The Protected Petroglyphs of China Lake Naval Base | KCET
The Protected Petroglyphs of China Lake Naval Base
The greatest (meaning both the largest and the best preserved) concentration of Native American rock art in the country is only about a hundred miles north of Los Angeles. And it’s a beautiful drive too, through canyons and high desert valleys, sweeping vistas and surreal rock formations on the approach to the town of Ridgecrest and the dry sand bed of China Lake. As in China Lake Naval Base. And that’s where things get interesting.
In the canyons and plateaus of the Coso Mountains are thousands of images left by the Coso native people who once populated this region. Not much is certain about this hunter-gatherer society, but when gold and other minerals were discovered in California, settlers staked their claim on this land. Skirmishes with the Coso peoples led the U.S. Army to forcibly evict nearly 900 Indians from the area in 1863. The dispersal of the population continued again when the City of Los Angeles purchased much of their land.
The petroglyphs are carved into the rocks, and range in age from Paleoindian times to the present, with some as old as 12,000 years. Imagery ranges from sheep, lizards, mountain lions and snakes, to people, ceremonial objects, rain, fire and abstract patterns representing the cosmos.There are many theories as to why these images exist. Some say it was a part of a hunting ritual, while others believe the petroglyphs are a result of altered states of mind.
This treasure trove is located on the Naval Air Weapons Station, China Lake, a major research, development, test and evaluation facility active since 1943. Public access is permitted to many of these petroglyphs but is limited to tours with Navy-approved guides — and interestingly, not open at all to foreign nationals, because it’s an active military intelligence site. Last year they hosted about 650 people in 37 total tours. There’s a Department of Defense visitor application packet online that looks pretty intense. So there’s that. But eccentric logistics aside, it’s worth taking a moment to unpack this unusual custodial arrangement.
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It feels a bit counterintuitive to think of a military installation, particularly one which frequently hosts live weapons testing events, as the protectors of cultural anthropology and fragile ecosystems. The truth is, in the beginning it was probably a happy accident. The Navy needed a remote location and a barrier of depopulated land. Their presence ensured the site would never be overrun with rogue tourists, developers, vandals or industrial pollution. Cooperation ensued. Whatever the decision-making process was back in 1943, soon enough they became cognizant of what they had and then proud of it, and it seems to be working out. The official military statement states clearly, that “NAWS China Lake firmly believes that the petroglyphs located within the installation are a treasure and should be shared.”
At this point, a network of cultural, educational and governmental organizations and agencies are stakeholders in the dispensation and management of the site, each with slightly different priorities. And yet in a rare example of confluence befitting such a sacred site, these directives not only do not compete but rather overlap and enhance each other. Even — or some might argue, especially — the military’s. The Maturango Museum on the site is an information center for Death Valley National Park, the Eastern Sierra Mountains and places of local historical and geological interest. The National Park Service has a hand in things, and they work closely with the Bureau of Land Management and the Forest Service. The site has even attracted the attention of international organizations like very fancy Geneva-based Bradshaw Foundation, whose cultural heritage site preservation exists, “to discover, document and preserve ancient rock art around the world, and promote the study of early mankind’s artistic achievements.” Even though they don’t actively work with China Lake, they produced this gorgeous video for their online archives.
But even with all of that, and the Navy very much in charge, the public’s only true access point into the canyons is the Maturango Museum. Founded by prominent local residents connected to the Navy and the town of Ridgecrest starting in 1961, it was not necessarily focused on the petroglyphs, but rather on the broader strokes of local and natural history, regional art and craft, zoology, botany, paleontology and archaeology — all of which remain central to their year-round programming, embracing their role as the central hub for the array of tourists, scholars, military historians, artists and environmentalists who find their way to the canyon. We spoke to Archaeology Curator Alexander Rogers (who goes by Sandy) and members of the staff about how it all comes together.
Please tell me more about the role of the museum in the local community, among the regular folks who live and work in the area.
Can you please explain how the arrangement with the China Lake Naval Base works, in terms of restriction/protection of the canyon? Do they have a liaison with your organization?
Top Image: Anthropomorphic art at Coso Rock Art District National Historic Landmark | Courtesy of Maturango Museum
This article has been updated to identify the Coso native peoples are makers of these images, include a little more history on the region and theories on the origins of these petroglyphs.
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