Heathware being stamped | Still from "Heath Ceramics: The Making of a California Classic" ABs10

Carmina Escobar's Massagem Sonora

 

In Partnership with Machine Project as part of the Getty initiative Pacific Standard Time Presents: Modern Architecture in L.A. Machine Project asked artists to take on the whole environment of Los Angeles and create performances shot on video and edited into short experimental films in response to notable architectural sites throughout the city.

When speaking about human voice, there is always a direct or indirect allusion to the human body, as the instrument where it originates and through which it gets delivered. Referring to the body suggests thinking about a space: either the place where a body is situated or the body itself as a container that defines its own borders and dimensions.

It is possible to define a space once we have recognized the elements that conform it and consequently delimitate it. Therefore it is possible to conceive that everything with a limited extension perceptible by the senses can be recognized as a body; that is, our own space in a daily basis, that happens and yet it is somehow strange at large, or at least in respect to the way this space/body is recognized and influenced from the outside.

Following this complex perceptual scheme, Carmina Escobar's Massagem Sonora becomes a sort of exercise that analyses and reflects upon the body, understanding it as a space that reveals, measures and recognizes itself throughout its resonance.

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