Artbound Season 3 Episode 5 | KCET
Artbound Season 3 Episode 5
Artbound explores the arts and culture of Southern California through articles, essays, and thinkpieces by more than 80 contributors in 11 counties. These correspondents cover cultural happenings in the communities where they live, providing an inside look at art across the region. Then the Artbound audience votes online for an article to be made into a short online video. Those videos are then assembled into a broadcast television show.
Culled from Artbound articles selected by our audience, the documentary segments include:
Artbound provides an exclusive look at the avant-garde opera, "Invisible Cities." Produced by The Industry, L.A.'s experimental opera company, in partnership with the L.A. Dance Project, "Invisible Cities" depicts the meeting between emperor Kublai Khan at the end of his life with the explorer Marco Polo, as told in Italo Calvino's fantastical book. An innovative production staged in the iconic Union Station, the opera utilizes wireless technology provided by Sennheiser, offering audience members headphones to hear the opera amid the normal "hustle and bustle" of the train station's everyday life. "Invisible Cities" is composed and adapted by Christopher Cerrone, directed by The Industry's founder and artistic director Yuval Sharon, with choreography by Danielle Agami.
Ted Meyer's "Scarred for Life" art project has helped individuals accept and even embrace their scars. His process involves taking mono-prints directly off the skin of models who have been scarred by an illness or injury.
Heidi Duckler Dance Theatre's mobile "Duck Truck" brings site-specific performances to various locations in Los Angeles.
Jeff Speetjens is a puppeteer living in Santa Monica, CA. At Bootsy Bellows, a nightclub on Sunset Blvd in West Hollywood, Jeff performs with a variety of marionettes from the stage to the dance floor. Jeff has directed a variety of film and stage productions. His short films have been featured in festivals such as the Cannes and Ion film festivals.
Photographer, Candacy Taylor followed her interest in the social dynamics of traditional female work roles to Twentynine Palms and never looked back. Salons and diners are her subjects of choice.
Artist Alison O'Daniel has a manifesto. "Sound is primary; but other materials and sculptures play out cinematically in a three-act structure of emotional landscapes -- a jarringly non-linear experience of simultaneous time that rises through the body." Using a collaborative, cross-platform process, she makes her strange, fascinating, and lyrical work in interdependent video, sculpture, and sound.
This episode will feature the indie-rock music of San Fernando Valley-based band Run River North.
Barbara Kruger unveils her latest additions to her ongoing series, “Untitled (Questions),” as part of Frieze Week Los Angeles. The unmistakable ad-like artworks boldly ask, “Who buys low? Who sells high?” among other questions.
Projects that elevate the complexities of an extremely diverse, multicultural and layered city are highlighted at this year's edition of Frieze LA.
In the Lower Rio Grande Valley, 95 percent of butterfly habitat has disappeared, and one of its few places left to call home is at the mercy of the concrete U.S.-Mexico border wall.
Educational attainment differs across economic and racial lines. That's why Whittier Unified School District zeroed in on the district's practices and shed light on how to close the gap in access to high quality education.
Frank Lloyd Wright accelerated the search for L.A.'s authentic architecture. This episode explores the provocative theory that his early homes in L.A. were also a means of artistic catharsis for Wright.
The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley.
For more than 20 years, Doug Aitken has shifted the perception and location of images and narratives. His diverse works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition.
This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles.
In East L.A. during the 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement.