Exhibition "Soldadera" disrupts the master narratives of the Mexican Revolution. It revitalizes archives to uncover hidden stories, imagines and creates an alternate reality, and commemorates women of an important past.

A bulletproof rebozo hangs on a wall in Nao Bustamante's exhibition "Soldadera." The yellow shawl carries the stories of women who were a part of the Mexican Revolution's violent history but that are often unrecognized.

The complex relationship between the Mexican Revolution and the camera is taken up by Nao Bustamante in the cinematic installation anchoring her exhibition "Soldadera." With the short film, the artist reimagines and (re)enacts the the missing sequence ...

The speculative qualities of Nao Bustamante's exhibition "Soldadera" make a space for marginalized voices to construct alternative futures. Central to the show is installation "Chac-Mool" -- a 7-minute, looping, scented memory machine.

At 127 years old, Leandra Becerra Lumbreras was the last survivor of the Mexican Revolution. Artist Nao Bustamante made a pilgrimage to her home in Jalisco, Mexico and found a muse.

Leandra Becerra Lumbreras was the last known survivor of the Mexican Revolution. Artist Nao Bustamante and a small crew made a trip to Zapopan, Mexico to meet her.

From calendars to corridos, the image of the Soldadera lives strong in popular culture. Nao Bustamante's new artwork re-imagines dresses of female soldiers.

Made out of bulletproof Kevlar, Nao Bustamante's re-imagined Soldadera dresses protect the female body against violence.

What can portraits tell us about soldaderas? Nao Bustamante draws from UC Riverside's archival holdings of photographs of the Mexican Revolution to investigate further.

Nao Bustamante's exhibition "Soldadera" is a "speculative reenactment" of women's participation in The Mexican Revolution. ­­