The Evolution of Shyoshi


By Jessica Koslow

John Magat, also known as Shy Guy, and Tsuyoshi Takayama are fairly new to the partner thing. The two lockers (lockers as in the hip-hop dance) had known each other from one-on-one battles, but they only linked up this past March when Tsuyoshi was asked to perform at a fundraiser. In June 2011, the two danced together again at the "Keep It Live 3: Locking Showcase," and decided to form Shyoshi (a combination of their names). At "Keep It Live 3," Emiko Sugiyama spotted the duo and asked them to apply to perform at this year's J.U.i.C.E. Hip Hop Dance Festival, which she has produced for two years.

According to Shy Guy, when he first started competing and seeing Tsuyoshi around, it was rare to see other lockers -- more people gravitated to popping and breaking. When he did run into other lockers, he noticed they stuck to a distinct style of locking.

"Many people who do our style of dancing, called locking, like to keep it very traditional, the way the original people did it, which is really good," says Shy Guy. "We show parts of that also, but at the same time we show our interpretation of it."

Their interpretation of locking has a few influences. For Shy Guy, it's his friends who do other styles that push him to step outside the box. He's originally from the Bay area, and his crew, Soul Sector, consisted of dancers who each had their own style, which Shy Guy has not been afraid to incorporate into his own. Another inspiration is music.

"They say music creates the dance," he offers. "The way that the music moves you. Rather than think of different moves, I like to listen to different types of music. I notice that the movements that I do alter, they change, as the music I listen to changes."

Shyoshi dance to all types of music: funk, house, hip-hop, break beats. Shy Guy even tried locking to Alicia Keys a few times, and rock 'n' roll. The L.A.-based lockers maintain an open mind when it comes to their craft.

When Sugiyama called the group to ask if they would partner with Kiminari and Kairi, two dancers from Hiroshima, Japan, for the upcoming J.U.i.C.E. Festival, Shyoshi obliged. The two sets of dancers were supposed to perform as separate acts, but two of Kiminari & Kairi's partners ran into problems acquiring visas.

The two groups began working together on a collaborative performance piece via the Internet, aided by Tsuyoshi's Japanese language skills and their dedication to a common goal. "Our collaboration went along with J.U.i.C.E.'s whole theme of world peace," says Shy Guy, "and bringing people from around the world together."

Watching the four dancers boogie to the beat on stage, showing off poppin', lockin', and straightforward hip-hop choreography, was a highlight of the festival. On October 7, 2011, Kiminari and Kairi delivered the 1,000 Origami cranes, made by the audience during the festival, to the Children's Peace Monument in Hiroshima.

The Monday after the J.U.i.C.E. festival, Shy Guy returned to his 9-to-5 in the marketing department of a software company. Tsuyoshi juggles part-time jobs, attends school while also auditioning for industry work.

"For me, there are only two things that you can do if you want to make money dancing," says Shy Guy. "You can teach or you can do music videos and performances. I'm not really into music videos, and I was a teacher but I wasn't a very good teacher for a long period of time because I kept changing my style."

"I still love dance very passionately," he continues. "I realized I don't have to be in Hollywood or music videos to be a good dancer. As long as I love my dance, and I'm passionate, and I work hard at it, that's all that matters. I like working during the day and dancing at night. Right now, I like leading two different lives."

Shy Guy has come a long way since he received his nickname, and now it seems certain he's locked into his style of dance.

"A long time ago I was very shy and awkward. I couldn't look people in the eye," assures Shy Guy. "When I first started dancing I didn't have a style. I just did routines and choreography like a lot of dancers out there. But something about it never felt right. The moment I saw my mentor Ceech dancing, I knew that was what I had been looking for, that's what I wanted to do. He was one of the first lockers I saw, and he's been a big influence on me. He helped me with coming out of my shell, not just as a dancer, but as a person. Thanks to Ceech, and a lot of other people helped me along the way so I am who I am today."

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