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Venice

American neighborhoods are changing, growing and re-defining themselves. Nowhere is this more evident than in Venice, California, where one of Los Angeles' most sophisticated and affluent creative enclaves sits side-by-side with a traditional working class community. This contrast has become even more stark recently, as residents build sustainable architectural homes in densely populated areas of Oakwood, which was once segregated by a covenant and was home to the Venice 13.

Despite all these contradictions, Venice remains a magical spot not only to the tourists that flock to its beaches year after year, but also to those-rich or poor-that call Venice their home.

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A skeptical public had heard rumors of Kinney's eccentric re-development ideas in the coastal marshlands of Southern California, but no one took him seriously.
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Old-time Venice resident and historian Arnold Springer explains who Venice's founder was.
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A mural on Dell Avenue and Carroll Canal, was erected by Emily Winters as a tribute to the culture and change she observed while living in the canals in the 1960s.
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Francisco Letelier and his brother, José, established the "Brigada Orlando Letelier", and began traveling across the country creating collaborative murals.
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Frank Rios was born in the Bronx promptly abandoned and moved to a foster home and was unable to speak until the age of 6.
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In the 1970s, a young woman from Pacoima named Judith F. Baca moved to Venice with the hopes of becoming the next great American muralist.
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A quiet documentarian of his time, Charles Brittin photographed Venice in the 1950s and 1960s, leaving an unparalleled record of the social and artistic movements of the era.
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Everyone in Los Angeles, even if they don't know it, is familiar with the work of Robbie Conal.
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While he was a contemporary of the Ferus artists,John Baldesarri was never part of the group.Baldesarri did not care much about their attitudes towards art.
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Artist Ed Ruscha describes his emotions as he drove to Los Angeles, at the age of 19, from Oklahoma City.
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Paintings from Bengston, embraced his knowledge and love of motorcycles by incorporating the same materials - metal and automotive paint.
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Artist Ed Moses was the only abstract expressionist of the Ferus Group, a link between the rebellious emotions of New York and the cool aesthetic of the West
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