Guy Okazaki remembers when surfboards were composed of redwood planks that would take two people to carry to the beach. He has watched generations of surfers cycle like ocean currents and witnessed the evolution of surfing techniques. Okazaki is a seasoned shaper and carves each board by hand, a trade passed on by his father. As popularity grew, surfboards became mass produced overseas and local competition dwindled. Once prolific surf shops and shapers such as Dewey Weber and Harold Iggy have moved inland for more affordable property or have moved on entirely. Okazaki's clientele remains the more serious surfers, paying a higher price for a high quality surfboard. It is easy to lament the "good old days", but nothing seems to make Okazaki happier than seeing a father and son surf together.
Support for the Departures' Venice installment is provided through these sponsors and local community partners, as well as from viewers like you.
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Click here to see all sponsors and community partners for Departures.
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THE NEXT CHAPTER FOR THE GREAT WALL OF LOS ANGELES
The Great Wall of Los Angeles has been a work in progress since its inception, and plans for its growth include extending the story from the 1950s into the 1990s.
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THROUGH THE COMMUNITY'S EYES: PERCEPTIONS OF THE GREAT WALL
The value of the mural is evident through the eyes of the growingly diverse local community. Neighbors have a personal connection to a particular panel's story or have grown up with it, learning and sharing the lessons the mural has to offer.
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NEW VOICES: NEW FACES IN LOS ANGELES MURALISM
Today, young artists inspired by SPARC and other pioneering muralists are continuing the legacy of muralism in Los Angeles with new avenues of approach.
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RESTORATION OF THE GREAT WALL OF LOS ANGELES
More than 25 years later, Judith Baca and SPARC returned to the Great Wall, to restore its luster after years of fading in the summer and beaten by the waters of the Tujunga Wash.















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