Desert Deployment: Southern California's World War II Desert Training Center | KCET
Desert Deployment: Southern California's World War II Desert Training Center
Incendiary Traces is a conceptually driven, community generated art project conceived by artist Hillary Mushkin. Incendiary Traces is holding a series of site-specific draw-ins taking place across Southern California, as well as collecting related historical and contemporary materials. Artbound is following the draw-ins and publishing related materials as the project develops.
"Somewhere in the California Desert, under a molten sun and in a country where the very earth feels like fire, American armored vehicles are training....It is this force that will someday leave death in its wake in the sandy places of Libya, or wherever it may be sent."1 -Bill Davidson, "Desert Warfare: America Trains a New Kind of Army," Yank, September 23, 1942
Thirty miles east of Indio, California in a largely uninhabited desert landscape, sits the largest military training ground in United States history, though you might not have heard of it. During its two years of operation over a million troops trained in its desert heat, in an area roughly 18,000 square miles, a district larger than the states of Maryland and Delaware combined. Created in the spring of 1942, the Desert Training Center stood in for foreign landscapes that American troops would soon face, particularly those in North Africa.
Fighting in North Africa began in 1940 as European powers that held colonial interest there battled to maintain control of the region. At stake was crucial access to oil and, for the British, access to their broader empire in Asia and Africa via the ever important Suez Canal. Germany's Afrika Korps demonstrated success in desert warfare in the region, encouraging the United States to focus on North Africa as they entered the fight. While it is often overlooked in U.S. History courses, the Allied victory in Morocco, Algeria, and Tunisia served as a proving ground for U.S. troops and leadership before crucial battles in Europe and the Pacific.
Yet at the outbreak of war, American troops sat woefully unprepared for battle, indeed even for surviving the harsh desert climates of North Africa. The army pushed for training in desert warfare and placed General George Patton Jr., a Southern California native, in charge of selecting a site and creating what would become the Desert Training Center (DTC). "I want my men to take just a rough a beating as I can give them in as near the situation they will have in North Africa," Patton intoned.2
For American troops, fighting in North Africa lasted a short while (a little more than 6 months), therefore focus on desert survival and warfare became secondary to general military training for deployment to the European and Pacific Theaters. As a result, the army renamed the Desert Training Center the California-Arizona Maneuver Area (CAMA) in October 1943 to reflect its non-desert capacities. It served as a simulated "Theater of Operations" until spring 1944.
The desire to create a training center in the desert left much of the Southwest as a prime target. The decision to go with the portions of California, Nevada, and Arizona ultimately selected rested on multiple factors. First, the land lay largely under the jurisdiction of the federal government. Just as important, however, was the region's access to water, as the Metropolitan Water District of Southern California's Colorado River Aqueduct flowed through the region and provided water for the DTC. The center rested nearby transportation systems that would not only bring men but supplies as well, particularly the Southern Pacific Railroad which ran from Los Angele to Yuma, nearby many of the training camps. While communication and electrical lines required additional work from both the army and local utility companies, the close proximity of the Coachella Valley meant these systems could be established relatively quickly as well.
Importantly, the area functioned as a desert in both senses of the word, an arid landscape that supported sparse vegetation and a place mostly devoid (or deserted) of people. When General Patton first surveyed the area he failed to encounter a single inhabitant in his four day reconnaissance. The lack of civilian presence proved a boon for army training. Maneuvers with live ammunition could be conducted without fear of endangering the public and testing of equipment and tactics remained relatively secret. The vast expanse of land allowed for large scale exercises that helped both officers and enlisted men develop and practice tactics used in actual warfare. Conditions mimicked landscapes the men would come to inhabit in North Africa. One army official remarked that "The terrain at the Desert Training Center is far worse than anything in Libya or Mesopotamia. American troops at the center are more competent to go into battle today than any unit with which I have served." 3
As the Incendiary Traces project suggests, the landscapes of Southern California often serve as stand-ins for foreign spaces, for military preparation in particular. By World War II, the entire Southwest, especially the nearby Coachella Valley, had long been America's substitute for North Africa and the Middle East, and thus a logical starting point for desert warfare training. Early American settlers to the region contextualized the strange landscapes with comparisons to biblical lands. After its accidental formation the Salton Sea was frequently described as America's Dead Sea, while nearby cities shared names with other places in the Greater Middle East: Mecca, Arabia, Edom. The region's unique success with a Middle Eastern and North African crop, the date, continued the ties by brining foreign flora and more than a hint of romance to the area, a link continued even today at the "Arabian" themed Riverside County Fair and National Date Festival.
When Hollywood set out to make movies with the romance of the so called Orient, they too turned to the region as a double for North Africa and the Middle East. Films like Salome (1918), The Shiek (1921), The Son of Sheik (1926), The Veils of Bagdad (1953), and Omar Khayyam (1957) were filmed in the Southern California desert. In fact, during and after World War II, Hollywood used the area as filming location for movies about North African desert warfare. The Five Graves of Cairo (1943), for example, not only shot in the region but also at Camp Young in the Desert Training Center, working with the army to stage battle scenes near Yuma. Sahara (1943), too, boosted ties to the DTC, with some DTC soldiers playing German soldiers in the Academy Award nominated film.
Long established as the American version of "Arabia," the local landscapes promised a quick solution for desert training as the nation strove to prepare its soldiers for battle in North Africa. The region's climate and landscape remained the closest American troops could get to the realities of their future battlegrounds without leaving the nation. The heat, in particular, was important. Patton argued "We cannot train troops to fight in the desert of North Africa by training in the swamps of Georgia."4 Knowing the danger associated with the desert, he went on: "The California desert can kill quicker than the enemy. We will lose a lot of men from the heat, but training will save hundreds of lives when we get into combat."5 Indeed, during maneuvers away from camp, men lost their lives in the heat, with locals in Yuma and Phoenix registering protests over the training conditions.6
Few of the troops had ever experienced the dry climate and they struggled to acclimate to temperatures upwards of 120 degrees and brutal sandstorms. Salt tablets were distributed to the men, in hopes they would prevent dehydration and cramping, but water was rationed. Sometimes, particularly early on or while out on maneuvers, troops received only one canteen of water per day, with an erroneous understanding that one could be trained to survive on less water and that such deprivation prepared them for the harsh conditions they would face in North Africa. Men learned to keep cool without much shade and to avoid the natural dangers of the desert like rattlesnakes and scorpions. The testing of equipment proved equally important and led to practice in desert camouflage, better maintenance of tanks and other vehicles, and even new supplies like dust respirators.
To prepare bodies for long hours and hard work, all troops were required to run a 10 minute mile with gear within a month of their arrival, an activity that not only acclimated them to the desert but also hardened their bodies and minds for the challenges that lay ahead. This "seasoning" of the men proved an important goal; while abroad troops sometimes faced desolate locations, cut off from supplies or even water, lacking shade and the comforts of home. Even as the Desert Training Center shifted to broader training operations after fighting in North Africa ended, officers celebrated the hardening of men as crucial preparation for the difficult conditions faced in Europe and the Pacific. That the landscape varied, with valleys, rocky foothills, and mountain ranges, served as an additional bonus; troops could prepare for diverse battle terrains.
The vast expanse of land provided enough room for multiple battalions to train in situ, to create living spaces from the ground up, and experience maneuvers that mimicked actual warfare. Engineers outlined camp roads, signal corpsmen laid telephone lines, and army air corpsmen took advantage of year round clear skies to obtain crucial flying skills and practice. Thus troops gained actual practice in the roles they would hold abroad in a landscape and climate similar to what they would encounter. They did so in their units which bonded the men together, particularly because of the isolation and new experiences they shared. Difficult conditions provided confidence to men who worked through them; even the days without sleep and hundred mile marches provided a taste of what was to come. Patton's early emphasis was on constant movement; not only did this train the men for actual combat situations but made it more difficult for the enemy to find and destroy a camp as well. Thus while the Desert Training Center held about 14 divisional camps, much of the training happened beyond their borders in the raw desert landscape.
By the time soldiers reached the Desert Training Center they had already completed basic training and training in their specialized fields. Their 13 or more weeks in the desert allowed them to receive additional practice in their area of expertise at or around their base camp; work together as a unit on the move, constructing temporary shelter and learning survival skills; and importantly, participate in large scale maneuvers that brought in nearly all units at the center, upwards of 10,000. These large scale maneuvers mimicked battles, with leadership watching from afar, reviewing performance, and discussing successes and weaknesses with troops directly afterward. These 1-2 week maneuvers mimicked battles in North Africa, particularly when troops traveled 100 miles to engage in what some referred to as "war games" with teams battling each other, purportedly with live ammunition. The military was in direct contact with Allies and eventually their own men in North Africa, which meant training at the DTC could reflect the latest understanding of battle conditions. After massive American losses at the Battle of the Kasserine Pass, for example, maneuvers moved to the Desert Training Center's Palen Pass area which mirrored Kasserine's landscape. Only in such an expansive, relatively unpopulated area could varied units, from communication specialists to aircraft pilots and tank battalions, practice together.
While the remoteness provided a realism found in few other military training grounds, it also led to a sense of isolation and boredom among the men, sometimes resulting in low morale. Troops were allowed to venture out in their off time (normally 3 days per month), drastically impacting the surrounding communities. Yuma, then home to 5,000, was overrun with 3,000 soldiers in a single Saturday night, upsetting local residents who received no assistance from military police. Because of its proximity to the DTC headquarters in Camp Young, Indio bore the brunt of the soldier influx which ultimately proved a boon to the local economy. While some resented the flood of men, many local clubs and churches opened their facilities to the servicemen. USOs were organized in Indio and Coachella providing refreshments, showers, a photographic darkroom, and even a swimming pool for the troops. While the communities around the DTC had the comforts of home, their desert setting and even their North African themed date shop architecture likely reminded the men of their ultimate destination once their training completed. For many of these men, training at the DTC/ CAMA served as an introduction not only to the desert, but to California. They would return years later to show their families where they trained, sometimes moving to communities nearby.
The USO sent entertainers like Bob Hope and organized nighttime baseball leagues at the DTC. Saturday night dances were particularly popular. While Patton initially refused to allow women to work on the base (as needed telephone operators during the early days of Camp Young), they were welcomed during the dances. "Shortages" of women were apparent in dances thrown both in Indio and on base. To rectify the problem Hollywood elite organized the Desert Battalion, a group of 18 to 25 year old women from Los Angeles who paid their own way to the camps in order to provide chaperoned company and dancing partners for the troops. Similar groups brought additional women to the region, including African Americans who hosted dances at segregated USO facilities. These volunteers later recalled their feelings of duty to talk and dance with the men who were often away from home for the first time, missing sisters, girlfriends, and mothers. The wives of some servicemen, particularly officers, made their way to the nearby desert, shifting the surrounding communities. These women often filled in as cashiers, waitresses, shopkeepers, and even in date (fruit)-packing as locals moved towards metropolitan areas for defense work. Some Coachella Valley women protested their treatment by the young, single servicemen who inundated the town; the Indio Women's Club met with Patton who dismissed their objections by saying "If I were you women, I wouldn't worry if they whistled at me. If I went into the street and they didn't whistle at me, then I'd worry."7
Not all soldiers were offered the same entertainment opportunities. Black soldiers faced segregation when they entered the town of Indio. While nearby white USOs offered hot showers, a musical library, and plush accommodations, black soldiers waited some time for a USO which only appeared due to the aid of the black community of Indio. Even the army reported this location as "the inadequate Negro U.S.O. whose development and improvement was delayed until practically the close of the" DTC.8 Moreover black soldiers could only eat at a few segregated restaurants in Indio. Lack of facilities, restaurants, and entertainment venues for black soldiers occasionally resulted in scuffles and threatened violence. That the military police who oversaw these black troops were almost exclusively white was cited as a cause of at least one "riot" in Indio. While many in Indio saw cause to celebrate their welcoming attitudes towards the influx of trainees, clearly they were not welcoming to all.
As the war progressed the majority of U.S. troops had already found their way oversees and the DTC (by then known as CAMA) closed to training on April 30, 1944, just 25 months after its inception. African American troops supervised the closure and Italian prisoners of war housed in the area worked to find and remove unexploded ammunition, though the DTC/CAMA's size made additional removal of unexploded ordinances necessary in the 1950s and 1970s. With material shortages and rationing stateside, the military removed and reused what could be salvaged from the camps. Today, few architectural structures remain at the DTC/CAMA. Though the desert is slowly reclaiming them, concrete foundations, airstrips, and rock lined pathways are still visible. Two camps, Camp Coxcomb and Camp Iron Mountain still boast concrete relief maps used in training and original outdoor chapels. Eventually the landscape was again used in military training; in 1964 the armed forced held Joint Exercise Desert Strike,, the largest maneuver training since World War II, within the boundaries of the former CAMA. As the United States engaged in more desert warfare towards the end of the 20th century, desert training areas like the Marine Corps Air Ground Combat Center Twentynine Palms and the Fort Irwin National Training Center assumed similar roles of the Desert Training Center, on a much smaller scale.
The Bureau of Land Management oversaw the land shortly after the war and their initial push to preserve the camps and interpret the stories left behind resulted in the monuments, archives, and exhibits now dotting the landscape today. The General Patton Memorial Museum, opened in 1988, preserving the story of the Desert Training Center, but most specifically Camp Young, just a stone's throw from the museum's location in Chiriaco Summit. While the Patton Museum remains a private enterprise supported largely by donations and volunteers, the BLM too continues to preserve the wider expanse of land that fell within DTC/ CAMA confines. In February 2015, for example, the BLM used drone technology to survey the existing camp sites so that they could better document and preserve the structures and fading memories still left. The hope is that the area can be listed on the National Register of Historic Places before the last veteran who served at the DTC passes away. Though only 12% of the Desert Training Center has been archeologically surveyed, what remains reminds us of a time when over a million men made their way to the deserts of Southern California to prepare for battle a world away. 9
Suggested further Incendiary Traces reading:
1 Bill Davidson, "Desert Warfare: America Trains a New Kind of Army," Yank, September 23, 1942, 5.
2 Katherine Ainsworth, The Man Who Captured Sunshine (Palm Springs: Etc Publications, 1978).
3 Colonel E. W. Pitburn quoted in "Desert Training Center Exhibit," General Patton Memorial Museum, 62-510 Chiriaco Rd. Chiriaco Summit, California, November 2014.
4 Matt C. Bischoff, The Desert Training Center/ California-Arizona Maneuver Area, 1942-1944: Historical and Archaeological Context (Tucson: Statistical Research, 2000), 10.
6 One soldier recalled that the army investigated the heat related deaths of nearly 200 men training on U.S. soil. Weldon F. Heald, "With Patton on Desert Maneuvers," Desert Magazine, July 1960, 24.
6 One soldier recalled that the army investigated the heat related deaths of nearly 200 men training on U.S. soil. Weldon F. Heald, "With Patton on Desert Maneuvers," Desert Magazine, July 1960, 24.
7 Sidney L. Meller, The Desert Training Center and C-AMA: Study No. 15 (Washington: Historical Section of the Army Ground Forces, 1946), 30.
9 The author would like to thank Christopher Dalu at the Bureau of Land Management and the General George Patton Jr. Memorial Museum for their assistance. Research on the Desert Training Center and CAMA was compiled from the following: Matt C. Bischoff, The Desert Training Center/ California-Arizona Maneuver Area, 1942-1944: Historical and Archaeological Context (Tucson: Statistical Research, 2000); California Desert District, Bureau of Land Management, Desert Training Center California-Arizona Maneuver Area, Interpretive Plan (Riverside: California Desert District, Bureau of Land Management, 1985); George W. Howard, "Desert Training Center/ California-Arizona Maneuver Area," Journal of Arizona History 26, no. 3 (Autumn 1985): 273-294; Indio News, 1942-1944; Sidney L. Meller, The Desert Training Center and C-AMA: Study No. 15 (Historical Section: Army Ground Forces, 1946). For more information see the following websites: Desert Training Center Sky Trail and Desert Training Center.
Here are a few programs and articles we recommend to help center your Thanksgiving celebration on honoring and amplifying Native stories, seeking truth about our history, and acknowledging Indigenous presence and wisdom.
Here’s where to find five of L.A.’s most scenic bridge crossings — and why they’re fascinating destinations in their own right.
Children whose educations have been disrupted by the pandemic may suffer life-long consequences, including shorter life spans, according to a study released today by the UCLA Fielding School of Public Health.
Many artists find work has dried up due to COVID-19, but it doesn’t mean you have to stop working entirely. Several artists and people who work with artists share their best tips on things to do when work is slow.
- 1 of 398
- next ›
Robert Irwin, Larry Bell and Helen Pashgian explore perception, material and experience.
Drummer Mekala Session and other artists carry forward Los Angeles’ rich jazz legacy.
Artists created works to spark conversation about L.A. and sustainable futures.
The Watts Towers Arts Center was born out of the resilience of 1960s Black L.A.
From the typeface of “The Godfather” book cover to the Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. Learn how the World War II incarceration affected their lives and creations.
- 1 of 12
- next ›