Skip to main content

Lancaster, California: From Alfalfa to 'Net Zero' City

Irrigation towers in Lancaster, CA, 2015.
Irrigation towers in Lancaster, CA, 2015.
Support Provided By

High & Dry surveys the legacy of human enterprise in the California desert. Together, writer/historian Christopher Langley and photographer Osceola Refetoff document human activity, past and present, in the context of future development.

The weed-infested fields of West Lancaster, California were once perfect for growing alfalfa. They might still be if it should become economically advantageous again. Complex irrigation systems took care of desert water needs for the seasonal crops. The fields today show the mottled patches and striated scars of past tilling.

southern california edison lancaster ca
Edison TTRP 3 and 9 Antelope 500k W. Expansion, Lancaster, CA, 2015. | Photo: Osceola Refetoff.

These fields are no longer cultivated though. This agricultural past is memorialized by large concrete pillars dotting the flat land. These cement cylinders are monuments to the past, when the irrigation grid spread its life-giving liquid to the quilted fields of alfalfa. Now glistening sheets of solar panels, rigidly aligned to maximize the sunshine, are beginning to spread across the abandoned fields in dark, shiny linear arrays.

These fields are waiting for more solar arrays to be built there. Lancaster intends to become the net zero city of the future. Driving along the rectilinear road system marked by numbers and letters, some of the straight-to-the-horizon roads are posted with crosses, plastic flowers and the names of traffic victims. They announce these undeviating roads and intersections are not that safe.

Here is the home of a man who collects old airplanes and jets. They are strewn about his front and side lawns. It is a desultory collection, the seeds to a private aeronautics museum he dreams. Rather than artifacts of a noble life in the air, they seem sad, patiently waiting to age and decay.

roadside crosses in lancaster
Roadside crosses at 10th Street E and Avenue G in Lancaster, CA, 2015.  | Photo: Osceola Refetoff.

Between the wide-open fields there are occasional “McMansions.” They announce a form lacking any architectural style other than a grandiose, multi-storied, bold braggadocio. They stand to boast about their owner’s wealth. The neighborhood in between is wild, empty and succumbing to weeds and loose dirt. The sun beats down ready to be harnessed to meet the city’s goal of total energy self-sufficiency.

This dusty, flat land is subject to mudflows. You drive up into the low hills to the west where lakes have dried to hexagonal tiles with arching edges. The indigenous turtle population is gone. Two drought-tortured lakes, one stone dry, the other with some moisture and still mud-delicious, can no longer provide the fish sustenance or dissolved oxygen. These inhabitants are dead or have managed to move on in time. The lips of the lakes are marred with salt. Nearby a hesitant housing development regrets it chose this land for settlement.

southern california edison in lancaster ca
Southern California Edison Neenach Substation, Lancaster, CA, 2015.  | Photo: Osceola Refetoff.

In this near no-man’s land, forgotten and ignored, a city of the future lies spread across the Mojave plain. Lancaster dreams big dreams of its energy future. The Swinerton solar array is black, sleek and geometrically classic. The panels shine with the promise of industrial magic, converting sunbeams to dancing electrons through arcane practices. Now they are engineered to be scientifically disciplined: more obedient, reliable and predictable. A sign with an etched image in some voguish way shows engineers in hardhats pointing up towards the future. The figures are rigid in a faux Stalinist style of 1950s Russia. The Stalinist style is undoubtedly accidental. The image hopes to capture the spirit of this solar plant and of the city of Lancaster.

The panels all lean together to maximize their exposure towards the moving sun. They are a glassine chorus line with choreographed yet steadfast dancing moves as the sun passes overhead. Only an engineer or technician might find these dancers sexy, but they are seductive in their technological elegance.

swinerton in lancaster CA
Swinerton renewable energy sign, Lancaster, CA, 2015.  | Photo: Osceola Refetoff.

Ordinance No. 997, written and approved by the Lancaster City Council, carries the dreams and vision of this populace. They are inspired and guided by Mayor R. Rex Parris to make Lancaster the first net zero city in the nation. They intend to produce more energy here than is consumed. The ordinance proclaims, “The City of Lancaster has been actively investigating options to procure and provide electric power to citizens with the intent of achieving greater local involvement over the provision of electric services and promoting competitively priced renewable energy.”

Partnerships are the way of the future in solar construction. In 2010, in partnership with SolarCity, Lancaster began a project to make solar installation for homes and businesses more affordable and more efficient. This is a major component in becoming the first net zero city in the world.

solar project in lancaster CA
Flagpoles at the site of the First Solar NRG Alpine Project, Lancaster, CA, 2012.  | Photo: Osceola Refetoff.

Now the alfalfa fields are tessellating into solar arrays. Instead of obfuscating the view, or inspiring cries of “not in my backyard,” the dusty plains are now the engineered tablelands of the future. Lancaster is in a constant competition with its neighboring city, Palmdale, promoting industry to the point of absurdity with debatable business incentives.

Yet with solar, the path is clear and the conviction strong. Now green energy costs about 15 percent more than traditionally generated electricity, but the future promises a price balance setting in.

In the meantime, Lancaster locks in this net zero development vision, tiling across their dusty desert with silvered dark panes of glass, covering the roofs of the city buildings with panels, and the homes of Lancaster with solar capacity.

Look upon this place. Here will rise a net zero city of the future.

To explore more High & Dry: dispatches from the land of little rain visit desertdispatches.com or the project's Facebook page. We welcome your questions and comments.

Top image: Storm over irrigation towers in Lancaster, CA, 2015. | Photo: Osceola Refetoff.

 

Support Provided By
Read More
An 8mm film still "The Kitchen" (1975) by Alile Sharon Larkin. The still features an image of a young Black woman being escorted by two individuals in white coats. The image is a purple monochrome.

8 Essential Project One Films From the L.A. Rebellion Film Movement

For years, Project One films have been a rite of passage for aspiring filmmakers at UCLA's School of Theater, Film and Television. Here are eight Project One pieces born out of the L.A. Rebellion film movement from notable filmmakers like Ben Caldwell, Jacqueline Frazier and Haile Gerima.
A 2-by-3 grid of Razorcake zine front covers.

Last Punks in Print: Razorcake Has Been the Platform for Punks of Color For Over Two Decades

While many quintessential L.A. punk zines like "Flipside," "HeartattaCk," and "Profane Existence" have folded or only exist in the digital space, "Razorcake" stands as one of the lone print survivors and a decades-long beacon for people — and punks — of color.
Estevan Escobedo is wearing a navy blue long sleeve button up shirt, a silk blue tie around his neck, a large wide-brim hat on his head, and brown cowboy pants as he twirls a lasso around his body. Various musicians playing string instruments and trumpets stand behind him, performing.

The Art of the Rope: How This Charro Completo is Preserving Trick Roping in the United States

Esteban Escobedo is one of only a handful of professional floreadores — Mexican trick ropers — in the United States, and one of a few instructors of the technical expression performing floreo de reata (also known as floreo de soga "making flowers with a rope"), an art form in itself and one of Mexico's longest standing traditions.