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Tyler Stallings

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Tyler Stallings’ curatorial work focuses on political, social, and popular culture themes through the arts. Currently, he is director of Orange Coast College’s Frank M. Doyle Arts Pavilion. Most recently, he was at University of California, Riverside. During his eleven-year tenure at UCR ARTSblock, since 2006, he served as Director of the Sweeney Art Gallery, Artistic Director of the Culver Arts Center and Interim Executive Director of ARTSblock (which also included the California Museum of Photography as part of the three-venue consortium). He was chief curator at Laguna Art Museum from 1999 to 2006. For UCR ARTSblock, he curated or co-curated: Absurd Recreation: Contemporary Art from China (2008), Truthiness: Photography as Sculpture (2008), Mapping the Desert/Deserting the Map: An Interdisciplinary Response (2009), Intelligent Design: Interspecies Art (2009), Your Donations Do Our Work: Andrea Bowers and Suzanne Lacy (2009), The Great Picture: The Worlds Largest Photograph & the Legacy Project (2011), Margarita Cabrera: Puslo y Martillo (Pulse and Hammer) (2011), Mexico at the Hour of Combat: Sabino Osuna's Photographs of the Mexican Revolution (2012), Lewis deSoto & Erin Neff: Tahquitz (2012), Free Enterprise: The Art of Citizen Space Exploration (2013), and Mundos Alternos: Art and Science Fiction in the Americas (2017)to name a few. Mundos Alternos received two major grants from The Getty Foundation as part of its Pacific Standard Time: LA/LA initiative. Other notable exhibitions at other venues include CLASS: C presents Ruben Ochoa and Marco Rios: Rigor Motors (2004), Whiteness, A Wayward Construction (2003), Surf Culture: The Art History of Surfing (2002), Desmothernismo: Ruben Ortiz Torres (1998), and Kara Walker: African’t (1997). Many of these exhibitions have been accompanied by books. Upcoming ARTSblock exhibitions in 2018 that he will continue to curate include Yunhee Min & Peter Tolkin: Red Carpet in C and Painting Architecture. Upcoming Doyle Arts Pavilion exhibitions include Amy Elkins: Photographs of Contemporary Masculinity and Stargazers: Intersections of Contemporary Art and Astronomy. He is also the co-editor of the anthology, Uncontrollable Bodies: Testimonies of Identity and Culture (Seattle: Bay Press, 1994), and is a columnist for KCET-TV’s Artbound program. His most recent book of essays is Aridtopia: Essays on Art & Culture from Deserts in the Southwest United States (Blue West Books, 2014).

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The 2013 Eaton Science Fiction Conference examines science fiction in multiple media.
Tyler Stallings' Aridtopia is a speculative, utopian community in the Mojave Desert.
MLK statue
Tyler Stallings revisits the 2003 exhibition, "Whiteness, A Wayward Construction," in light of Martin Luther King Jr. Day.
"Free Enterprise: The Art of Citizen Space Exploration" is the first contemporary art exhibition in the country to present an international roster of artists and organizations who are exploring the intersection between artistic production and civilian ...
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Pomona-based video artist Kent Anderson Butler is open about his Christianity and has found a unique path that allows him to keep-the-faith towards both his religious convictions and towards the contemporary art world's secular persuasions.
A new exhibition at UCR ARTSblock features defunct motorcycle club vests and their colorful club patches that represent a unique form of American folk art.
Mexico at the Hour of Combat: Sabino Osuna's Photographs of the Mexican Revolution is an exhibition on view at UC Riverside's California Museum of Photography from November 3, 2012 to January 5, 2013.
John Cage and Mountain Lake Workshop
In honor of the centenary of John Cage's birth, the Pomona College Museum of Art presents the traveling exhibition "John Cage: Zen Ox-Herding Pictures".
<strong>REANNE ESTRADA</strong>, <em>Tenuous</em>, 2001-present, Polypropylene packing tape, Courtesy of the artist.
"Troubling Borders: Southeast Asian Women in the Diaspora," showcases writings and visual works by women of Cambodian, Laotian, Filipino and Vietnamese descent and by women who identify as the often stateless Mien, Hmong, and Cham.
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Tyler Stallings tours a fabricated Iraqi City on the Marine Corps Air Ground Combat Center in Twentynine Palms, CA.
Is death the end of life or a gateway to a hereafter? Tyler Stallings examines immortality in the Inland Empire.
Tyler Stallings explores the remnants and culture of ancient Egypt at CSUSB's Robert and Frances Fullerton Museum of Art and the influence of Egyptomania in Los Angeles.
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