Property Rights | KCET
Thanks to the lingering aftereffects of the New Deal and the post-World Ward II boom, development in Los Angeles was in full swing in the 1960s. Bunker Hill began to tower over Downtown after a law restricting building heights in Los Angeles was lifted—and after tenants from the neighborhood's Victorian-style homes were evicted. Property owners were forced out of Chavez Ravine, their homes torn down without compensation after the land was taken for a never built housing project. These corrupt and high-handed practices mainly targeted low income families, displacing, among others, tens of thousands of Mexican-Americans.
As whites took flight towards the San Fernando and San Gabriel Valleys, a Mexican-American working class from neighboring Northeast and East Los Angeles was being drawn to Highland Park by affordable property and the conveniences afforded by the Arroyo Seco Parkway. A tidal wave of development began to rumble through the sleepy neighborhood.
Ownership Through History
Eric Avila on the history of conquest, power and defiance are ingrained in the built environment and character of Highland Park.
Transitions of Land Use
William Deverell recounts the recent history of political, demographic economic and cultural transitions in the Arroyo Seco, which provided a mirror and framework to understand Highland Park and its continued evolution.
Arthur Snyder shares how Highland Park was excluded from a program he developed that assisted residents in his district to renovate and bring their older properties up to code, ultimately preventing demolition.
Lisa and Oscar Duardo recount how historic homes and culturally rich areas of Highland Park have been destroyed to make way for commercial and multi unit housing development.
Josefina, Oscar and Lisa Duardo recount their community's legislative fight to save their backyards from density, and their subsequent loss to the city despite great efforts.
A new collection of essays builds an archive of radical, transnational and multiracial people in greater El Monte.
Judith Baca’s mural work asks tough questions about public art and what role it plays in a multicultural society. These seven books illuminate the intersection between Baca’s work, public histories and art practice.
This photographer is taking portraits of people wounded from police brutality during Black Lives Matter protests. The powerful images are a form of testimony.
In response to the closure of their physical spaces, L.A. art galleries have embraced online exhibitions to an unprecedented degree. This transition has changed the way they present artworks and unexpectedly, how they relate to one another.