At the corner of Sunset and Gower, there’s a strip mall that looks like it might have been a Western set in a past life. Signs for Baskin Robbins, Starbucks, and Super Cuts hover beneath a larger one emblazoned in Western lettering with the words “Gower Gulch.” Other signs falsely advertise such frontier businesses as “Livery Forge & Stable,” “Assayer,” and “Cartwrights.”
The Gower Gulch was never a Western set; it was the hangout of real cowboys, waiting to be hired as working extras in Hollywood westerns.
But the Gower Gulch was never a Western set; it was the hangout of real cowboys, waiting to be hired as working extras in Hollywood westerns. The Gower Gulch earned its name in 1940, after a couple of these Hollywood cowboys riled each other up in an unscripted standoff, putting one in the ground and sending the other to a trial on homicide charges.
The intersection became headquarters for a cluster of former cowboys in the mid-1930s, when the Columbia Drugstore stood at its southeast corner. “Here, at almost any time of day, one could find 25 to 50 of [the cowboys] loitering between picture jobs,” explains Diana Serra Cary, whose father was one of these so-called “drugstore cowboys,” in her book, “The Hollywood Posse”:
They dressed off screen pretty much as they did on. Levis or whipcord straight-legged riding pants, checkered shirts, leather or wool vests, and, of course, Stetsons and steep-heel boots, comprised their daily costume. A cowboy’s hat and boots were something far more than either a necessity or a luxury – they were the hallmark of his pride in his profession….When a cowboy walked onto the average Western set from the street, all the wardrobe department had to provide was a cartridge belt and guns.
The drug store had become a congregating point for a practical reason: it had a phone booth that the manager would allow the cowboy extras to use in order to dial up Central Casting’s switchboard at all hours, checking on what studios or gigs were calling out.
Jerome B. “Blackjack” Ward was one of these cowboys, and he came with a reputation for being a “seasoned rawhide” from the nineteen-teens, when he had supposedly been Pancho Villa’s right hand man. Since then, he’d taken up working as a horse opera actor beside other filmland cowpokes.
On one afternoon in 1940, Blackjack encountered his archenemy, John Ainsworth Tyacke – “Johnny Tyke” – outside the Columbia Drugstore. Cary relays the story:
"You’ve been fooling around my girl again," the short and wiry Ward said accusingly as he swaggered up to the tall, powerfully built Tyke.
"What makes you so sure she’s yours?" Johnny countered contemptuously. "Appears like she cottons up to me."
The babble of conversation among the cowboys died as suddenly as though an assistant director had just yelled, "Quiet on the set!" On a silent cue they formed a circle around the two men, for it was apparent to everyone there was going to be a fight and one of the two contestants was going to have ‘his hide hung up’ in defeat.
"Julie’s mine and I’m going to see things stay that way," Ward said icily.
"You better go easy, Ward," Tyke snarled. "You’re grabbin’ the branding iron by the hot end —"
"Johnny Tyke," Ward responded in a voice as cold as the .45 he suddenly produced from out of nowhere, "there’s six steps to hell, and according to what I know of your lousy record, you’ve taken all six of them!"
At that, Tyke let out a roar of rage and lunged fearlessly for the gun, but Blackjack fired his first shot, catching him in the shoulder and knocking him to the ground.
"That was for the first step — lying," Ward informed the fallen Tyke. And then in a loud, clear voice that every man present could hear, he proceeded to recite his six steps to hell, punctuating each one with a shot. "Two – horse-stealing, three – woman-stealing, four – cowardice, five – double-crossing a friend, and six – MURDER!"
Blackjack had shot Tyke in broad daylight in the middle of Hollywood, and in front of a crowd of witnesses. Blackjack had “dry-gulched” Johnny Tyke, said Cary’s father: “an old frontier term that originally meant to kill a man in cold blood and then throw his body in a dry-gulch to conceal the evidence of the murder.”
In the trial that followed, the witness stand and the courtroom were filled with “hundreds of picturesque characters from ‘Gower Gulch,’” according to the Los Angeles Times’ coverage.  “Cauliflower-eared,” “Burly Yukon Jake Jackson, who came out of the Northern woods from a b’ar hunt” took the witness stand in Superior Court Judge A.A. Scott’s courtroom, in a dramatic scene:
Scores of Ward’s colleagues of the Hollywood rangers surged into the courtroom swishing their 10-gallon hats and clanking their spurs – each determined to "help their pard" when they testified as character witnesses…Ward’s dark-eyed, tearful wife Mickey, a former cowgirl, embraced her husband and kissed him ‘for the first time in five months.
Ward pled not guilty, claiming he shot Johnny Tyke in self defense “after the latter attacked him with a bowie knife”; he also pled not guilty by reason of insanity.  The trial lasted only several days (one cowboy described it as being “dizzier than a blindfolded bronc being sack-broke with a new slicker”) before it was dismissed, and Blackjack walked free.
Johnny Tyke was buried Valhalla Cemetery, reported the Times. “Of course there were some who put on their Sunday clothes and attended the funeral, but the rest of them who took up a collection Wednesday to send flowers still hung around the ‘quickie’ center at Sunset Blvd. and Gower St. waiting a call for extra work.” 
Cary, Diana Serra. The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History. Boston: Houghton Mifflin, 1975.
“Cowpokes Will Pay Tribute to Their Slain ‘Pard’ Today: Gower Gulch Film Extras Contribute to Flower Fund Though Dead Man Regarded as ‘Pizen Mean.’” Los Angeles Times (1923-Current File). February 29, 1940.
“Gower Gulch’s Cowboy Slayer Must Stand Trial for Murder: Blackjack Ward Flouted Legal Code in Shooting His One-Time Partner in Hollywood, Court Finds.” Los Angeles Times (1923-Current File). March 5, 1940, sec. LOCAL NEWS.
“HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD’: Film Cowboy on Trial in ‘Gower Gulch’ Slaying Jury of Seven Men and Five Women Chosen to Determine Fate of ‘Blackjack’ Ward Actor Slayer Goes on Trial.” Los Angeles Times (1923-Current File). July 16, 1940.
“Hollywood’s Cowpokes Defend Pard in Killing: Riders of ‘Gower Gulch’ Testify Gun Victim Was Maverick Who Had to Be Taken Care Of GOWER GULCH MOVES INTO COURTROOM FOR INQUEST.” Los Angeles Times (1923-Current File). February 28, 1940, sec. GENERAL NEWS.
MacPHERSON, HARRY. “GOWER GULCH: Ever since That Wild West Shooting, People Have Been Asking the Truth about This Wild and Woolly Haunt of the Hollywood Cowboys. Here It Is GOWER GULCH.” Los Angeles Times (1923-Current File). March 31, 1940.
 Diana Serra Cary, The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History (Boston: Houghton Mifflin, 1975), 139, 136–137.
 Ibid., 140–141.
 Ibid., 141.
 “Hollywood’s Cowpokes Defend Pard in Killing: Riders of ‘Gower Gulch’ Testify Gun Victim Was Maverick Who Had to Be Taken Care Of GOWER GULCH MOVES INTO COURTROOM FOR INQUEST,” Los Angeles Times (1923-Current File), February 28, 1940, sec. GENERAL NEWS.
 “HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD’: Film Cowboy on Trial in ‘Gower Gulch’ Slaying Jury of Seven Men and Five Women Chosen to Determine Fate of ‘Blackjack’ Ward Actor Slayer Goes on Trial,” Los Angeles Times (1923-Current File), July 16, 1940.
 Cary, The Hollywood Posse, 142.
 “HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD.’”
Header image by Kent Kanouse. Used under a Creative Commons license.