A Most Novel Attraction: The Camera Obscura of Santa Monica | KCET
A Most Novel Attraction: The Camera Obscura of Santa Monica
Last Saturday I found the quietest place in Santa Monica. Anyone who has been to Palisades Park on Ocean Avenue knows that on weekends it is almost always dangerously close to pandemonium. There are people everywhere, including camera- wielding tourists bounding off buses, ready to snap pics of the ocean. Homeless folks sleep on the grass, and families crowd around buskers singing their own versions of "Hotel California" and "California Dreaming." I pushed through this loud, grimy outdoor chaos and made my way to the ultra-modern, 1950s-style Senior Recreation Center. The door was locked, but through the many windows I could see a lone man doing some kind of craft project at a long table in the back. After a few knocks, a woman appeared and let me in. I told her I was there to see the camera obscura. She smiled, took my ID and in return gave me a single key. She pointed toward a dimly lit, institutional style stairwell. "It's just up the steps," she said, before disappearing into a back office.
I made my way up the stairwell, feeling very much like the girl about to be murdered in a horror movie. At the top of the stairs was a door with a sign that said "Camera Obscura." A wilting piece of instructional paper was tacked under it. I turned the lock on the doorknob and entered a tiny, dark room. On a flat circular board in front of me, the goings on of Ocean Avenue played out like a scene from a fuzzy home video shot in the 1980s. The lens was focused on the interminable traffic that forever clogs Ocean Avenue, moving along at a snail's pace. But there was no noise -- no honking horns, no screaming children, no running engines. It was eerily quiet, a silent version of the landscape I had only just left.
A Unique Device
The phrase "camara obscuratio" is Latin for dark room. The technology traces its history back at least 2,000 years, before the invention of photographic cameras, to Aristotle. The Greek thinker noticed how, when a tiny pinhole of light entered a dark cave, it projected an image from outside inverted and upside down onto the cave wall before him. The sight of upside-down people, animals and structures was obscure -- even scary -- to the camera obscura's first spectators. Sixteenth-century Italian inventor Giovanni Battista della Porta reportedly sent his audiences screaming hysterically from the theater when he showed the images to them. Della Porta was later tried by the Inquisition for "practicing magic." 1
By the turn of the last century, Angelenos were established enough to be looking for fun. They spent their weekends at parks throughout Los Angeles and at the bathhouses, hotels, and boardwalks of Santa Monica. It is fitting that Santa Monica mayor Robert F. Jones not only "achieved distinction in politics, finance, business, and fraternal circles," but also had a passion for novelties and attractions. 2 In 1898, he began running a large camera obscura that he supposedly built on the beach in Santa Monica. In the days before film and television, devices like the camera obscura, kinetoscope, mutoscope, zoetrope, and magic lantern were popular novelties. There was already a superior camera obscura on Catalina Island, said to be of "French design":
The Jones camera obscura, though more rustic, was a big hit with the public, who paid 10 cents to view the contraption. It was considered a special device, and was highlighted in an article about the massive "development of the southwest" as a sign of modern progress, along with a new condensed milk factory, long tunnels, music composition, and a San Diego Steamship line. In 1898, Mayor Jones petitioned to move the camera obscura to the ultra-trendy Westlake Park (now MacArthur Park) in the exclusive Westlake district of Los Angeles:
The Board accepted this proposition and the camera obscura was moved to Westlake. However, disagreements between Jones and the Board over expenditures brewed throughout 1899. That year, it was moved back to the beach in Santa Monica and housed in a "wooden shack like structure, perched on the pilings" 5 part of the North Beach Bathhouse attraction. According to the Los Angeles Times:
In 1910, the city bought the camera obscura. It was so popular that it was hoped it would help bring traffic to Linda Vista Park (now Palisades Park) on Ocean Avenue. It was reported:
Until the 1950s, the camera obscura occupied a "cupola sitting like a birdhouse" in "ramshackle quarters" in Palisades Park, right next to the Pacific Electric Station. The two story structure also contained the "Chess and Checkers Club," a forerunner of the Senior Recreation Center. It seems fitting that this increasingly antiquated device was located in a building devoted mainly to the elderly. Here, three hundred senior members met daily to play board games and socialize. E.W. Williams was one of these self-proclaimed "old duffers." For over thirteen years, the bachelor was the official camera obscura operator, though he always referred to the job as "only temporary." Admission was free, and it was estimated that several hundred people visited each day. There were occasional excitements, like the time the camera obscura reflected a burglary in real time:
As attractions like the camera obscura became less common, the Santa Monica device earned a special cachet. It was claimed to be one of the only revolving types of camera obscuras in the world. When tilted, it could view a beautiful panorama of Los Angeles, including "Broadway, with snow-capped mountains ...the south end of the park with Ocean Park Pier in distance ... Catalina ... on a clear day." 10 Since it cost little to nothing to maintain, and volunteers provided the tours, it was the perfect attraction for the city to hold onto.
A New Home
In 1955, the camera obscura moved to a new room, specifically built for it, in the new Senior Recreation Center in Palisades Park. It is now one of the only public camera obscuras on the West Coast. The Senior Recreation Center offers classes and lectures focused around the camera obscura theme. In 2004, it was estimated that during the summer around 40 people a week visited the device. According to an employee at the center, reactions to the old novelty are decidedly mixed. "A lot of people go up and say, 'Wow, that was really cool.' Other people say, 'Is that it?' " 12 I guess beauty is in the eye of the beholder.
1 "Surroundings Santa Monica: Camera Obscura Offers Warped Ocean View" Los Angeles Times, September 9, 2004
2 "Seaside townsman banquet" Los Angeles Times, May 5, 1904
3 "From Catalina: A birthday surprise" Los Angeles Times, July 3, 1896
4 "Something to draw: Westlake park to get new attraction" Los Angeles Times, Oct 14, 1898
5 "Obscura views skyline in unusual brilliance" Los Angeles Times, February 2, 1958
6 "Merry crowd on santa monica beach" Los Angeles Times, July 20 1902
7 "City buys camera santa monica" Los Angeles Times, June 30 1910
8 "Year in and year out, camera obscura still draws crowds" Los Angeles Times, July 1, 1946
11 "Obscura views skyline in unusual brilliance" Los Angeles Times, February 2, 1958
12 "Surroundings Santa Monica: Camera Obscura Offers Warped Ocean View" Los Angeles Times, September 9, 2004
The Public Media Group of Southern California honored with a total of nine Golden Mike awards, the most of any station in the region.
Troubling History Repeating? Art Examines Parallels Between Japanese American Internment and Today’s Migrants
Two new exhibitions explore the connection between World War II incarceration of Japanese Americans and the United States government’s more recent immigration and travel policies.
A Story of Friendship and Second Chances in 'Standing Up, Falling Down,' Starring Ben Schwartz and Billy Crystal at the KCET Cinema Series
KCET Cinema Series host Pete Hammond moderated a Q&A session with director Matt Ratner, and producers Chris Mangano and John Hermann.
A Q&A will immediately follow with star Annette Bening.
- 1 of 237
- next ›