Skip to main content

Poetic License

Support Provided By
Bourgeois.jpg

"The look is much more important than the word. The look is always true, whereas words can be a string of lies."That's one of my favorite lines from Chere Louise, the captivating portrait of artist Louise Bourgeois by filmmaker Brigitte Cornand that will screen at REDCAT on Monday night.

It is the opening segment of the 50-minute film, and Bourgeois sits at a small table, with a mirror. She will go on to speak about the differences between men and women, but her comments about looking versus speaking resonate with her sculptures, which center on the experience of being among them, with the relationship of space and time, rather than on analysis. A few other favorite lines:

"Geometry is eternal; it never fails you."

Here, Bourgeois, who was born in Paris in 1911, talks about the solidity of geometry, which she studied at the Sorbonne as a teenager. Geometry forms the foundation of her sculptural work, and offers a kind of security or "emotional backup" for the artist.

When asked why she chose to be an artist, Bourgeois says,

"I couldn't handle the affective demands that family life places upon you. It was a way to fight back. A means to survive, to do what one has to do."

Asked if it's true that her work is sexual, Bourgeois replies:

"It's true and not true; it depends on who says it."

Bourgeois also talks about her unconventional family structure, and the fascinating techniques used by her mother to quell her father's anger. And in talking about her own specific geometry, Bourgeois remarks:

"It's a feminine geometry with which we take license, poetic license."

This forms the center of the portrait: Bourgeois takes poetic license not just with her work, but with life itself, and this is what makes Cornand's film so wonderful. MOCA's retrospective exhibition of work by Louise Bourgeois closes January 25. See the film, then visit the show with a much clearer understanding of Bourgeois and her work.

the details
Chere Louise
In person: Brigitte Cornand
Monday, Jan. 12, 8:30 p.m.
REDCAT
corner of W. 2nd St. and Hope St.
213-237-2800

Support Provided By
Read More
An oil pump painted white with red accents stands mid-pump on a dirt road under a blue, cloudy sky with a green, grassy slope in the background.

California’s First Carbon Capture Project: Vital Climate Tool or License to Pollute?

California’s first attempt to capture and sequester carbon involves California Resources Corp. collecting emissions at its Elk Hills Oil and Gas Field, and then inject the gases more than a mile deep into a depleted oil reservoir. The goal is to keep carbon underground and out of the atmosphere, where it traps heat and contributes to climate change. But some argue polluting industries need to cease altogether.
Gray industrial towers and stacks rise up from behind the pitched roofs of warehouse buildings against a gray-blue sky, with a row of yellow-gold barrels with black lids lined up in the foreground to the right of a portable toilet.

California Isn't on Track To Meet Its Climate Change Mandates. It's Not Even Close.

According to the annual California Green Innovation Index released by Next 10 last week, California is off track from meeting its climate goals for the year 2030, as well as reaching carbon neutrality by 2045.
A row of cows stands in individual cages along a line of light-colored enclosures, placed along a dirt path under a blue sky dotted with white puffy clouds.

A Battle Is Underway Over California’s Lucrative Dairy Biogas Market

California is considering changes to a program that has incentivized dairy biogas, to transform methane emissions into a source of natural gas. Neighbors are pushing for an end to the subsidies because of its impact on air quality and possible water pollution.