p><object width="600" height="437"><param name="movie" value="http://www.youtube.com/v/ddJszy4U7y8?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ddJszy4U7y8?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="437" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>]]>
        <![CDATA[<p><strong>Tuesday -- May 15, 7:30 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/kelp.html">Kelp</a></strong></p>

<p>Any nature-minded Californian will be quick to point out that no, it's not garbage floating near the surface of the water. It's the top edge of the California coast's vast kelp forest -- one of the state's most beautiful marvels of nature and also one that's basically impossible to see. Nothing escapes the steely gaze of Huell Howser, though, and he travels from Monterey to San Diego to see how kelp grows.</p>

<p>Make like Huell and explore a kelp bed:</p>

<p><object width="600" height="335"><param name="movie" value="http://www.youtube.com/v/BwIJvmBOj7s?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/BwIJvmBOj7s?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="335" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>

<p><b>Wednesday -- May 16, 7:30 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/center-of-california.html">The Center of California</a></b></p>

<p>Believe it or not, California isn't centered around Los Angeles. Neither is Sacramento, San Jose or San Francisco. The most widely agreed-upon center, geographically speaking, is <a href="http://en.wikipedia.org/wiki/North_Fork,_California">a spot of unincorporated land in Madera County</a> near the community of North Fork. Watch Huell hike into the Sierra Nevada foothills to see what he can see.</p>

<p>Watch a preview of Huell arriving at the state's creamy middle:</p>

<p><object width="600" height="335"><param name="movie" value="http://www.youtube.com/v/Wsw2eVZ6hgQ?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Wsw2eVZ6hgQ?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="335" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>

<p><b>Thursday -- May 17, 7:30 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/mccloud.html">McCloud</a></b></p>

<p>Where's McCloud? Near Mt. Shasta. Why would you go there? All the typical "California's Gold" motivations: quaintness, history and that off-the-beaten-path tourism that Huell is famous for. And is there a train involved? Oh yes. Yes indeed. See below.</p>

<p>Watch a clip of McCloud's famous train:</p>

<p><object width="600" height="437"><param name="movie" value="http://www.youtube.com/v/YsELG8QGdVM?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/YsELG8QGdVM?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="437" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>

<p><b>Friday -- May 18, 7:30 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/wooden-boats.html">Wood Boats on Lake Tahoe</a></b></p>

<p>You can bet if there's any Californian celebration of "the way things once were," Huell will be there. That's likely how Huell ended up reported on Lake Tahoe's Concours d'Elegance, an annual get-together for vintage wooden boat owners to get together and prove their classic vessels are still lake-worthy. (The event is still ongoing, by the way, and this year's installment <a href=" http://www.laketahoeconcours.com ">is scheduled for August 10 and 11, 2012</a>.)</p>

<p>See the boats in action:</p>

<p><object width="600" height="437"><param name="movie" value="http://www.youtube.com/v/N9xNOc0Tr-4?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/N9xNOc0Tr-4?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="437" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>

<p><b>Saturday -- May 19, 5:00 PM: <a href="http://www.kcet.org/shows/californias_gold_with_huell_howser/in-n-out-burger.html">In-N-Out Burger</a></b></p>

<p>Huell Howser. At In-N-Out. You couldn't have a better mingling of two entities emblematic of our state even if a California quail had a baby with a Monterey Bay sea otter. But you can't think about a hypothetical quail-otter right now, but because you need to get excited that is Huell exploring the origins of the best burger chain in the state, which began in Baldwin Park in 1948 and which had never allowed video cameras into its headquarters. It's so much California-ness, in fact, that the episode plays for a full hour.</p>

<p>Watch a preview:</p>

<p><object width="600" height="335"><param name="movie" value="http://www.youtube.com/v/-5QG37Ekm9c?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/-5QG37Ekm9c?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="335" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>

<p><b>Sunday -- May 20, 7:00 PM: <a href=" http://www.kcet.org/shows/road_trip/mother-lode.html ">Mother Lode</a></b></p>

<p>When Huell Howser declares "This is one of the best road trips I have ever been on," that means something. Maybe it's especially appropriate that Huell would make this pronouncement upon visiting Tuolumne County, California's gold country. And where else would Huell feel at home? Guest stars include a jackass named Mollie.</p>

<p>Watch a preview: </p>

<p><object width="600" height="335"><param name="movie" value="http://www.youtube.com/v/t0qlmLVEiRQ?version=3&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/t0qlmLVEiRQ?version=3&amp;hl=en_US" type="application/x-shockwave-flash" width="600" height="335" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>]]>
    </content>
</entry>

<entry>
    <title>Departures Heads to South Robertson </title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/departures/landofsunshine/production-notes/departures-heads-to-south-robertson.html" />
    <id>tag:www.kcet.org,2012:/socal/departures/landofsunshine//1488.45946</id>

    <published>2012-05-14T21:40:23Z</published>
    <updated>2012-05-16T21:27:13Z</updated>

    <summary>We&apos;re excited to announce the next installment of our L.A. neighborhood explorations -- Departures: South Robertson.</summary>
    <author>
        <name>Kelly Simpson</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1488&amp;id=2923</uri>
    </author>
    
        <category term="Production Notes" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="18thstreet" label="18th street" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="beverlygreendrive" label="beverly green drive" scheme="http://www.sixapart.com/ns/types#tag" />
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    <category term="jewish" label="Jewish" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lacienegablvd" label="la cienega blvd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="orthodoz" label="orthodoz" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="picorobertson" label="pico robertson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="picorobertson" label="pico-robertson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robertsonblvd" label="robertson blvd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="soro" label="soro" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="soroneighborhoodcouncil" label="soro neighborhood council" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="southrobertson" label="south robertson" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="southrobertsonneighborhoodcouncil" label="south robertson neighborhood council" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/departures/landofsunshine/">
        <![CDATA[<p>As part of our ongoing exploration of Los Angeles neighborhoods, we are pleased to announce the development of our latest upcoming installment: Departures: South Robertson. In collaboration with the <a href="http://www.soronc.org/about/board">South Robertson Neighborhoods Council (SORONC)</a>, we will be exploring the shifting histories and culture of this historic neighborhood. </p>

<p>South Robertson, also referred to as "Pico-Robertson" or "SoRo", is located between Beverly Hills and Culver City, bordered roughly by La Cienega Boulevard to the east and Roxbury Drive to the west, and Olympic and Venice Boulevards outlining its northern and southern borders respectively. The neighborhood, a microcosm of Los Angeles as a whole, is home to a diverse community of varying faiths, cultures, and backgrounds. While Christianity and Catholicism are prevalent in the neighborhood, the overwhelming presence of the Orthodox Jewish community define many parts of the area. </p>]]>
        <![CDATA[<p>Departures will begin production for SoRo this summer. At the <a href="http://soronc.org/events/sorofest2012">15th Annual SoRo Community Festival</a> on June 3, the project will be introduced to the community with the help of the SORO Neighborhoods Council (SORONC), who will be invited to learn more about Departures and share memories, stories, and thoughts on the history and culture of the neighborhood. </p>

<p>As a project that values community participation, Departures also invite you to share your stories, memories, and suggestions about the SoRo neighborhood. Send us an email at departures@kcet.org, <a href="https://www.facebook.com/KCETDepartures">like us on Facebook,</a> or share your thoughts via the comment box below. </p>

<p>Stay tuned throughout the summer for updates on this historic neighborhood!</p>

<p><a href="http://www.kcet.org/socal/departures/landofsunshine/soro.jpg"><img src="http://www.kcet.org/socal/departures/landofsunshine/assets_c/2012/05/soro-thumb-450x697-28544.jpg" width="450" height="697" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></p>

<ul><strong><u>Explore Los Angeles with Departures:</u></strong>
<li><a href="http://www.kcet.org/socal/departures/highland-park/">Venice</a>
<li><a href="http://www.kcet.org/socal/departures/chinatown/">Chinatown</a>
<li><a href="http://www.kcet.org/socal/departures/richland-farms/">Richland Farms</a>
<li><a href="http://www.kcet.org/socal/departures/richland-farms/">Highland Park</a>
<li><a href="http://www.kcet.org/socal/departures/lariver/">Los Angeles River</a>
<li><a href="http://www.kcet.org/socal/departures/the-great-wall/retrospect/">The Great Wall of Los Angeles</a>
<li><a href="http://www.kcet.org/socal/departures/good-food/changing-course/">Good Food: Changing Course</a>
</ul>

<p><strong>Be sure to follow us on <a href="https://www.facebook.com/KCETDepartures">Facebook</a>, <a href="http://twitter.com/kcetdepartures">Twitter</a>, or <a href="http://kcetdepartures.tumblr.com/">Tumblr</a>.</strong></p>

<p><em>Top: Photo by <a href="http://www.flickr.com/photos/smgerdes/3447137795/in/photostream">orngejuglr</a> used under a Creative Commons license</em></p>]]>
    </content>
</entry>

<entry>
    <title>Where Are We? Place and No Place for Billionaire &apos;Citizens&apos;</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/socal_focus/commentary/where-we-are/where-are-we-place-and-no-place-for-billionaire-citizens.html" />
    <id>tag:www.kcet.org,2012:/updaily/socal_focus//1239.45941</id>

    <published>2012-05-14T21:00:00Z</published>
    <updated>2012-05-14T20:56:47Z</updated>

    <summary>Tethered to nothing but an iPhone and Bloomberg, billionaires unburden themselves of citizenship.</summary>
    <author>
        <name>D. J. Waldie</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1239&amp;id=16</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Economy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Where We Are" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="billionaires" label="billionaires" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="citizenship" label="citizenship" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="facebook" label="Facebook" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="irs" label="IRS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="motelrooms" label="motel rooms" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyorktimes" label="New York Times" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="renunciation" label="renunciation" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taxes" label="taxes" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/socal_focus/">
        <![CDATA[<div> <img alt="Unbearable Lightness of Billions" src="http://www.kcet.org/updaily/socal_focus/assets/We%20Have%20Lift%20Off.JPG" width="597" height="372" class="mt-image-none" style="" /> <div class="htmlcaption"> </a>| Public domain source </div></div>

<p>The billionaires are leaving. Those who've gone stateless already are the tip of the spear (or maybe the scalpel's edge) passing through places without resistance. The billionaires are leaving, vaguely disappointed with citizenship.</p>

<p>Wealth has moved statelessly around the world for decades, pausing to hedge a weak currency, lending millions for a night, or betting on someone's failure to see a number flop from plus to minus. What money now is, more and more of the very very wealthy hope to become.</p>]]>
        <![CDATA[<p>The most recent example is Facebook co-founder Eduardo Saverin. He was once Brazilian, then American by naturalization, and now essentially without a state. He quietly renounced his United States citizenship in September after taking up residence in Singapore.</p>

<p>Singapore is one of those places where tides of untethered money rise and fall every day and where a free hand, placed just right, can come away with amazing sums, lightly taxed.</p>

<p>(Among the ironies: Saverin -- famously "unfriended" by Mark Zuckerberg -- will soon earn an estimated $3.8 billion from Facebook, a service that seeks desperately to commercialize an illusion of connectedness. Meanwhile, Saverin floats above a tight little city-state famous for bullying its unwealthy residents into conformity with neo-Confucian values and authoritarian politics.)</p>

<p>Renouncing U.S. citizenship, as Saverin has, isn't common, but it's become less rare. A record 1,780 former citizens reported to the IRS that they gave up their U.S. passports last year compared with 235 in 2008. (The IRS publishes quarterly, by Congressional mandate, a "shame" list of former citizens who have paid an expatriation tax -- imposed only on the very wealthy -- that's part of the renunciation process.)</p>

<p>The number of American renunciates is likely to grow. The United States is one of only two or three nations that taxes incomes based on both residency and citizenship. Americans living overseas have long been obliged to file income tax returns (an irritating formality for most), but now overseas financial institutions also are required to report the accounts of their American depositors to the IRS (to ferret out illicit tax avoidance).</p>

<p>Citizenship shedding -- given the right combination of personal wealth, asset liquidity, and expatriate cunning -- is increasingly a sound financial plan, even if you're not a billionaire.</p>

<p>It's obvious that actual places do not suit the world's régime of speed. Not long ago on BBC radio, three British corporation heads discussed the intersection of place and globalization. "It's immaterial where you are," the European head of an American stock trading network offered as conventional wisdom. Where you are is as immaterial as money, as immaterial as any sort of loyalty connected to any place.</p>

<p>Singapore and similarly displaced sites are a "no place" of convenience that requires no negotiation between setting and character or any conscious projection or absorption of meaning from where you are. It's a place in which, just as inefficiencies in the flow of money are, the conflicting obligations of community and citizenship are ruthlessly eliminated.</p>

<p>The stateless billionaires have embraced the logic of the motel room, another "no place" carefully designed for misremembering the habits and rhythms that are imbedded in actual places. The principal amenity purchased in a billionaire's succession of large and empty houses is amnesia.</p>

<p>The billionaires are leaving because money is lighter than air or perhaps because (as <strong><a href="http://www.nytimes.com/2012/05/13/opinion/sunday/fables-of-wealth.html?_r=1&scp=1&sq=psychopaths&st=Search">William Deresiewicz noted recently in the New York Times</a></strong>), the billionaires have misplaced their moral imagination.</p>

<p><em><strong><a href="http://www.kcet.org/user/profile/djwaldie">D. J. Waldie</a></strong>, author and historian writes about Los Angeles on KCET's <strong><a href="http://www.kcet.org/updaily/socal_focus/">SoCal Focus</a></strong> and <strong><a href="http://www.kcet.org/updaily/1st_and_spring/">1st and Spring</a></strong> blogs.</em></p>]]>
    </content>
</entry>

<entry>
    <title>Mom, Books, and the Spanish That&apos;s Been Lost to the Wind</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/socal_focus/commentary/movie-miento/mom-books-and-the-spanish-thats-been-lost-to-the-wind.html" />
    <id>tag:www.kcet.org,2012:/updaily/socal_focus//1239.45942</id>

    <published>2012-05-14T20:45:00Z</published>
    <updated>2012-05-14T20:50:59Z</updated>

    <summary>I&apos;m not ready for Mom to give me back my childhood mementos.</summary>
    <author>
        <name>Adolfo Guzman-Lopez</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1239&amp;id=33</uri>
    </author>
    
        <category term="Movie Miento" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="childhood" label="childhood" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="memories" label="memories" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mothersday" label="Mothers Day" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sandiego" label="San Diego" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="schoolpictures" label="school pictures" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="spanishlanguage" label="spanish language" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tijuana" label="Tijuana" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/socal_focus/">
        <![CDATA[<p><img alt="" src="http://www.kcet.org/updaily/socal_focus/adolfo-guzman-lopez-childhood-memories.jpg" width="600" height="450" class="mt-image-none" style="" /></p>

<p>I'm not ready for Mom to give me back my childhood mementos.</p>

<p>It started a couple of years ago. Inside a gift bag, one with the braided cord handles, was my newborn blanket. Then she gave me the rebozo-shawl that she'd used to carry me as a newborn. Out of an envelope, tumbled the 1969 pamphlets, wallet calendar, and infant care paraphernalia the Mexico City doctor sent her home with.</p>

<p>She's fine. She's not terminally ill. I've heard her lifelong fatalist streak get stronger and stronger in recent years. She says these things belong to me and she wants to make sure I have them when she's not around.</p>

<p>Mother's day made me think about these things. So did the Spanish language book fair at the L.A. Convention Center this weekend. In recent years I've had a tormented relationship with speaking Spanish and that's affected my relationship with Mom. As a kid I always admired how well she spoke Spanish when I'd sit next to her at the bank or some government office.</p>]]>
        <![CDATA[<p><img alt="adolfo-memories2.jpg" src="http://www.kcet.org/updaily/socal_focus/adolfo-memories2.jpg" width="600" height="450" class="mt-image-none" style="" /></p>

<p>For the longest time, from childhood to adolescence, speaking Spanish was about proving something. About proving to my relatives in Mexico and Guanajuato when we visited during summers that I'd maintained the language, culture, and identity. It was to prove that I was Mexican. It was to prove my mother's success raising me as a single mother away from her country and her family. Speaking Spanish was rarely about the pleasure of the language, the ideas, the debates. I'd find that out later on my own.</p>

<p>At this stage in my life I don't feel I have to prove those things. So what do I do with Spanish? I feel it withering on the vine. The Salvadoran American poet William Archila describes going back to El Salvador and feeling like his tongue was broken because of his inability to speak Spanish like he used to.</p>

<p>I use it here and there in my reporting, I've read a lot for pleasure. As a matter of fact, I just finished reading a book by <a href="http://www.youtube.com/watch?v=13w085_Onm0&feature=related">Juan Jose Millas</a> that was such a pleasure to read because the sentences in Spanish unlocked dendrites long ago cul de sacked because I'm longer around my Spanish speaking cousins and aunts, and because I don't go to Tijuana or Mexico City. </p>

<p>Earlier this year Mom gave me my 1970s San Diego elementary school class pictures in their original manila envelopes. She also gave me my notebooks from first grade in Tijuana, the only year of schooling I'd do in Mexico.</p>

<p>The problem is we didn't talk about it. There was no context. We should have reminisced a bit. Too much time has passed between the last time I saw these artifacts of my childhood and now. Mother's Day reminded me that the time is now to sit down with her and talk about all these things, hear the stories, thank her for speaking to me in Spanish, and tell her I'm working to remember many of the words she taught me.</p>

<p><em>Poet and <a href="http://www.scpr.org/about/people/staff/adolfo-guzman-lopez/">KPCC Reporter</a> Adolfo Guzman-Lopez writes his column <a href="http://www.kcet.org/updaily/socal_focus/commentary/movie-miento/">Movie Miento</a> every week on KCET's SoCal Focus blog. It is a poetic exploration of Los Angeles history, Latino culture and the overall sense of place, darting across LA's physical and psychic borders.</em></p>]]>
    </content>
</entry>

<entry>
    <title>World&apos;s 5th Highest Waterfall -- in Yosemite -- Now on Webcam</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/socal_wanderer/outdoors/worlds-5th-highest-waterfall----in-yosemite----now-on-webcam.html" />
    <id>tag:www.kcet.org,2012:/socal/socal_wanderer//1376.45947</id>

    <published>2012-05-14T20:33:31Z</published>
    <updated>2012-05-14T20:34:51Z</updated>

    <summary> North America&apos;s highest waterfall, Yosemite Falls, which is also the fifth highest in the world, can now be viewed in live snapshots thanks to a new webcam at Yosemite National Park. It is the fourth webcam offered by the...</summary>
    <author>
        <name>Zach Behrens</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1376&amp;id=1764</uri>
    </author>
    
        <category term="Outdoors" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="waterfalls" label="waterfalls" scheme="http://www.sixapart.com/ns/types#tag" />
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    <category term="yosemitenationalpark" label="yosemite national park" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/socal_wanderer/">
        <![CDATA[<p><img alt="Image: Courtesy Yosemite Conservancy" src="http://www.kcet.org/socal/socal_wanderer/yosemite-falls-webcam.jpg" width="600" height="337" class="mt-image-none" style="" /></p>

<p>North America's highest waterfall, Yosemite Falls, which is also the fifth highest in the world,  can now be viewed in live snapshots thanks to <a href="http://www.yosemiteconservancy.org/webcams/yosemite-falls">a new webcam</a> at Yosemite National Park. It is the fourth webcam offered by the nonprofit Yosemite Conservancy. </p>]]>
        <![CDATA[<p>"This technology makes the park's incredible scenery accessible to anyone, anywhere and at any time. What could be better than starting your day by viewing Yosemite Falls?" asked Mike Tollefson, Yosemite Conservancy President. The other webcams, which are  viewed annually by 400,000 people, show El Capitan, Half Dome, and a view of the high Sierra Nevada Mountains. "We added the Yosemite Falls webcam in response to the public's request for live images of this iconic setting," added Tollefson. </p>

<p>Speaking of which, the webcam images can also aid the public in planning since Yosemite Falls does not flow year round ("approximately November through July, with peak flow in May," <a href="http://www.nps.gov/yose/planyourvisit/waterfalls.htm">according to the National Park Service</a>). </p>

<p>To learn more about Yosemite Falls, the Conservancy has produced this "Nature Notes" video: </p>

<p><iframe width="600" height="335" src="http://www.youtube.com/embed/2mSNY3TdDZ4" frameborder="0" allowfullscreen></iframe></p>

<p><em><strong>Say hello</strong>: "Like" SoCal Wanderer on <a href="http://www.facebook.com/pages/SoCal-Wanderer/127964960614699?sk=wall">Facebook</a> and follow <a href="http://twitter.com/#!/SoCal_Wanderer">@SoCal_Wanderer</a> on Twitter to talk about the latest in outdoors with other enthusiasts. </em></p>]]>
    </content>
</entry>

<entry>
    <title>Tierra Mia Coffee Expands</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/food/the-nosh/tierra-mia-coffee-expands.html" />
    <id>tag:www.kcet.org,2012:/socal/food//1240.45840</id>

    <published>2012-05-14T18:39:49Z</published>
    <updated>2012-05-14T20:38:45Z</updated>

    <summary>&quot;Now that we are roasting coffee, we have talked about at some point buying a farm.&quot;</summary>
    <author>
        <name>Julie Wolfson</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1240&amp;id=4599</uri>
    </author>
    
        <category term="The Nosh" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="coffee" label="coffee" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="coffeebeans" label="coffee beans" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fastfood" label="fast food" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kfc" label="kfc" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pico" label="pico" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="picorivera" label="pico rivera" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tierramiacoffee" label="tierra mia coffee" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/food/">
        <![CDATA[<p><img alt="Photos by Ryan Kellman" src="http://www.kcet.org/socal/food/image/assets/after1.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" />Driving east on Slauson Avenue, a giant coffee mug in the sky comes into view in the distance. The cup is the beacon for the newest location of <a href="http://tierramiacoffee.com/">Tierra Mia Coffee</a> in Pico Rivera.</p>

<p>The Latin-themed menu offers single origin coffees, horchata lattes, Mexican chocolate frappes, guava and cheese pastries, and tres leches muffins. Club chairs, locally-made iron and granite furniture, and images from coffee farms fill the room. The baristas at Tierra Mia pride themselves on their latte art skills, and a photo of a beautiful specimen by manager Connie Mendoza hangs on the wall.</p>

<p>Tierra Mia owner Ulysses Romero was raised in Norwalk and La Habra, and went to St. Paul High School in Santa Fe Springs. His father and uncle own and operate Romero's Food Products, a company that makes tortillas and breads for restaurants, retail, and wholesale. Most mornings, Romero's mother arrives at Tierra Mia with flowers from her garden to fill vases in the seating area. </p>

<p>During a busy morning at the new Pico Rivera location, Romero shared his passion for coffee, his desire to create jobs, and why he moved back to the communities he grew up in to execute his café business plan.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/IMG_8557.1-300.jpg" width="300" height="450" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><strong>Julie:</strong> How did the idea for Tierra Mia originally come about?</p>

<p><strong>Ulysses:</strong> After working in New York banks, and a stint consulting in San Francisco, I came back to Los Angeles to help out with my family's business. From there I was soul searching, trying to figure out what to do. </p>

<p>I thought when I started Tierra Mia the focus would be on coffee, but I realized that job creation is the biggest thing we can do to impact the community, the local economy, and improve quality of life in the areas we are in. Each time we open new stores that are successful, we employ at least twenty people. That means a lot.</p>

<p><strong>Julie:</strong> Why coffee?</p>

<p><strong>Ulysses:</strong> While I was in grad school at Stanford I knew I wanted to start a business. When speakers came to campus were asked, "Where do you see growth?" They would say, "The Hispanic market is where you need to be." These were executives from companies like Coca Cola and Bud Light, and I thought, well, I understand that community.</p>

<p>I went to undergrad in Berkeley, and it's a pretty big coffeehouse place. I drank coffee all the time. It started out just for caffeine. I started drinking mochas, then lattes with a bunch of sugar. By the time I graduated I was drinking black coffee. I liked the experience of being in a coffeehouse.</p>

<p>My initial concept was to create a Latin coffee concept that I thought would be preferred in these neighborhoods. Once I started going to trade shows, tried different coffees and espressos, and seeing the latte art, I realized there was a whole other area I could build the business around.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/IMG_8597.1-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><strong>Julie:</strong> What do you look for when hiring new people?</p>

<p><strong>Ulysses:</strong> We tell our new hires this is a coffeehouse focused on quality from the beans that we use to the preparation. The second piece is that we are a Latin concept. That's reflected in the drinks we are offering, the service, and the décor. All of our locations have photographs on the wall showing coffee being grown in Latin America and the faces of the farmers. So many people who live here in L.A. have an agricultural background. For some of them, it makes a direct connection.</p>

<p><strong>Julie:</strong> Are transformations of fast food restaurants part of your business plan?</p>

<p><strong>Ulysses:</strong> It was not originally part of the business plan, but it is now because it makes complete sense. The original South Gate location was a completely new building. In Santa Fe Springs we are inside the renovated public library. Huntington Park was a McDonald's. This Pico Rivera location was a KFC. </p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/IMG_8482.1-300.jpg" width="300" height="460" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><strong>Julie:</strong> And the Tierra Mia coffee mug in the parking lot was originally a KFC chicken bucket?</p>

<p><strong>Ulysses:</strong> When we were designing this location, I looked up at that big KFC bucket. Just having to remove that thing was going to be a project. So we transformed it into a Tierra Mia coffee mug that lights up at night. People love it. Some call it the newest landmark in Pico Rivera.</p>

<p><strong>Julie:</strong> Why do you think that this location in Pico Rivera and the ones in Huntington Park and South Gate are so busy at night?</p>

<p><strong>Ulysses:</strong> We are busy in the evenings because we are in communities that lack places to go at night. We provide an environment that is nice for people in their own community, so we get busy late. South Gate is open the latest. There, we close at 11:30 p.m. and midnight on the weekends. Here in Pico Rivera and Huntington Park we stay open to 10 and 11 p.m. on the weekends.</p>

<p><strong>Julie:</strong> You began Tierra Mia making drinks with Intelligentsia and Stumptown coffee beans. More recently you began roasting your own. Why did you make the transition?</p>

<p><strong>Ulysses:</strong> Coffee prices were shooting up last year. Luckily in my Huntington Park location, that was originally a McDonald's, it already had a gas lines and hoods there. I did not have to open a whole new facility to roast coffee. We bought a small roaster and started experimenting. Right now we are roasting four times a week. We aim to serve all of our brewed coffees from between three to six days from roast for peak flavor.</p>

<p>Now that we are roasting coffee, we have talked about at some point buying a farm. It is something that I do not think is outside the realm of possibilities for us. We don't have the volume to do that yet, but I think that eventually we can figure out the economics and make it work.</p>

<p><strong>Julie:</strong> In addition to the hot drinks, you also have several frappes on the menu including one called Rice and Beans. </p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/IMG_8605.1-300.jpg" width="300" height="344" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /><strong>Ulysses:</strong> When I was working on the business plan, I noticed that a lot of people in the community would order cold blended drinks. When I tried the product that was out there, it tasted powdery and artificial. I got in the kitchen and started creating my own. It took a lot of tweaking over a six to 12 month period. </p>

<p>Our Rice and Beans frappe drink is made with coffee, horchata, a little bit of chocolate, and a few extra coffee beans thrown in the blender for crunch. It's been really popular.</p>

<p><strong>Julie:</strong> What are your goals for the future of Tierra Mia?</p>

<p><strong>Ulysses:</strong> I'd like to open additional stores. I think companies are trying to improve on coffee as a category, improve on the level of the product. A lot of that is happening at the farm level. At the transport of the green coffee, getting here to roast it, and bring out the best flavors. For us, it's about continuing to elevate that process. I want us to make better coffee every year. If we can do that then I think we will be successful as a business.</p>

<p>From a retail standpoint I want to grow as much as we can. In five years, we should have at least five more stores. I'd like to open another store here in L.A. County, then head up to the Bay Area to open some stores there. If we can be successful there then we can expand to other places as well. </p>

<p>I like what I do. I like this industry. The business itself to me is more meaningful if we can continue to expand out retail presence and bring our product to other communities.</p>

<p><img alt="" src="http://www.kcet.org/socal/food/image/assets/IMG_8637-600.jpg" width="600" height="400" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></p>

<p><strong>Eat better by following KCET Food on <a href="http://www.facebook.com/KCETFood">Facebook</a>, <a href="http://twitter.com/#!/KCETFood">Twitter</a>, and <a href="http://socalfood.tumblr.com">Tumblr</a>.</strong></p>]]>
        
    </content>
</entry>

<entry>
    <title>Video Head-to-Head: Drones vs. Aquarians</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/arts/artbound/vote/video-head-to-head-drones-vs-aquarians.html" />
    <id>tag:www.kcet.org,2012:/arts/artbound//1834.45948</id>

    <published>2012-05-14T18:14:54Z</published>
    <updated>2012-05-15T21:41:18Z</updated>

    <summary>Welcome to Artbound&apos;s first head-to-head battle! Here we pit the most popular article against a video picked by our editorial board. Vote for your favorite and at the end of the week, we send the article to our production team, who will make it into a video! It&apos;s easy, you vote, they make it, and we watch it. Two may enter, but only one may win!</summary>
    <author>
        <name>Artbound</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1834&amp;id=6217</uri>
    </author>
    
        <category term="Counties" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Los Angeles" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Vote" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/arts/artbound/">
        <![CDATA[<p><strong>Welcome to Artbound's first head-to-head battle! Here we pit the most popular article against a video picked by our editorial board. </p>

<p>Vote for your favorite and at the end of the week, we send the article to our production team, who will make it into a video! It's easy, you vote, they make it, and we watch it.</p>

<p>This week: Drones vs. the Source Family. </p>

<p>Two may enter, but only one may win!</strong></p>]]>
        
    </content>
</entry>

<entry>
    <title>Is California&apos;s Deficit Good for Governor Jerry Brown?</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/updaily/socal_focus/commentary/is-californias-deficit-good-for-governor-jerry-brown.html" />
    <id>tag:www.kcet.org,2012:/updaily/socal_focus//1239.45939</id>

    <published>2012-05-14T17:30:00Z</published>
    <updated>2012-05-14T21:14:36Z</updated>

    <summary>Back in January the estimate was that California was in debt, to the tune of $9.2 billion. Now it&apos;s close to $16 billion. </summary>
    <author>
        <name>Jessica Levinson</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1239&amp;id=2025</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ballotmeasure" label="ballot measure" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="budget" label="budget" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="california" label="california" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="deficit" label="deficit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="initiative" label="initiative" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jerrybrown" label="Jerry Brown" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="taxes" label="taxes" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="voters" label="voters" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="voting" label="voting" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/updaily/socal_focus/">
        <![CDATA[<p><img alt="" src="http://www.kcet.org/updaily/socal_focus/jerry-brown-budget-cuts-2012.jpg" width="600" height="416" class="mt-image-none" style="" /></p>

<p>Back in January the estimate was that California was in debt -- to the tune of $9.2 billion. In our new normal, that was seemingly palatable news. Now comes less agreeable news, the budget deficit is actually much larger than that. Today Governor Jerry Brown officially announced that the Golden State is facing a nearly $16 billion deficit.</p>]]>
        <![CDATA[<p>At the risk of making the understatement of the week, this is bad news. California does not have enough money to keep functioning -- better said, it is dysfunctioning at this level. Depending on your perspective, too little money is coming in or too much money is going out.  <br />
 <br />
What is a Governor to do? Well, there will be more budget cuts. Cuts that were likely inconceivable five years ago are now very much on the table. </p>

<p>But will there also be tax increases? Well, that is up to the voters. Brown, rather rationally and predictably, used his announcement of the new deficit numbers as an opportunity to sell his proposed tax increases. Brown wants to raise the sales tax by a quarter-cent for four years and increase taxes on people making $250,000 or more by between one to three percentage points for seven years. Those proposals will appear on the November 2012 ballot.</p>

<p>I do not mean to suggest that Brown was secretly hoping for larger deficit numbers. But clearly the current situation offers Brown the ability to tell voters that we are in dire straits and tax increases are necessary. What remains less certain is whether Brown will be able to convince the voters. He could not convince our representatives, which is why his tax proposals come in the form of an initiative, not a legislatively initiated measure. We have half a year to find out whether Brown's tax plans will succeed. </p>

<p><em><a href="http://www.kcet.org/user/profile/jlevinson">Jessica Levinson</a> writes about the intersection of law and government every Monday. She is a Visiting Professor at Loyola Law School. Read more of her posts <a href="http://www.kcet.org/user/profile/jlevinson">here</a>.</em></p>]]>
    </content>
</entry>

<entry>
    <title>How Prop 84 Helped the Homeless and Added Affordable Housing</title>
    <link rel="alternate" type="text/html" href="http://www.kcet.org/socal/departures/landofsunshine/laws-that-shaped-la/an-act-that-helped-the-homeless-and-added-other-affordable-housing.html" />
    <id>tag:www.kcet.org,2012:/socal/departures/landofsunshine//1488.45937</id>

    <published>2012-05-14T17:10:05Z</published>
    <updated>2012-05-15T21:25:03Z</updated>

    <summary>State legislator David A. Roberti is most proud of his work on providing housing for &quot;every strata of people,&quot; including 33,000 new emergency shelter beds for the homeless.</summary>
    <author>
        <name>Jeremy Rosenberg</name>
        <uri>http://www.kcet.org/cgi-bin/mt/mt-cp.cgi?__mode=view&amp;blog_id=1488&amp;id=51</uri>
    </author>
    
        <category term="Laws That Shaped LA" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="affordablehousing" label="affordable housing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="californiastatesenate" label="California State Senate" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="davidaroberti" label="David A. Roberti" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="homeless" label="homeless" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="housing" label="housing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="housingandhomelessbondactof1988" label="Housing and Homeless Bond Act of 1988" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawsthatshapedla" label="Laws That Shaped L.A." scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawsthatshapedla" label="Laws That Shaped LA" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lowincomehousing" label="low-income housing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="policy" label="policy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="politician" label="politician" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tomhayden" label="Tom Hayden" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.kcet.org/socal/departures/landofsunshine/">
        <![CDATA[<p><strong><em>Posted every Monday (see archives)<a href="http://www.kcet.org/socal/departures/landofsunshine/laws-that-shaped-la/">, the Laws That Shaped L.A. </a> spotlights regulations that have played a significant role in the development of contemporary Los Angeles. These laws - as nominated by a variety of experts we've been polling - are considered to have been either beneficial to the city or malevolent. The laws may be civil or criminal, and they may have been put into practice by city, county, state, federal or even international authority.</em></strong></p>

<p><strong><u>This Week's Law That Shaped L.A. </u><br />
Law: Housing and Homeless Bond Act of 1988 (Proposition 84)<br />
Year: 1988<br />
Jurisdiction: California<br />
Nominated by: David A. Roberti</strong></p>

<p><strong><big><big><big>D</big></big></big></strong>uring much of his 27-year-run as a state legislator, David A. Roberti was among the most powerful politicians in California. </p>

<p>The Los Angeles resident joined the State Assembly in 1966, when he was 26-years-old. From 1980-1994, Roberti served as President pro Tempore of the State Senate, a position that placed him third in the gubernatorial line of succession, following only the lieutenant governor.</p>

<p>Back when the Laws That Shaped L.A. was getting started late last year, Roberti welcomed a visitor to his post-political career legal office, located in Koreatown. </p>

<p>There, during a wide-ranging conversation, Roberti discussed some of the general issues as well as specific bills, bonds and propositions that he considers to be among his policy career's most significant.</p>

<p>That long and diverse list includes the likes of: gun control, urban parks, humane treatment of animals, a survey of uncapped underground wells, seed money for the Simon Wiesenthal Center's Museum of Tolerance, and the creation of the state's Information Practices Act, which is California's version of the federal government's Privacy Act.  (Upcoming Laws That Shaped L.A. will delve deeper into some of the above.)</p>

<p>But among all the bills that Roberti sponsored or co-sponsored throughout his political career, and of all the bills he shepherded into law via his longtime leadership role, was there a single piece of legislation - or a single issue that made its way into various legislation - that Roberti is most proud of?</p>

<p>The man who represented areas from Alhambra to Northridge to Hollywood and the Fairfax District, pauses to consider. Then he answers: his work on housing issues.</p>]]>
        <![CDATA[<p>"You have to provide for housing for every strata of people who are going to be living in your community," Roberti says, by way of explaining his view of a balanced neighborhood. "Otherwise, you won't have a community."</p>

<p>Roberti says his housing efforts are exemplified by the Housing and Homeless Bond Act of 1988. Roberti co-authored the Act and then campaigned successfully for its voter-approved passage as "Proposition 84."</p>

<p>(Roberti's Prop 84 co-author was Tom Hayden. View the KCET Departures: Venice video <a href="http://www.kcet.org/socal/departures/venice/oakwood/tom-hayden---author-and-activist.html">interviews with Hayden here</a>.)</p>

<p>Prop 84 mandated the sale of bonds to raise $300 million (in 1988 dollars) to fund both the creation and restoration of emergency homeless shelters, and to create new, affordable low-income housing.</p>

<p>More specifically, Prop 84 pledged to pay for 8,000 new rental units, 22,000 rehabilitated residential hotel rooms, 4,000 new home purchases by first-time buyers, 900 family housing units, 300 seasonal worker housing units and 33,000 new emergency shelter beds.</p>

<p>A <em>Los Angeles Times</em> <a href="http://articles.latimes.com/1989-11-15/local/me-1829_1_emergency-shelter">article from a year after</a> the proposition's passage catalogs some of the resulting grants: $2 million to homeless shelters in Los Angeles County to go for 800 new shelter beds; $200,000 grant for 40 mobile homes for the homeless; $216,000 grant to a West Hollywood homeless clinic; $250,000 each to a trio of other Los Angeles shelters.</p>

<p>Certainly, Roberti's initiative didn't solve the problem of homelessness. (<a href="http://www.kcet.org/socal/departures/landofsunshine/laws-that-shaped-la/skid-rows-bathroom-woes.html">See this previous Laws That Shaped L.A. column</a>.) </p>

<p>But as the Loyola Marymount University graduate** looks back at his time in public service -- he was termed out of the legislature in 1994 -- he takes pride in what he was able to accomplish in the housing realm, including making units available for AIDS patients and staving off housing changes later to come.</p>

<p>"I helped a whole generation in Santa Monica and even in L.A.," Roberti says of keeping rent control for what he says was fifteen years longer than otherwise would have occurred. (Laws were repealed after he left office.)</p>

<p>Roberti also saw through the 1979 Rental Construction Housing Program, which similarly to Prop 84 added and preserved low-income units. Indeed, throughout his career, Roberti pushed for housing public policy as a counterweight to the absolute free market.</p>

<p> "Governments have to perform certain public services," he says. "I don't believe in laissez faire government."</p>

<p>Roberti says, in some American cities, letting the market alone take care of determining who resides where works fine. "But in the majority of places," he says, "I don't think that's the case." He cites examples of senior citizens here in particular.</p>

<p>But perhaps all else, when it came to helping the homeless find shelter, Roberti was a particularly sympathetic legislator. </p>

<p>In a 1988 pro-Prop 84 brochure, Roberti was quoted explaining why he wanted Prop 84 to pass: "Kids and adults don't have to live on the dirt," Roberti says. "The public is way ahead of its government in demanding that we show some compassion for the people who just want a hand up, a little help, and not a hand-out."</p>

<p>And regarding his larger philosophy, in 1994, when running for Treasurer and fending off a pro-gun-lobby-funded recall effort, <a href="http://articles.latimes.com/1994-04-01/news/mn-41021_1_david-roberti">Roberti told the <em>Times</em></a>: "I guess I gravitate toward the have-nots, the people who need somebody to fight for them."</p>

<p>The legislator added: "I think we make an error if we patronize anybody who thinks they are always right because of their condition, rather than the justice of their cause."</p>

<ul><u><strong>Laws That Shaped L.A.</strong></u>
<li><a href="http://www.kcet.org/socal/departures/landofsunshine/laws-that-shaped-la/">View the ten most recent Laws That Shaped LA</a></li>
<li><a href="http://www.kcet.org/socal/departures/landofsunshine/laws-that-shaped-la/">View the Complete Archive</a></li>
</ul>

<p><em>**Jeremy Rosenberg has written about Roberti for LMU.</em></p>

<p><em>To suggest a "Law That Shaped L.A." or otherwise contact the columnist via: arrivalstory [at] gmail [dot] com, or leave a comment at the bottom of this page.</em></p>

<p></p>

<p><br />
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    </content>
</entry>


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