Artbound Machine Project Special Airs Thursday, March 6 at 9PM | KCET
Artbound Machine Project Special Airs Thursday, March 6 at 9PM
Echo Park institute Machine Project recently invited and filmed more than 20 artists to create performances that respond to notable architectural sites throughout Los Angeles, collectively creating The Machine Project Field Guide to L.A. Architecture. The project was part of the larger Getty initiative, Pacific Standard Time Presents: Modern Architecture in L.A., which celebrated Southern California's modern architectural heritage. Pieces include:
"Welcome" by the Sunland Dancers and Tara Jane ONeil
"The Sky Above" by Kamau Patton
"Everyone Will Be Here Now But Me" by Jacqueline Gordon
"Glass Bang" by Asher Hartman
"Wash" by Ing
"Hafosafo Chorus & Happy Foot Sad Foot Sign Online" by Jessica Cowley and Bennett Williamson.
The Artbound special episode "The Machine Project Field Guide to L.A. Architecture" will air on Thursday, March 6 at 9 PM PST on KCET-TV.
Check out the Machine Project videos below:
Choreographer Jmy James Kidd's group, The Sunland Dancers, performed "Welcome," on Montecito Heights' Flat Top Hill at sunset in June 2013.
In conjunction with artist Kamau Patton's helicopter performance art, Machine Project compiles a history of the tallest buildings throughout the history of Los Angeles.
An immersive sound installation where the public explores endless hallways, windowless offices, and stairwells of a mixed-use building.
Asher Hartman's "Glass Bang" is an a experimental musical performance staged in L.A. at an R. M. Schindler-built modernist home on Mulholland Drive in Laurel Canyon.
In "Wash," an audience was encouraged to swim and explore an underwater viewing room over the course of a slowly shifting three-hour pool performance.
Machine Project leads a singalong underneath the spinning "Happy Foot/Sad Foot" sign on Sunset Blvd.
Top Image: The Sunland Dancers at Flat Top Hill.
Barbara Kruger unveils her latest additions to her ongoing series, “Untitled (Questions),” as part of Frieze Week Los Angeles. The unmistakable ad-like artworks boldly ask, “Who buys low? Who sells high?” among other questions.
Projects that elevate the complexities of an extremely diverse, multicultural and layered city are highlighted at this year's edition of Frieze LA.
In the Lower Rio Grande Valley, 95 percent of butterfly habitat has disappeared, and one of its few places left to call home is at the mercy of the concrete U.S.-Mexico border wall.
Educational attainment differs across economic and racial lines. That's why Whittier Unified School District zeroed in on the district's practices and shed light on how to close the gap in access to high quality education.
Frank Lloyd Wright accelerated the search for L.A.'s authentic architecture. This episode explores the provocative theory that his early homes in L.A. were also a means of artistic catharsis for Wright.
The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley.
For more than 20 years, Doug Aitken has shifted the perception and location of images and narratives. His diverse works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition.
This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles.
In East L.A. during the 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement.