Remembering Our Forgets | KCET
Remembering Our Forgets
We assume, as part of the city's dystopian mythology, that nothing remains of even the recent past in Los Angeles to draw us away from the insistent demands of the present. That's partly true, as this posting by Curbed LA illustrates (highlighting some of the recently demolished memories of the city).
But, as Cara Mia DiMassa points out in the Los Angeles Times, comparing photographs from 1951 and 2009, the resilient city also persistently remembers. It has its own deep time.
Because we experience Los Angeles as isolated drop off points "? landing zones of surface streets with the non-geography of freeway in between "? we miss the durability of places. We don't often notice, for example, that Los Angeles has two competing grid systems.
The grid of downtown streets repeats the 1781-1850 layout of a typical Spanish colonial outpost. The streets downtown are cocked about 36 degrees from the north-south grid of the American city that sought, unsuccessfully, to replace the colonial one. Drivers going west from downtown make the transition to a different conception of order as they approach Hoover, reorienting themselves to another imperial imagination. In Los Angeles, the streets remember this conflict while we rush to forget.
Other memories persist. DiMassa notes, "(F)rom atop City Hall, L.A.'s architecture looks anything but instant. Look closely and the layers show. There are the 100-year-old bank buildings on Main Street remade as lofts. There's the spartan parking structure on Bunker Hill that was supposed to be removed by now for a now-stalled mega-development."
And if you look beyond and through the relatively modern in the landscape, you'll see the relatively permanent in the form of structures and even neighborhoods that continue to remember what the city had been. But you have to come at these memories with a certain humility, at no more than the speed of a prowling car, and even better, at the pace of a walker.
Then the shape of things past loom. They reveal other aspirations than speed. They evoke a moment's daydreaming.
The black and white image of the Washington Boulevard bridge from the 1940s is from the UCLA Digital Library. The recent color image of the bridge is from The City Project. Both are used under a Creative Commons license.
The Public Media Group of Southern California honored with a total of nine Golden Mike awards, the most of any station in the region.
Troubling History Repeating? Art Examines Parallels Between Japanese American Internment and Today’s Migrants
Two new exhibitions explore the connection between World War II incarceration of Japanese Americans and the United States government’s more recent immigration and travel policies.
A Story of Friendship and Second Chances in 'Standing Up, Falling Down,' Starring Ben Schwartz and Billy Crystal at the KCET Cinema Series
KCET Cinema Series host Pete Hammond moderated a Q&A session with director Matt Ratner, and producers Chris Mangano and John Hermann.
A Q&A will immediately follow with star Annette Bening.
- 1 of 237
- next ›