Making LA: Wilshire Boulevard Temple | KCET
Making LA: Wilshire Boulevard Temple
In Partnership with de LaB design east of La Brea (a.k.a. de LaB) a Los Angeles-based nonprofit that celebrates and supports local creatives in their efforts to enlighten, improve and engage the city.
Making LA consists of ten free programs hosted throughout the city between fall 2013 and fall 2014 that focus on designers and architects working closely with communities and civic leaders to improve Los Angeles. The series will culminate in the Making LA conference in fall 2014, a one-day event where creative leaders from across Los Angeles will share best practices and investigate new ways to make their burgeoning civic, architectural or design projects a reality.
Known as the "Temple of the Stars," the recently renovated Wilshire Temple is home to Los Angeles' oldest congregation, and is a magnificent example of how Hollywood one-upmanship led to the creation of one of L.A.'s most awe-inspiring buildings. de LaB recently took a tour of the 1929 building, designed by Abram M. Edelman, and discovered its fascinating history.
Producer, journalist and author Tom Teicholz (who wrote a book chronicling the history of the temple) described how the original moguls of Hollywood tried to outdo each other with their generous donations to the construction of the temple. Universal founder Carl Laemmle donated the incredible 13-feet tall chandeliers (built to resemble havdalah spice boxes), Louis B. Mayer of MGM donated the east and west stained glass windows, and the Warner brothers donated the services of their talented art department head, Hugo Ballin, to paint the murals, which span the sanctuary and depict stages of Jewish history up to 1929. (Ballin is also well known for his murals at the Griffith Observatory). As Ballin expert Nan Goodman pointed out, because the murals were completed in 1929, the two most important events in 20th Century Jewish history, namely the Holocaust and the foundation of the state of Israel, are obviously not included.
Producer Irving Thalberg donated the oculus at the top of the sanctuary, ringed by the opening words of the Jewish daily prayer known as the Sh'ma. "He wanted his gift to be above the gifts of all the other moguls," explained Teicholz. "The dark sardonic twist is that shortly thereafter, Thalberg died very young--so he got his wish of looking down at all the other moguls, but not in the way he thought he would."
Since its construction, the temple had gradually fallen into disrepair. Beginning in 2001 with a planning grant from the Getty Foundation, the congregation eventually raised enough money to restore the temple to its former splendor. The restoration was completed a year ago, and includes an expanded school campus. Behind the synagogue, development has begun on a building that will house legal, dental and eye exams, a food pantry and social services for the community, regardless of affiliation.
The 100-foot-wide Byzantine dome (which references the Pantheon in Rome) soars a dizzying 140 feet above the pews, and now glows in a tranquil bath of blue light thanks to the renovation led by architect Brenda Levin. In addition to seismic upgrading of the building, Levin's firm installed new lighting, repaired extensive water damage in the dome, restored the Hugo Ballin murals, and installed a new air conditioning system. Previously, the synagogue had been chilled by a giant fan blowing over huge blocks of ice in the basement -- a cooling system typical of large L.A. theaters, including The Wiltern, in the early 20th century.
As Levin was quick to point out, everything about the building is theatrical -- from the layered and multi-colored paint used on the interior walls, to the ornate figurative Ballin murals (atypical in a Jewish house of worship since iconography is banned by the second of the Ten Commandments), to the 4,000+ pipe Kimball organ, to the fact that there is no center aisle. "You're all sitting in the center section," noted Levin. "Because in a movie theater, the best seats are in the middle!"
During our tour, just as Levin was describing how the chandeliers were on winches so that their bulbs could be changed, a smaller, newly installed fixture fell and remained dangling from the ceiling. This prompted one of the tour group members to ask, "I don't know if you noticed when you were talking about the lighting, but that light fell down. So during the renovation I was just wondering was there any kind of activity, paranormal or otherwise?"
"Not that I'm aware of," Levin laughed. "No."
See more photos of the tour here.
All photos by Amy Tierney.
For the next edition of Making LA:
Friday, November 7
9:00 am to 5:00 pm
Join de LaB on Friday, November 7 as they bring together designers and city leaders working to transform Los Angeles. The day's focus will be on urgent issues that Los Angeles faces in the areas of water, transportation, density, and community and how designers, architects, and artists are making a difference in their neighborhoods.
Held at the historic Los Angeles River Center and Gardens in Cypress Park, Making LA will be a unique event where creative leaders from across Los Angeles will share best practices and investigate new ways to make their burgeoning civic projects a reality.
Los Angeles County restaurants were cleared today to reopen for limited dine-in service, as were barbershops and hair salons, as the state approved the county's request to move deeper into California's roadmap for restarting the economy.
KCET and PBS SoCal celebrate LGBTQ Pride Month with a compelling array of special programming, highlighting personal stories from the LGBTQ community and its forerunners and champions who continue to inspire today.
As the economy has cratered, California politicians are increasingly concerned that corporate landlords could swoop in and buy up single-family housing — in a repeat of the aftermath of the 2008 financial crisis.
Even in normal times, there are plenty of stressors for expectant moms. Now add to that the concerns over giving birth in the time of coronavirus.
Frank Lloyd Wright accelerated the search for L.A.'s authentic architecture. This episode explores the provocative theory that his early homes in L.A. were also a means of artistic catharsis for Wright.
The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations scattered throughout Coachella Valley.
For more than 20 years, Doug Aitken has shifted the perception and location of images and narratives. His diverse works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition.
This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles.
In East L.A. during the 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement.