Art & The Unknown at LAX's SEE CHANGE | KCET
Art & The Unknown at LAX's SEE CHANGE
In partnership with Freewaves: Freewaves is dedicated to the creative exhibition of the most innovative and culturally relevant independent new media art from around the world.
Every year five million people arrive at LAX and five million leave from there. What is passing through those 10 million minds as they transition to and from Los Angeles? The unknown is part of their journey, maybe even its purpose. LAX international arrival area contains four hours of video art, enough for a serious plane delay, a span of time to contemplate life or to feel the anxieties of travel. Which way will you go?
There is a long list of concerns around a flight: time pressures, unheard announcements, delays, weather, finding people, maintaining possessions, security clearance, navigation, plus the emotional upheavals: reunions, break ups, and new encounters. For some, they travel so frequently unease has dissolved into habits and their minds are free to meditate during their passage. Art may be the antidote for both groups: the anxious and the bored.
For everyone, art is the opportunity to broach the unknown, that scary future, the ultimate ending, fear itself, or merely our penultimate priorities. Some of us need prodding, stimulus, or direct questions, while others prefer comfort. Both approaches converge at art. Art rebalances us among our oppositions. It reminds us of misplaced priorities. It helps maintain perspective among those priorities. It reconnects us with fellow alienated inhabitants at the same time as it examines our selves. Together we create collective meaning which art circulates among our human network.
Are these questions what you want to be thinking about at an airport?
Watch this clip from the LAX exhibit to see how some of the 17 artists all ask these questions and the final one: can you distinguish reality from illusion?
The following is a rundown of clips in the See Change exhibit in order of their appearance along with videos more specific questions:
Paul Rowley and David Phillips: "Local Time"
As we switch from analog to digital, what were we gaining and losing?
Kurt Hentschläger: "View"
Is technology the opposite of nature?
Caspar Stracke: "Cities Out of Cities"
Does it matter which city you are in?
Seoungho Cho: "City of Light"
What is this new landscape of sunlight and artificial light?
Felipe Dulzaides: "Taking Chances"
What if we allow chance to rule?
Louis Hock: "Homeland"
What does "home" make you think of?
Todd Gray and Joseph Santarromana: "Intersect"
How do others greet you?
Chip Lord: "To & From LAX"
Do all airports form one city?
Hilja Keading: "Splash"
What are L.A.'s subconscious images?
Pascual Sisto: "Cumulous"
Is this trash or treasure?
Patty Chang and Noah Klersfeld: "Current"
What happens to our possessions once they head down the conveyor belt?
Ryan Lamb: "Five-Dimensional Parade"
What is the 5th dimension?
Thousands of Haitian refugee families continue to be stranded in Tijuana, a city far from where they hoped would be their final destination. Since their arrival, photojournalist Omar Martínez has been documenting their Mexican lives.
Roughly 90 years later, the legacy of San Luis Obispo's Motel Inn still stands, along with part of the original building.
Huell investigates a onetime tradition, the Yosemite Firefall, and experiences the natural version of the "Firefall" at Horsetail Fall. Huell calls it "one of the most magnificent sights you'll ever see in your life."