Variedades: Olvera Street

Día de los Muertos has been adapted for centuries from its pre-colonial roots to the popular depictions in mass media today. Inspired by rich Oaxacan traditions, it was brought to East Los Angeles in the 1970s as a way to enrich and reclaim Chicano identity through a small celebration at Self Help Graphics and Art. Since then, the celebration has grown in proportions with renditions enacted in communities all around the world.

Gospel music would not be what it is today if not for the impact left by Los Angeles in the late '60s and early '70s, a time defined by political movements across the country. Artists like James Cleveland and Aretha Franklin captured live recordings of the church experience of South Central and the voices and sentiment of the people coming together to give birth to a new gospel sound and the election of L.A.’ s first black mayor, Tom Bradley.

The charming, unusual and at times polarizing Jeffrey Deitch left Los Angeles in 2013 after a tumultuous run as the director of MOCA ending in his resignation. He makes his return with a new gallery opening with the first LA exhibit of renowned Chinese artist and activist, Ai Weiwei. A behind-the-scenes look at the contemporary art world through the eyes of a legendary art dealer and curator.

From the iconic typeface of “The Godfather” book cover to Herman Miller’s Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. While this second generation of Japanese American artists have been celebrated in various publications and exhibitions with their iconic work, less-discussed is how the World War II incarceration — a period of intense discrimination and hardship — has also had a powerful effect on the lives of artists such as Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata.