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Chinatown

In Memory of Irvin Lai

When you look back at the first 100 years of Chinese migration to Los Angeles, you see the evolution of several distinct "Chinatowns." Each with distinct meanings, uses and mythos--not just for greater Los Angeles--but for the Chinese community itself. With every subsequent migratory waves to Los Angeles, and with the changing structure of immigration laws in the Unites States, the way Chinatown is identified as a cultural, economic, and symbolic center began to shift and change.

Migrants from South East Asia and Taiwan, among others, brought with them a new set of cultural values that re-defined the Chinese American experience most often associated with initial waves of Cantonese arrivals. These new migrants created multiple contexts from which to view and understand the Chinese American experience, and also created new geographic centers in the San Gabriel Valley that have rendered historical Chinatown almost obsolete.

The question we need to ask now, this after more than a century of Chinese migration to America is: What is the role of Chinatown in 21st Century Los Angeles? What does it represent? And to whom?

With the help of the Chinese American Museum, the KCET Departures team ventured into Chinatown to record its deep social and cultural history, and spoke with hundreds of people to create a multi-layered portrait of Chinatown as it is today and try to find some answers to our questions. Part oral history project, part interactive documentary, part community engagement tool, and part digital literacy project, through Departures: Chinatown, KCET also engaged youth in the community through its Youth Voices program by partnering with the Chinatown Service Center Youth Council.
 

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Artist Tyrus Wong recollects his journey of becoming an artist from a student at Benjamin Franklin Junior High School in Pasadena to a production illustrator in the film industry.
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We had the chance to sit with Pauline Wong, executive director of the Chinese American Museum, and speak about the institution's history, programming and outreach programs, as well as the future relevance of ethnic-centered cultural institutions.
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Ms. Susan Dickson is a fifth grade teacher at Castelar Elementary School. Having taught for over two decades, she has seen the changing face of Chinatown through the eyes of her ten year olds.
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Esther Lee Johnson recalls the working spirit of her mother, the accomplishments she experienced throughout childhood, and her first and most memorable experiences working in the movies.
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Wendy Yao, owner of the small indie store Ooga Booga, gave us one of the best quotes of the series: "Whenever my sister and I go traveling with our parents, the first thing they want to do is go visit Chinatown."
Eugene Moi and William Estrada accounts the infamous Chinese massacre of 1871 and how racial tensions and violence persisted for decades.
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Student producer Kevin On interviewed Thomas Liu, a Chinatown service center youth council member, talked about Chinatown Plaza's history and relevance in their lives.
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William Chun-hoon, community leader, activist and former principal of Castelar, understood early on that in order to serve his constituency, he needed to create a place-based neighborhood ecology that could serve the community at large.
Map of Old Chinatown along Alameda Street, prior to the construction of Union Station. | Courtesy of the Los Angeles Public Library
By 1870, an identifiable "Chinatown" of two hundred or so inhabitants was situated on Calle de Los Negros - Street of the Dark Hued Ones - a short alley fifty feet wide and one block long between El Pueblo Plaza and Old Arcadia Street.
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Steve Wong captures the contemporary condition of Chinatown by providing the conceptual framework of which to view multiple iterations of Chinatown as both neighborhood and artifact.
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Chinese Americans were displaced in the 1930's, "buried" so to speak under Union Staion, one of L.A.'s most iconic buildings and sometimes called the "last of the great railway stations."
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William D. Estrada, chair Of the History Department for NHM, shares his knowledge about the history of Los Angeles and its relation to historic preservation.
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