Centro De Arte Publico | KCET
Centro De Arte Publico
By 1976, Corazon Productions splintered in the aftermath of the end of Carlos Almaraz and Patricia Parra's relationship. In 1977 Almaraz, along with Guillermo Bejarano and Richard Duardo, founded the Centro de Arte Publico on 56th and Figueroa in Highland Park. Almaraz and Bejerano had been Highland Park residents for several years and Duardo, a UCLA graduate and former printer for Self Help Graphics, had grown up in the area after his family moved there in the 1950s. For Duardo, the Centro was the first of many design studios he would develop over his career. John Valadez, a painter and muralist, also became involved, producing works that focused on Los Angeles street scenes and urban Chicana/o youth.
A number of women were invited to participate in the Centro, which reflected a growing concern for gender equality in the art community and the country as a whole. Barbara Carrasco, Dolores Cruz and Judithe Hernandez were among the artists informed by a burgeoning Chicana feminist agenda, experimenting and developing a uniquely Chicana feminist iconography.
Photo courtesy of Self Help Graphics & Art/CEMA UC Santa Barbara
Richard Duardo likens the Centro to the missions established throughout California - a safe harbor for like-minded artists to gather and collaborate.
Establishing the Center
Guillermo Bejarano describes the beginnings of the Centro de Arte Publico in Highland Park, which evolved from Corazon Productions with Carlos Almaraz.
An Evolution from Los Four
Judithe Hernandez was the fifth member of Los Four, which acted as a springboard for the cultivation of other artist collectives
throughout the country.
The Last Days
Lack of support and recognition led to the closing of the Centro and the studio's transformation into a more inclusive space where everyone fed off the energy of others.
After the screening, KCET Cinema Series host Pete Hammond conversed with director Fernando Ferreira Meirelles (City of Gold), and writer Anthony McCarten.
All around the United States is a 100-mile border zone where one can be searched and one's things seized. Policies way beyond what the constitution allows is regularly implemented. Artists drew on select sites. Here's what they realized.
Created by policymakers in the 1940s, the border zone extends 100 miles inland from the nation’s land and sea boundaries and houses nearly two-thirds of the U.S. population. It's also where the 4th amendment rights of the people have been subverted.
We have forgotten how to be medicine to the land, and to ourselves. The members of Syuxtun Collective are revisiting lost indigenous wisdom of learning and listening, of harvesting and preparing plant medicine in participation with nature.