Revisiting the 1965 Watts Rebellion: A Journey Through Photographs | KCET
Revisiting the 1965 Watts Rebellion: A Journey Through Photographs
It started on a hot August day with a traffic stop, and quickly erupted into six days of civil unrest that devastated the community of Watts and awakened the nation. To commemorate the date that had such a tremendous impact on the city of Los Angeles, California State University, Dominguez Hills is hosting an exhibit of photos and memorabilia, as well as a series of talks and screenings, that illuminate what circumstances led to the Watts Rebellion of 1965, what positive changes occurred as a result of it, and what lingering inequities remain in the largely African American and now Latino communities of southeast and central Los Angeles.
Fifty years ago this week, Watts exploded with violence. The scenario sounds uncomfortably familiar in today's environment of racially fueled police abuse and racial tension. What sparked the uprising in 1965 was a physical altercation while a white policeman was placing African American motorist, Marquette Frye under arrest for drunk driving. The exact details change depending on who is telling the story: it started when the arresting officer verbally assaulted Marquette's mother, or when he punched a pregnant woman. But no matter the exact incident that ignited the uprising, the issues that lead to it were long seething, and built on a foundation of systemic inequities.
The root causes ran much deeper in 1965's Watts community. "The economic deprivation, social isolation, inadequate housing, and general despair of thousands of Negroes teeming in Northern and Western ghettos are the ready seeds which give birth to tragic expressions of violence," assessed Martin Luther King when he visited Watts just days after the rebellion. The unrest was fueled by the ongoing local issue of housing discrimination, most clearly exhibited by the passing of Proposition 14, which nullified the Rumford Fair Housing Act and allowed property owners and landlords to refuse to rent or sell their properties to people of color. With huge divisions in society based on skin color, and the ballooning of poverty and discrimination, L.A. was rife for conflict.
This photo essay is the first of three installments that takes a reflective look at the 1965 Watts Rebellion as well as the activism and re-energized community that followed the uprising to current day.
Photographs courtesy of Laura Vena and California State University Dominguez Hills Archives, "Watts Then and Now".
I believe that the single most important thing that arts organizations must do now is lift up a multiplicity of voices.
Three months after Scott Hove’s ‘The Beauty War’ was first scheduled to open, the exhibition now open to the mask-wearing public at Cakeland LA.
Bolsonaro vetoed efforts to address the coronavirus threat to Brazil's Indigenous population, who are more vulnerable to COVID-19.
We must do better to understand, celebrate and support communities of artists during the coronavirus pandemic, the current economic recession and in the anti-racist movement surging across our country.
- 1 of 317
- next ›