Our Home. Our Art.

The Art of LAAlan Hess, architect and historian, reminded us the other day of John Lautner, who would have been 100 this month. Lautner was one of several architects at mid-century working with (and sometimes in reaction to) the city's favored building blocks: light, air, space, and movement.

Other Los Angeles architects - Schindler, Neutra, Koenig - were sober masters of high modernism. Lautner's designs were playful, often libidinous. He designed the iconic Googie's coffee shop that once stood at the corner of Sunset and Crescent Heights boulevards and the circular Chemosphere house, a Space Age fantasy above Mulholland Drive.

Story Continues Below
Support KCET

Just as modern, but more domesticated, were mid-century homes designed by Harwell Hamilton Harris, Richard Dorman, A. Quincy Jones and Frederick Emmons (for developer Joseph Eichler), Cliff May, and many others less well known.

Beginning at least as early as the Greene brother's Gamble house (1908-1909) through Irving Gill's Dodge house (1914-1916, since demolished) to Frank Lloyd Wright's Ennis house (1924) to the high European modernism of Schindler (1922-1950s) and Neutra (1928-1960s) to Frank Gehry's "deconstructionist" residential projects (1970s) and continuing still, Los Angeles architects have been making and remaking an idea of home in Los Angeles.

In this city, a fierce argument about what constitutes a fit place in which to live has shaped what we are. And unlike equally fierce arguments over what constitutes art, the proofs offered by every side of the architectural debate are not in some museum but in every neighborhood. We have our messy lives in the architecture that resulted from a hundred years of "isms" and "revivals." And our lives (and city) are better for it.

This year and next, the Getty Foundation and the Getty Research Institute will aid more than 70 museums and arts organizations in a project called Pacific Standard Time to present, from as many points as possible, the art of Los Angeles from 1945 to 1980. Architecture will be included in this grand survey, although perhaps not as centrally as I think it should be.

I've come to think of the houses of Los Angeles as this city's greatest art.

D. J. Waldie, author, historian, and as the New York Times said in 2007, "a gorgeous distiller of architectural and social history," writes about Los Angeles every Monday and Friday at 2 p.m. on KCET's SoCal Focus blog.

The image on this page is adapted from public domain sources.

About the Author

D. J. Waldie is the author of "Holy Land: A Suburban Memoir" and "Where We Are Now: Notes from Los Angeles." He is a contributing editor for the Los Angeles Times.
RSS icon

Previous

A Look at Worldbuilding through Troy Morgan's 'Beneath the Sea'

Next

Closing Art Walk to Cars Makes Sense, But It Needs to Be Done Right

LEAVE A COMMENT Leave Comment  

user-pic

ALERT: World War II Craftsman Builder Richard Neutra's Kornish House Threatened

...We can't say we're terribly surprised by this news, since the house was marketed as a tear down when it went on the market, but the 1954 Richard Neutra-designed Kronish House may be facing demolition. Located in Beverly Hills, a city notorious for its lack of protection for architecturally-significan ​t structures, the owner plans to tear down the house.

The house was last sold in a foreclosure auction in January for $5.8 million and is currently on the market for $14 million. According to the L.A. Conservancy, "the home is not currently occupied; the owner seeks to raze it even though there are no plans for a replacement project on the site." Lacking any sort of legal protection in Beverly Hills, the only way to stop the demolition is by either finding a preservation-sensitive buyer or by putting pressure on the City Council.
We will be addressing this important issue and discussing the possibility of an emergency ordinance at our City Council meeting on Tuesday Aug 2. 7pm. Beverly Hills City Hall. Please come and share your views
Demolition pending