Chaos or Choice? How We See L.A. Guides its Future | KCET
Chaos or Choice? How We See L.A. Guides its Future
Gail Goldberg is the Los Angeles director of the Urban Land Institute, a think-tank of sorts for the players -- public and private -- in real estate development. But from 2006 to 2010, she headed the city's planning department. She left when Mayor Villaraigosa adopted a policy of less planning and more development, a model championed by Deputy Mayor Austin Beutner (with mixed results).
Greg Hise, a professor at the University of Nevada Los Vegas, is a historian of American cities. He investigates how development choices over time create urban futures. He made Los Angeles a case study in his best-known work: Magnetic Los Angeles: Planning the Twentieth-Century Metropolis. Hise also is a member (and former president) of the Society for American City and Regional Planning History.
Goldberg thinks that Los Angeles resists being planned. Hise thinks that Los Angeles is, in many ways, a highly planned place.
In a recent interview with Sam Lubell, West Coast editor of The Architect's Newspaper, Goldberg made a distinction about comprehensive planning:
In his ongoing retrospective of the literature of built Los Angeles, Times architecture critic Christopher Hawthorne summarized Hise's argument for a city of planned neighborhoods:
Goldberg worked for for years in the trenches of city hall, where every large-scale project is brokered politically. For her, the patterns that planners seek are constantly being thwarted. Hise, who takes the long view, doesn't see chaos but contingent patterns bounded by choices, sometimes made by professional planners but often made by other actors, including developers.
The difference isn't just the distance between city hall and a university library or between the onrushing present and historical distance. Goldberg and Hise (whom I know and have heard speak many times) see Los Angeles in ways that have implications for the policies its public officials make.
If Los Angeles is mostly planned, then city officials should find a trajectory through its history of built forms to sustain that history, since what we've made of Los Angeles is what we've chosen to become. If Los Angeles is mostly unplanned, then urban planners should mitigate the error by guiding (constraining?) the built environment toward other forms, since what we've become was a false choice.
So, do we make Los Angeles more like Los Angeles -- improvised, experimental, open-ended? Or do we make Los Angeles less like Los Angeles?
The image on this page is adapted from one in the author's collection.
The health and economic consequences of the pandemic have not affected all communities across L.A. county equally; rates in communities of color across South and Central Los Angeles and the Eastside have increased dramatically.
Creative restrictions can often mean creative breakthroughs, as seen in Jacob Jonas’ ‘Parked’ and #adigitaldance projects.
Art has the power to influence culture. Columnist Anuradha Vikram asks artists how they use or don’t use their creative practice in service of social causes.
KCET received a total of 54 nominations for the 62nd annual Southern California Journalism Awards presented by the Los Angeles Press Club. The tally ranked KCET as earning more nominations than any other local broadcast organization.
- 1 of 313
- next ›