March 2009 Archives

Mean Streets

By Erin Aubry Kaplan
March 29, 2009

Walking my two dogs on a recent morning, I rounded a corner at the bottom of a hill and came upon a killing.

Such was the force of the despair I felt when I saw it, but it wasn't a killing. It was a mauling. Four houses on 108th Street, two on either side of the street, had been slashed overnight with graffiti, their neat garage walls and brick fences cut up beyond recognition with red and black. Amid the angry hieroglyphs I made out words 18th street, Family, Crips, and other words I couldn't make out at all. The tangled lines looked like a swarm of bees. There is street art and there is tagger art, but this was neither. It was a message, a crude one at that, a push back to all the entirely gang-averse, middle-class folks living in Inglewood who walk their dogs and continue to otherwise believe that they live in a place where bad things are the exception.

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Water, Logged

By Erin Aubry Kaplan
March 22, 2009

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A recession/depression can make honest people out of us--for example, it brings you face to face with the fact that that you simply can't afford to buy those dress shoes this month, maybe not for a while. Uncertain times have forced impulsive consumers like me (a vanishing breed these days) to admit that a beer budget won't support even the occasional champagne taste.

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Hard Times

By Erin Aubry Kaplan
March 16, 2009

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My best friend is broke. As long as I've known him, which is more than 30 years, he's been broke more or less continuously and flirted with poor more often than he wants to remember. Partly it's because he's an artist (a brilliant one) and musician, partly because he's always had a tough time getting decent part-time work that artists and musicians get to pay the bills. These days, with the economy sliding off the rails like coal sliding down a chute into darkness, he's looking poor in the face, and he's trying to laugh. But it's not funny.

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All the World's a Stage

By Erin Aubry Kaplan
March 8, 2009

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A public confession: I'm going to quit tap dancing. Not metaphorically (I've been unambiguous enough in my opinions over the years to be accused of many things, but rarely tap-dancing). I mean literally. I've been taking a tap class every Saturday for the last dozen years. It's not that I haven't enjoyed it. In many ways the class has been a mind and soul-saver, a small but steady light of progress and self-empowerment in an era in which so many things outside of class have stagnated and the phrase "power of the press" has felt increasingly like an oxymoron. Mastering a routine felt at least as satisfying as publishing a column, in large part because in the last couple of years I've been more successful at learning tap routines than in publishing columns. Such is the life of a freelance journalist these days.

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SoCal Connected

About Cakewalk

Cakewalk is journalist and op-ed columnist Erin Aubry Kaplan's first-person account of politics and identity in Los Angeles, with an eye towards the city's African American community.

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