Carolina A. Miranda
About Me:
Carolina A. Miranda is freelance magazine writer and radio reporter who has produced stories on culture and travel for Time, ARTnews, Art in America, Fast Company, NPR’s All Things Considered and PRI’s Studio 360. She has also served as a contributing art critic and reporter for New York Public Radio, appearing regularly on affiliate stations WNYC and WQXR. Over the course of her career, she has reported on the burgeoning industry of skatepark design, architectural pedagogy in Southern California, the presence of street art in museums and the growing intersection between video games and fine art. She blogs about art and culture at C-Monster.net and was named one of nine people to follow on Twitter by the New York Times.
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For his upcoming performance, Artist Carmen Papalia, who is legally blind, will spend nearly an hour navigating the streets of downtown Santa Ana by the sounds of a marching band alone.
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Richard Jackson has produced work that pushes the boundaries of painting since the 1960s.
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Orange County painter Justin Bower's oversized faces are steeped in a future dystopia where humans appear to be being subsumed by technology.
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In south Orange County, there are few traditions as long running (and spectacularly surreal) as the Pageant of the Masters, a two-month-long display where actors pose as well-known works of art.
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For his upcoming performance, Artist Carmen Papalia, who is legally blind, will spend nearly an hour navigating the streets of downtown Santa Ana by the sounds of a marching band alone.
-
Richard Jackson has produced work that pushes the boundaries of painting since the 1960s.
-
Orange County painter Justin Bower's oversized faces are steeped in a future dystopia where humans appear to be being subsumed by technology.
-
In south Orange County, there are few traditions as long running (and spectacularly surreal) as the Pageant of the Masters, a two-month-long display where actors pose as well-known works of art.
