Skip to main content

Media Arts Preview: Lots of Great Work by Women

Support Provided By

This week's media arts scene in LA features lots of great work by women, including LA's own Allison Anders, internationally acclaimed Eija-Liisa Ahtila and Zoe Beloff at the Velaslavasay Panorama.

Barbie
Barbie

Friday, April 15
The Barbie Video Girl Doll was slated to be one of last year's hottest selling toys until the FBI issued a memo warning police investigators of its potential use by child pornographers. Or artists. Indeed, the Barbie Film Festival challenges filmmakers to use the svelte doll camera to craft short videos, and the two-minute finished projects will screen tonight at the James Bridges Theater at UCLA at 7:00 p.m.

Beloff stage
Beloff stage

Saturday, April 16
Acclaimed filmmaker and media artist Zoe Beloffwill offer a public lecture tonight at the Velaslavasay Panorama beginning at 8:00 p.m. The talk offers a context for Beloff's new exhibition The Somnambulists, which will be on view at the Panorama through May 29, 2011. The Somnambulists project is connected to the Coney Island Amateur Psychoanalytic Society, active between 1926 and 1972, and Beloff will screen several of the Society's Dream Films during her presentation.

LA-based independent filmmaker Allison Anders will present her 1996 feature film Grace of My Heart tonight at the Cinefamily theater at 7:30. Anders is one of the key members of the 1990s LA independent filmmaking scene, known for her attention to female characters, raw emotion and innovative story structure.

tokyo ebisu
tokyo ebisu

Sunday, April 17
Filmmaker Tomonari Nishikawa, currently a visiting artist in the Cinema Department at Binghamton University, brings his hand-crafted films to Filmforum tonight at 7:30 p.m. Many of the films screened are short cinematic glimpses of urban spaces, with attention to rhythms, pacing and visual composition. The artist often creates in-camera visual effects, or hand-processes his images. The show is titled The Intensity of the World: An Evening with Tomonari Nishikawa, and takes place at the Spielberg Theater at the Egyptian.

Where Is Where
Where Is Where

Monday, April 18
Finnish filmmaker and media artist Eija-Liisa Ahtila has created a remarkable body of work that explores storytelling across multiple screens, and she is known internationally for her cinematic installations and projections. REDCAT will screen the artist's new film, Where Is Where, which is described as "a visually mesmerizing" split-screen project designed "to evoke and deconstruct the murder of a young French boy by two Algerian playmates during the Algerian War of Independence in the 1950s." The film has been screening at museums across the country, and this is a rare opportunity to see Ahtila's work in LA, and shouldn't be missed!

Finding Christa
Finding Christa

Wednesday, April 20
Artist and filmmaker Camille Billops gained notoriety when her independent documentary Finding Christa screened at the Sundance Film Festival in 1991, where it earned the Grand Jury Prize. The film chronicles Billops' reunion with the daughter she gave up for adoption 18 years earlier, and is celebrated for its emotional honesty. The film, described by critic Vincent Canby as "terrifically artful," will screen at the Hammer Museum tonight at 7:00 p.m., along with the artist's earlier film Suzanne, Suzanne. Billips will discuss the film after the screening.

Support Provided By
Read More
A blonde woman wearing a light grey skirt suit stands with her back to the camera as she holds a sheet of paper and addresses a panel at the front of a courtroom

California Passed a Law To Stop 'Pay to Play' in Local Politics. After Two Years, Legislators Want to Gut It

California legislators who backed a 2022 law limiting businesses' and contractors' attempts to sway local elected officials with campaign contributions are now trying to water it down — with the support of developers and labor unions.
An oil pump painted white with red accents stands mid-pump on a dirt road under a blue, cloudy sky with a green, grassy slope in the background.

California’s First Carbon Capture Project: Vital Climate Tool or License to Pollute?

California’s first attempt to capture and sequester carbon involves California Resources Corp. collecting emissions at its Elk Hills Oil and Gas Field, and then inject the gases more than a mile deep into a depleted oil reservoir. The goal is to keep carbon underground and out of the atmosphere, where it traps heat and contributes to climate change. But some argue polluting industries need to cease altogether.
Gray industrial towers and stacks rise up from behind the pitched roofs of warehouse buildings against a gray-blue sky, with a row of yellow-gold barrels with black lids lined up in the foreground to the right of a portable toilet.

California Isn't on Track To Meet Its Climate Change Mandates. It's Not Even Close.

According to the annual California Green Innovation Index released by Next 10 last week, California is off track from meeting its climate goals for the year 2030, as well as reaching carbon neutrality by 2045.