Surfing Artists Go with the Flow | KCET
Surfing Artists Go with the Flow
Blame The Beach Boys. Ever since Brian Wilson and his bandmates invited listeners to join them on a "Surfin' Safari" in 1962, surfing -- that water-skimming sport invented by the ancient Hawaiians -- has been associated with Southern California.
For some in the Golden State, surfing is a pastime. For others, a passion. And in San Luis Obispo County, where college kids share the lineup with clean-cut professionals and grizzled, gray-bearded hippies, it's a way of life.
Here are four Central Coast artists who draw their inspiration from surf culture.
Chris Burkard, nature lover
In the fall of 2006, Arroyo Grande photographer Chris Burkard set off on an unusual odyssey. Together with fellow surfer and Central Coast native Eric Soderquist, he spent two months surfing the California coast, traveling from the Oregon border to the Tijuana Sloughs in a 1978 Volkswagen bus.
Their adventures, chronicled in the 2009 book "The California Surf Project," "really resonated with the residents of California," recalled Burkard, the overall winner of the 2010 Red Bull Illume photo competition. "It really paid tribute to California as a whole."
Now a staff photographer for Surfer magazine, Burkard travels the world in search of the perfect wave.
"I aim to document the natural world. That's where the beauty of surfing lies," said Burkhard, who's traveled to such exotic locales as Iceland, India and Indonesia. "It's about taking a look at the landscape first, and having that be the most important element of the photo. Waves are secondary."
According to Burkhard, who got his start snapping black-and-white photos of his friends in community college, surf photography can be challenging, even dangerous. "You definitely have to feel comfortable in the ocean," said the photographer, who sometimes must get within inches of his subjects. "You can't allow fear to creep in when you've got a surfer riding a fiberglass board aimed at your head."
Still, he said, "The way light plays on water is one of the most stunning things you can ever witness. There's nothing like it. Nothing can compare to the ocean in all its moods."
Although Burkhard loves landscapes, he's always careful to include a human element in his photographs. "There's something really magical about someone watching or being in the lineup," he said, who's currently working on a companion book for the bodysurfing documentary "Come Hell or High Water." "It's all a matter of selling the dream ... of people being able to place themselves (in) the moment ...
"The aim behind my art is creating a timeless aesthetic that people appreciate not just now but [years] later."
Colleen Gnos, surf siren
You could say Shell Beach artist Colleen Gnos has saltwater in her veins.
Her ancestors were sea captains in the Azores. And her maternal grandfather began ferrying boats between the islands at age 7, later immigrating to the United States to work as an abalone diver and Navy diving instructor.
Gnos, who grew up near Sacramento, can trace her own fascination with the ocean to childhood trips to Avila Beach. "I couldn't wait to turn 18 to get back the coast," said Gnos, who enrolled at UC Santa Cruz. "Everything in Santa Cruz (was) inspiring. There were deer running the road. There were mountains. It was just like paradise."
Still, Gnos wasn't satisfied with the arts education she was getting in Santa Cruz. "I felt like I needed to go somewhere to get a good solid foundation in painting," said the artist, who spent a year studying at the Accademia di Belle Arti in Florence, Italy. "I was going out in the streets and sketching 800 year-old buildings, 500-year-old statues ..."
Back in Santa Cruz, a friend taught her to surf. "It took over my life," Gnos said, as well as her art. "It just changed my entire direction. I was doing some pretty heavy, angry political pieces. Once I got happy, [my work] took a turn."
Gnos' love of surfing is evident in her work, which ranges from wave-lashed landscapes to Renaissance-style portraits of sultry sirens, bikini-clad surfers and deep-sea divers in bulky, old-fashioned suits.
One painting, "Beach Party," takes its inspiration from a 1949 snapshot of a gathering at San Onofre State Beach. A public art piece in downtown San Luis Obispo recalls her grandfather's harrowing underwater encounter with a 15-foot octopus, while a mural at the Lompoc Aquarium celebrates biodiversity on the Central Coast.
"There's something so beautiful and intense about our kelp forests our here. They're so full of life," Gnos said, describing them as "way more interesting than Hawaii or the coral reefs in Tahiti."
"It's wonderful being out in the ocean and seeing new ways to capture water," said the painter, who loves the way liquid lends color, distortion and texture to images. "Art is light. When you throw water into the mix, it gets more complicated."
Charlie Clingman and Chris Pedersen, artful friends
The first time Morro Bay artists Charlie Clingman and Chris Pedersen met on a surf trip to Mexico, the two 15-year-olds quickly discovered two common bonds: a passion for surfing and a love of doodling.
They stayed at a shack covered with the inscriptions of past guests. "Being high school punks, we took the drawings to the next level and just covered the whole wall with caveman art," Clingman recalled.
As the years passed, the two kept in touch. Clingman pursued a career in architecture before a surf trip to north Africa persuaded him to study art instead, while Pedersen became a freelance artist who designed surf-related Christmas cards on the side. (One popular card sported the slogan "Cancel Christmas -- Santa's Surfing.")
Finally, frustrated by marketing jobs that valued salesmanship above creativity, the two came together to launch a line of greeting cards under the name "Forever Stoked"-- "a positive, happy little phrase," Pedersen said. Soon, they were selling Forever Stoked artwork at surf shops across California.
Since 1998, the Morro Bay art collective has "taken on a life of its own," Pedersen said.
At Forever Stoked's retail store and gallery, which opened its doors in December 2011, the pair sells apparel, accessories, stickers, limited-edition prints and original artwork by Clingman, Pedersen, Peter Pierce, Jordan Haughey and Dave O'Brien. Seasonal art shows also feature pieces by the likes of local painters Shirley Pittman and Ken Christensen.
Clingman describes his personal style as an impressionistic blend of abstract art, traditional plein air painting, and fantastic "dreamscapes " fueled by his own fertile imagination. "Sometimes I'll combine two categories. It keeps it fun and fresh for me," he said.
Pedersen, meanwhile, specializes in surreal landscapes populated by impossibly smooth, sculpted waves. "Some people paint waves that are really windy and choppy. Being surfers, we paint waves that are perfect, waves that look fun to ride," he explained, adding that surfing helps trigger his creativity.
There's an element of wish fulfillment in Clingman's work as well, he acknowledged. By painting the perfect surf spot, "You're creating something that's hard to find in real life," he said. "In the process of creating it, you're going there and believing it.... You're creating the ultimate scenario."
Whatever you want to call these times we’re living through, they are certainly historic. Four local institutions share with us their approach to archiving COVID-19.
Board of Supervisors adopts a county-wide policy centered on diversity, inclusion and access.
In recent weeks, artists have found their practices upturned, expanded or reenergized because of COVID-19 and calls to address racial injustice.
The health and economic consequences of the pandemic have not affected all communities across L.A. county equally; rates in communities of color across South and Central Los Angeles and the Eastside have increased dramatically.
- 1 of 314
- next ›
From the typeface of “The Godfather” book cover to the Noguchi table, the influence of Japanese American artists and designers in postwar American art and design is unparalleled. Learn how the World War II incarceration affected their lives and creations.
"Artbound" looks at the dinnerware of Heath Ceramics and a design that has stood the test of time since the company began in the late 1940’s.
Inspired by Oaxacan traditions, Dia de Los Muertos was brought to L.A. in the '70s as a way to enrich and reclaim Chicano identity. It has since grown in proportions and is celebrated around the world.
Gospel music would not be what it is today if not for the impact left by Los Angeles in the late 60’s and early 70’s, a time defined by political movements across the country.
A behind-the-scenes look at the contemporary art world through the eyes of a legendary art dealer and curator, Jeffrey Deitch.
- 1 of 11
- next ›