87. Los Angeles, Guadalajara | KCET
87. Los Angeles, Guadalajara
The list of authors attending the fair is capacious. Whatever Los Angeles is and all of it written large. The guests include Chris Abani, Paul Beatty, Ray Bradbury, Sarah Shun-Lien Bynum, Aimee Bender, Greg Bedford, Wim de Wit, Mark Z. Danielewski, María Amparo Escandón, Alex Espinoza, B. H. Fairchild, Dagoberto Gilb, Jonathan Gold, Curtis Hanson, Brian Helgeland, Michael Jaime Becerra, Sam Hall Kaplan, David Kipen, Suzanne Lummis, Cheech Marin, Rubén Martínez, Ana Menendez, Yxta Maya Murray, Geoff Nicholson, Larry Niven, Marisela Norte, Laurie Ochoa, Mary Otis, Susan Patron, Jon Peede, Gary Phillips, Salvador Plascencia, Kwei Quartey , Richard Rayner, Josephine Reed, Nina Revoyr, Kim Stanley Robinson, Howard A. Rodman, Luis Rodriguez, Carolyn See, Marisa Silver, Jerry Stahl, Susan Straight, Jervey Tervalon, Scott Timberg, Hector Tobar, Michael Tolkin, David Ulin, Jose Luis Valenzuela, Marcos Villatoro, Bruce Wagner, J. Michael Walker, Sam Weller, Marianne Wiggins, and Rebecca Yeldham. I'm participating, too.
This crowd bears the conflicted image of Los Angeles into the world like a banner "? dazzling and noir, exuberant and borne down by fear, displaying a past and a future that are both uncertain. And we will be expected to speak about the hybridization of who we are as Angeleños to an audience that has a much different experience of the condition of mestizaje. What is in the mirror they are looking into? What is in ours?
Former Los Angeles Times writer Daniel Hernandez reflected on mestizo L.A. in Spain's El Pais newspaper earlier this week. He located Los Angeles on the border of fatherlands. He found our allegiances fluid. He hinted that all the easy dichotomies of the past "? even Mexican and American "? are broken. The categories of ethnicity and culture that offered meaning and consolation cannot hold back what we might become.
Watch the virtual ceremony to catch a glimpse of some great works and to see which of the filmmakers get to bring home the grand prize.
Experts expect more than 1 billion climate refugees by the year 2050. Where will they go and how will the world feed, clothe and shelter them?
What Joe Biden would need to do starting from Day One to correct the course of US climate policy.
The time is more than ripe to see Mark Steven Greenfield’s “Black Madonna,” a new suite of paintings and drawings that meditate on the fraught, violent history of Africans brought to America against their will.
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