Mimi Zeiger
About Me:
Mimi Zeiger is a Los Angeles-based journalist and critic. She covers art, architecture, urbanism and design for national and international publications. Zeiger is author of New Museums, Tiny Houses and Micro Green: Tiny Houses in Nature. She's lectured internationally on The Interventionist Toolkit, a series of articles on alternative urbanist practice she wrote for Places Journal.
Zeiger is editor and publisher of loud paper, a zine and blog dedicated to increasing the volume of architectural discourse. She is a founding member of #lgnlgn, a think tank on architecture and publishing. The group's work has been shown at Urban Design Week, the New Museum, Storefront for Art and Architecture, pinkcomma gallery, and the AA School.
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My KCET.org Activities
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Peter Zellner's homes appeal to a younger generation of homeowners -- the same hip Tijuaneros who are driving the city's resurgent food and art scene.
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The proximity of Bruce Nauman's sixteen-foot-high outdoor object to the Rudolph Schindler House asks the viewer to recalibrate their understanding of both architecture and art production.
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The Los Angeles Conservancy leads tours of Venice's more eclectic buildings to advocate for the preservation of historic L.A. structures.
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In other cities, the civic and commercial structures tell the story of modernism, but in L.A., it's the residences. Here, the domestic sphere is the source of such cultural change.
Recent Actions from Mimi Zeiger
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Peter Zellner's homes appeal to a younger generation of homeowners -- the same hip Tijuaneros who are driving the city's resurgent food and art scene.
-
The proximity of Bruce Nauman's sixteen-foot-high outdoor object to the Rudolph Schindler House asks the viewer to recalibrate their understanding of both architecture and art production.
-
The Los Angeles Conservancy leads tours of Venice's more eclectic buildings to advocate for the preservation of historic L.A. structures.
-
In other cities, the civic and commercial structures tell the story of modernism, but in L.A., it's the residences. Here, the domestic sphere is the source of such cultural change.
