Skip to main content

Hollywould...

Support Provided By
hollywould.png

"For thirty years, I've been striving to get the public and edgy art to interface," says LA Freewaves founder and curator Anne Bray (who is also my colleague at USC's Institute for Multimedia Literacy). This year, that interface for the collision of the public and edgy art will be Hollywood Boulevard between Wilcox Avenue and Orange Drive, October 9 - 13, when the LA Freewaves festival will illuminate the street and its shops, bowling alleys, restaurants and erotic supply stores with over 150 experimental media projects.

The five-day showcase is organized around a series of themes, including Friday night's Visual Music emphasis, the Streetwise Mobile Media day on Saturday, and Sunday's Remapping Hollywood, featuring self-portraits that offer diverging visions of Hollywood.

Bray's goal in part is to make sure that conversations about the future of urban space include art. "As cities grow," she says, "market forces, particularly franchises, often determine the direction of the development." Artists, both those based in LA and those sending communiqués from faraway cities, have a lot to say about the role of art in the future of urban life, and the festival, with its exuberance and eclecticism, is helping showcase those points of view.

The festival is also a testament to the growing interconnectedness between networked spaces and lived spaces. The festival's Web site offers one home to information and media, and the street offers yet another. However, the two intersect in interesting ways. Indeed, Bray notes that she's very interested in how "the street converges with the Web site" and how "the virtual interacts with the real," and these are pressing issues in a world in which the street is not only home to many more large-scale projections, often advertising products, but also a site for politicized responses as mediamakers fight back with digital graffiti or their own projections. Add mobile media devices and the growing role of pervasive computing, and the sense of a networked public inhabiting the city's spaces becomes very exciting.

the detailsFreewaves 11th Festival of New Media Arts"Hollywould"October 9 - 13, 2008http://www.freewaves.org

Support Provided By
Read More
An oil pump painted white with red accents stands mid-pump on a dirt road under a blue, cloudy sky with a green, grassy slope in the background.

California’s First Carbon Capture Project: Vital Climate Tool or License to Pollute?

California’s first attempt to capture and sequester carbon involves California Resources Corp. collecting emissions at its Elk Hills Oil and Gas Field, and then inject the gases more than a mile deep into a depleted oil reservoir. The goal is to keep carbon underground and out of the atmosphere, where it traps heat and contributes to climate change. But some argue polluting industries need to cease altogether.
Gray industrial towers and stacks rise up from behind the pitched roofs of warehouse buildings against a gray-blue sky, with a row of yellow-gold barrels with black lids lined up in the foreground to the right of a portable toilet.

California Isn't on Track To Meet Its Climate Change Mandates. It's Not Even Close.

According to the annual California Green Innovation Index released by Next 10 last week, California is off track from meeting its climate goals for the year 2030, as well as reaching carbon neutrality by 2045.
A row of cows stands in individual cages along a line of light-colored enclosures, placed along a dirt path under a blue sky dotted with white puffy clouds.

A Battle Is Underway Over California’s Lucrative Dairy Biogas Market

California is considering changes to a program that has incentivized dairy biogas, to transform methane emissions into a source of natural gas. Neighbors are pushing for an end to the subsidies because of its impact on air quality and possible water pollution.