Skip to main content

The Re-imagined Histories of Iosif Kiraly

Support Provided By

In partnership with 18th Street Arts Center: 18th Street Arts Center is an artists' residency program that provokes public dialogue through contemporary art-making.

IosifKiraly's work focuses on the relationship between perception, time and memory. Since 1990 Iosif has been involved in various art projects, independently and in the art group subREAL. Since 2000, he has collaborated with a team of architects in a photo-documentary project on the changes in daily life and urban environment in post-communist Romania. Kiraly was born in 1957 in Resita, Romania and lives in Bucharest, Romania. He has an MA in architecture from the Ion Mincu Institute for Architecture and Urbanism and a PhD in Visual Arts from the National University of Arts Bucharest. He is an Associate Professor at the National University of Arts Bucharest where he has taught since 1992 and co-founded in 1995 the Department of Photography and Time-based Media Art at the National University of Arts, Bucharest. Kiraly's residency at 18th Street Arts Center was made possible by the Trust for Mutual Understanding.

Mediums: Photography, New Media

Claims to fame: Member of SubREAL: participant in Manifesta, and the Venice, Berlin, Sao Paulo and Istanbul Biennials; co-founder of the Department of Photography and Time-based Media Art at the National University of Arts, Bucharest.

Known for: Making work about pre-and post-communist Romania; appropriating cultural archives to re-interpret important moments in Romanian history; making amazing collage photographs that combine moments in a public space over long periods of time.

While in LA: Kiraly attended the New Media Caucus at College Art Association, visited the vast stereograph archive at UC Riverside's California Photography Museum, created a new body of photo collage work at 18th Street Arts Center using images of LA public spaces and other international cities.

Dig this story? Sign up for our newsletter to get unique arts & culture stories and videos from across Southern California in your inbox. Also, follow Artbound on FacebookTwitter, and Youtube.

Top Image: Reconstruction - Gaina Mountain 1, 2010-2012 (detail)

Support Provided By
Read More
An 8mm film still "The Kitchen" (1975) by Alile Sharon Larkin. The still features an image of a young Black woman being escorted by two individuals in white coats. The image is a purple monochrome.

8 Essential Project One Films From the L.A. Rebellion Film Movement

For years, Project One films have been a rite of passage for aspiring filmmakers at UCLA's School of Theater, Film and Television. Here are eight Project One pieces born out of the L.A. Rebellion film movement from notable filmmakers like Ben Caldwell, Jacqueline Frazier and Haile Gerima.
A 2-by-3 grid of Razorcake zine front covers.

Last Punks in Print: Razorcake Has Been the Platform for Punks of Color For Over Two Decades

While many quintessential L.A. punk zines like "Flipside," "HeartattaCk," and "Profane Existence" have folded or only exist in the digital space, "Razorcake" stands as one of the lone print survivors and a decades-long beacon for people — and punks — of color.
Estevan Escobedo is wearing a navy blue long sleeve button up shirt, a silk blue tie around his neck, a large wide-brim hat on his head, and brown cowboy pants as he twirls a lasso around his body. Various musicians playing string instruments and trumpets stand behind him, performing.

The Art of the Rope: How This Charro Completo is Preserving Trick Roping in the United States

Esteban Escobedo is one of only a handful of professional floreadores — Mexican trick ropers — in the United States, and one of a few instructors of the technical expression performing floreo de reata (also known as floreo de soga "making flowers with a rope"), an art form in itself and one of Mexico's longest standing traditions.