Sharon Mizota
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My KCET.org Activities
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The Huntington Library's extra-illustrated books are treasure troves of art, their pages filled with original watercolors, prints, and illustrations from as early as the 18th century.
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Sam Durant elevates the conversation about a museum's role in society to today's digital age, asking social media users to post their opinions online.
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L.A. artist Susan Silton's "Who's in a Name?" looks at rituals of history, celebrity, and death by investigating how we acknowledge and commemorate one another.
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At LACMA, Stephen Prina displays 28 hot pink plywood replicas of built-ins that legendary architect R.M.Schindler originally designed for two custom homes in L.A.
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What if dance could be any movement, executed by anybody, anywhere? Trisha Brown blurrs the boundary between dance and the rhythms and movements of everyday life.
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Catherine Opie's images are distinguished by her ability to merge references to photographic history with the stuff of contemporary life.
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Independent publishing companies in L.A. are growing and blurring the distinction between literature and art.
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Ken Gonzales-Day brings a grim forgotten California history to life in the present day and addresses art history and its troubled relationship to the representation of race.
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Until recently, Ken Price was one of L.A.'s most overlooked masters. The exhibition, Ken Price Sculpture: A Retrospective at LACMA features an array of work completed by the artist throughout his career.
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Liz Glynn is a Los Angeles artist using the lowliest of materials to make her own, handmade copies of precious ancient objects.
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Gina Osterloh explores the wavering line between figure and ground during her residency at Los Angeles Contemporary Exhibitions (LACE).
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Artist Steve Roden explores order. His piece at Los Angeles Contemporary Exhibitions overlays six new video pieces that are the result of an intertwining avant-garde composer John Cage, philosopher Walter Benjamin, and choreographer Martha Graham.
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The logic of celebrity in the art world can seem wondrously elliptical: Art by celebrities garners attention because it's made by celebrities, and artists often become celebrities for making art about fame. It seems pop will eat itself.
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The San Gabriel Valley is home to large immigrant communities, and features every flavor and style of Asian cuisine you could possibly wish for. But when it comes to art, that's a tall order.
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The Huntington Library's extra-illustrated books are treasure troves of art, their pages filled with original watercolors, prints, and illustrations from as early as the 18th century.
-
Sam Durant elevates the conversation about a museum's role in society to today's digital age, asking social media users to post their opinions online.
-
L.A. artist Susan Silton's "Who's in a Name?" looks at rituals of history, celebrity, and death by investigating how we acknowledge and commemorate one another.
-
At LACMA, Stephen Prina displays 28 hot pink plywood replicas of built-ins that legendary architect R.M.Schindler originally designed for two custom homes in L.A.
-
What if dance could be any movement, executed by anybody, anywhere? Trisha Brown blurrs the boundary between dance and the rhythms and movements of everyday life.
-
Catherine Opie's images are distinguished by her ability to merge references to photographic history with the stuff of contemporary life.
-
Independent publishing companies in L.A. are growing and blurring the distinction between literature and art.
-
Ken Gonzales-Day brings a grim forgotten California history to life in the present day and addresses art history and its troubled relationship to the representation of race.
-
Until recently, Ken Price was one of L.A.'s most overlooked masters. The exhibition, Ken Price Sculpture: A Retrospective at LACMA features an array of work completed by the artist throughout his career.
-
Liz Glynn is a Los Angeles artist using the lowliest of materials to make her own, handmade copies of precious ancient objects.
