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Meher McArthur

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Meher McArthur is an independent Asian art historian and is Academic Curator at Scripps College, Claremont. Previously she was Curator of East Asian Art at Pacific Asia Museum (now USC PAM) and now curates exhibitions for Southern California galleries, En Gallery at the Storrier Stearns Japanese Garden in Pasadena, and for the traveling exhibition company International Arts & Artists (IA&A), including Above the Fold: New Expressions in Origami (2015-2019) and her upcoming exhibition, Washi Transformed: New Expressions in Japanese Paper (from 2021). She is developing YOKAI: Spirits, Specters and the Supernatural in Japanese Woodblock Prints for Scripps College (2022). 

Meher writes regularly for Buddhistdoor.net and contributes to KCET Artbound, Artillery and Orientations magazines. Her major publications include Gods and Goblins: Folk Paintings from Otsu (PAM, 1999), Reading Buddhist Art (Thames & Hudson, 2002) and The Arts of Asia (Thames & Hudson, 2005), Confucius (Pegasus Books, 2011), Folding Paper: The Infinite Possibilities of Origami (IA&A, 2012), New Expressions in Origami Art (Tuttle, 2017), and An ABC of What Art Can Be (The Getty Museum, 2010). 
 

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"Trumpet Flower #120" by Kaoru Mansour, 2015; Mixed media on canvas; 42 x 72 inches. | Image: Courtesy of the artist and Heather James Gallery.
The ornate collage paintings of Kaoru Mansour depict trees laden with fruit and birds perched on branches.
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For over 30 years, Joanne Julian has been a master of both meticulously detailed drawings and spontaneous calligraphic brushwork, and has created her own trademark mixed media works that blend the two.
Souun Takeda applying ink to paper; Photo by Edward Hames; Courtesy of the artist and the Porch Gallery Ojai
Souun Takeda's calligraphy has a uniquely intense emotion that energizes his work; his eager strokes laden with ink often drip down the fragile, washi paper.
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Dave Lefner carving details out of design on linoleum; Photograph by Prakash Shroff | Courtesy of the artist
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The Getty undertakes a wide range of conservation projects around the world at important historic and cultural sites, helping to preserve the artistic heritage of diverse cultures.
"Ridged Helmet with Large Rivets," Japan, mid-Edo period, c.1730; iron, gold, silver, bronze, shakudo and leather; Photograph by Brad Flowers; Copyright The Ann & Gabriel Barbier-Mueller Museum, Dallas
A new exhibition at LACMA spotlights Samurai and their battle gear.
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As Armenian-born Vera Arutyunyan struggled to adapt to her new home in the Los Angeles, she turned to painting to express her innermost emotions.
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