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Black Arts Matter

Black arts bear witness to centuries of fight not flight. See how their rich legacies continue to rally this nation’s spirit in pursuit of justice and joy.

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Basquiat 'King Pleasure' Exhibition Comes to L.A.
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Basquiat's "King Pleasure" exhibit comes to L.A. — a city that once fueled his creativity.
Ramsess' Portraits Honor Historic Figures in Black History
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Ramsess' quilts, mosaics, stained glass, and illustrations honor historic Black figures.
A black and white hpoto of Medusa The Gangsta Goddess, a young Black woman with her hair in an updo and wearing large hoop earrings. She is holding a microphone up to her mouth as she performs passionately into it.
Women in Compton and South Central Los Angeles were influential in the development of Hip Hop on the West Coast.
Fred Eversley Install 5.jpg
"Fred Eversley: Reflecting Back (the World)" will take visitors on a journey through Eversley's practice, zooming in on his explorations of material and color via his trove of parabolic lenses.
A black and white photo of a Black man and woman dressed in Victorian-era costuming holding hands and kissing in front of a plain solid color cloth backdrop.
"Something Good – Negro Kiss," is a recently rediscovered 1898 silent short film featuring the earliest on-screen kiss between Black actors. Its recent rediscovery begs the question — what other lost pieces of Black film history could be out there, waiting to be found?
A black and white photo of the Nicholas Brothers, Fayard on the left and Harold on the right, mid-air as they jump with their arms up and their legs pointed to the side. The two are in sync, their body language matched up to one another. Behind them is a band playing brass and wind instruments.
A new exhibition at the Academy Museum of Motion Pictures highlights how Black cinema, despite the challenges of American racism, has carved its own paths throughout history.
A young man with a lot of cameras hung around his neck.
Bruce Talamon has trained his lenses on some of the music industry’s brightest stars, but it all began at Wattstax.
A faded colored photo of a stage propped up in the air with steel and metal rods. Performers in white funk/'70s clothing and gold jewelry stand on stage and perform. A man in white bell bottoms, a fringe jacket and silver chains holds up a silver trumpet. A man with a white afro and a white vest stands with a saxophone. A man stands in the middle wearing a white jacket with long fringe hanging off the sleeves and an intricate gold chain around his neck. He is singing into a microphone. Two men stand near him, also in white, flashy outfits playing the guitar and bass respectively.
Fifty years ago, music label Stax Records organized Wattstax, a benefit concert at the Los Angeles Memorial Coliseum that commemorated the seventh anniversary of the 1965 Los Angeles Uprising.
A rendering of a city that is culturally-embedded with African American culture. It shows streets and cars that are brightly-patterned.
Artist Ben Caldwell’s answer to the very real fears around gentrification and the attendant dispossession of Black people and their social contributions is Sankofa City, a multi-pronged media project that celebrates Leimert Park’s unique history while embracing technological change and redevelopment
Larry Fuller, John Jennings and Stacey Robinson stand together in front of an exhibition wall displaying paintings of a Black superhero, Ebon.
In 1970, Larry Fuller published “Ebon,” the first comic with a titular Black superhero. Initially met with low sales, the project was discontinued after one issue. Over 50 years later, Ebon and his creator finally get their flowers.
A digital artwork of a Black woman in a galaxy, surrounded by beams of light and nebulas. She is holding a geometric box in her hand that is glowing. She is looking at the item.
Afro-speculative trailblazers John Jennings and Stacey Robinson are the creative duo behind "Black Kirby," an art collaborative that combines Afrofuturism with the superhero genre to imagine alternative worlds that center Black stories.
African American men and women in a parade of cars during Cinco de Mayo in Compton.
Compton-raised writers Robin Coste Lewis (former Los Angeles poet laureate), Amaud Jamaul Johnson (poet, professor and National Book Critics Circle finalist) and Jenise Miller (a poet and urban planner of Panamanian descent) discuss a Compton beyond the popular imagination.
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