Skip to main content

Episode 1: The Blow (Libretto)

Episode 1 - Header
Support Provided By

Vireo finds herself fluid in time, from Medieval to mid-20th Century, after hearing a mysterious Voice in the woods, and she falls into a “fit.” Her worried mother takes her to a doctor, but the answers are complex.

Featuring
Kronos Quartet, Matthias Bossi and The San Francisco Girls Chorus

Fourteen-year-old Vireo finds herself fluid in time, from Medieval to mid-20th Century, after hearing a mysterious Voice in the woods, and she falls into a “fit.” Her worried mother takes her to a doctor, but the answers are complex.
Episode One: The Blow

(A forest. An unseen chorus establishes the environment.)

CHORUS
The beetle intervenes
Leaf/leaf
The scene is, like you,
Alive.
Beetle nerve.
Agitation, shifted leaf
The elements of word.

(The sound of a vireo. A girl comes running through the underbrush, on an adventure. She carries a covered iron skillet that she must mind.)

FEMALE VOICE (Surprisingly close, intimate, and human.)
Stop.

(The girl does.)

Episode 1 - Screengrab

VIREO (Singing, like bird song.)
My name is Vireo.

VOICE
Two flowers on a tree, never before. Look up!

VIREO
Forest. Fog down steady, hills of France. Five thirty a.m., early summer. Fog comes kind, to help. Beds of light. The fir trees and nettle polishing the semi-precious stones of the day. Day’s reliquary. Bone white, on display.

(A woman appears, pulling turnips. She is Vireo’s mother. Vireo senses her, but doesn’t see her.)

The forest stands up from the beds of light and walks to form corridors. Mothers and doctors walk down halls. Closing the woods to a room. Vireo.

(Footsteps down a hall, a doctor dressed as a priest enters, not hurried; the sounds stop with his entrance. He crosses slowly to the woman.)

MOTHER (To the Doctor, but not turning.)
Vireo. Her name is Vireo. 1590. The woods of France.

VIREO
Fog passing light and shade over the woods in rhythm.

MOTHER
My daughter is a genius.

Episode 1 - Screengrab

DOCTOR
You are not pulling turnips, although your arms work as if they were. You are lifting your daughter from the floor.

VIREO
A fourteen-year-old girl in 16th Century France.

(A woman appears standing in an oak tree, her head wrapped in gypsy-moth gauze.)

DOCTOR
Now, see? Vireo. Vireo falls to fits, falls to fits. Now, see? Now, see?

MOTHER
She’s having a vision? Where did this come from? Who was she watching?

VIREO
How did you get up in the tree?
Did the gypsy moth take you there?
Oh, shut up, Vireo.
I didn’t ask.
Can we start over?

(Pause.)

Can we start over?

(Vireo moves in and out of the voice’s song; Vireo is being overtaken by the sound of it.)

Pause.

VOICE
In the hardwood forest
The bird, moth and cricket
Sense the plague
They sense the plague that will shed one in four
They see, suffer and encrypt it

VIREO
They see, suffer and encrypt it

VOICE
Sensation and in between
Sending and receiving with every part
Fleet energy in the oaks’ machine
Cricket, bird, plague and moth
​Chirr, sing, die and weave
In stead of your heart

VIREO
I was passing
To the neighbor’s house
To borrow fire
Oh the neighbors - they live too far away
I was thinking how does fire burn
Thinking idly, and trying to pray
The neighbors live too far away
The neighbors live too far away
My mother says to pray and I
Practice, practice, practice
But now I feel that words are praying me
How did you get so high in the tree?
Or are you only moth-voice,
Or have I chosen you?
I am passing to the neighbor’s house
They live too far away
They live too far away
How does fire burn
How does fire burn
How do I burn
How do I burn
How do I burn away?

Episode 1 - Screengrab

VOICE, VIREO
My soul dies for sorrow
Look at the world and hate it
Soon the crowd will gather, loud
You will flee, a bird, a cricket

VOICE
Did you come to gather fuel?
The flame bends to new fuel
The flame bends to new fuel

VIREO
There is a fire in this cold air

VOICE
What I burn is beautiful
Separate but enrapt
The burning is beautiful
Separate and in between

VIREO
The fog comes in to help people
Then changes its mind
When material day speaks its white word, unkind

(The Voice starts to leave. Vireo falls down and begs.)

Questions before you go
Who are you? And
What do you know?

VOICE (As itself.)
The fit isn’t the voice; it’s the voice leaving. The woods close to a room, and the helpers come in from the hall.

(The Voice leaves. Vireo is overtaken by a fit of hysteria. Mother holds her.)

Support Provided By
Read More
An 8mm film still "The Kitchen" (1975) by Alile Sharon Larkin. The still features an image of a young Black woman being escorted by two individuals in white coats. The image is a purple monochrome.

8 Essential Project One Films From the L.A. Rebellion Film Movement

For years, Project One films have been a rite of passage for aspiring filmmakers at UCLA's School of Theater, Film and Television. Here are eight Project One pieces born out of the L.A. Rebellion film movement from notable filmmakers like Ben Caldwell, Jacqueline Frazier and Haile Gerima.
A 2-by-3 grid of Razorcake zine front covers.

Last Punks in Print: Razorcake Has Been the Platform for Punks of Color For Over Two Decades

While many quintessential L.A. punk zines like "Flipside," "HeartattaCk," and "Profane Existence" have folded or only exist in the digital space, "Razorcake" stands as one of the lone print survivors and a decades-long beacon for people — and punks — of color.
Estevan Escobedo is wearing a navy blue long sleeve button up shirt, a silk blue tie around his neck, a large wide-brim hat on his head, and brown cowboy pants as he twirls a lasso around his body. Various musicians playing string instruments and trumpets stand behind him, performing.

The Art of the Rope: How This Charro Completo is Preserving Trick Roping in the United States

Esteban Escobedo is one of only a handful of professional floreadores — Mexican trick ropers — in the United States, and one of a few instructors of the technical expression performing floreo de reata (also known as floreo de soga "making flowers with a rope"), an art form in itself and one of Mexico's longest standing traditions.