How a Cowboy Standoff Gave Hollywood’s Gower Gulch Its Name | KCET
How a Cowboy Standoff Gave Hollywood’s Gower Gulch Its Name
At the corner of Sunset and Gower, there’s a strip mall that looks like it might have been a Western set in a past life. Signs for Baskin Robbins, Starbucks, and Super Cuts hover beneath a larger one emblazoned in Western lettering with the words “Gower Gulch.” Other signs falsely advertise such frontier businesses as “Livery Forge & Stable,” “Assayer,” and “Cartwrights.”
But the Gower Gulch was never a Western set; it was the hangout of real cowboys, waiting to be hired as working extras in Hollywood westerns. The Gower Gulch earned its name in 1940, after a couple of these Hollywood cowboys riled each other up in an unscripted standoff, putting one in the ground and sending the other to a trial on homicide charges.
The intersection became headquarters for a cluster of former cowboys in the mid-1930s, when the Columbia Drugstore stood at its southeast corner. “Here, at almost any time of day, one could find 25 to 50 of [the cowboys] loitering between picture jobs,” explains Diana Serra Cary, whose father was one of these so-called “drugstore cowboys,” in her book, “The Hollywood Posse”:
The drug store had become a congregating point for a practical reason: it had a phone booth that the manager would allow the cowboy extras to use in order to dial up Central Casting’s switchboard at all hours, checking on what studios or gigs were calling out.
Jerome B. “Blackjack” Ward was one of these cowboys, and he came with a reputation for being a “seasoned rawhide” from the nineteen-teens, when he had supposedly been Pancho Villa’s right hand man. Since then, he’d taken up working as a horse opera actor beside other filmland cowpokes.
On one afternoon in 1940, Blackjack encountered his archenemy, John Ainsworth Tyacke – “Johnny Tyke” – outside the Columbia Drugstore. Cary relays the story:
Blackjack had shot Tyke in broad daylight in the middle of Hollywood, and in front of a crowd of witnesses. Blackjack had “dry-gulched” Johnny Tyke, said Cary’s father: “an old frontier term that originally meant to kill a man in cold blood and then throw his body in a dry-gulch to conceal the evidence of the murder.”
In the trial that followed, the witness stand and the courtroom were filled with “hundreds of picturesque characters from ‘Gower Gulch,’” according to the Los Angeles Times’ coverage.  “Cauliflower-eared,” “Burly Yukon Jake Jackson, who came out of the Northern woods from a b’ar hunt” took the witness stand in Superior Court Judge A.A. Scott’s courtroom, in a dramatic scene:
Ward pled not guilty, claiming he shot Johnny Tyke in self defense “after the latter attacked him with a bowie knife”; he also pled not guilty by reason of insanity.  The trial lasted only several days (one cowboy described it as being “dizzier than a blindfolded bronc being sack-broke with a new slicker”) before it was dismissed, and Blackjack walked free.
Johnny Tyke was buried Valhalla Cemetery, reported the Times. “Of course there were some who put on their Sunday clothes and attended the funeral, but the rest of them who took up a collection Wednesday to send flowers still hung around the ‘quickie’ center at Sunset Blvd. and Gower St. waiting a call for extra work.” 
Cary, Diana Serra. The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History. Boston: Houghton Mifflin, 1975.
“Cowpokes Will Pay Tribute to Their Slain ‘Pard’ Today: Gower Gulch Film Extras Contribute to Flower Fund Though Dead Man Regarded as ‘Pizen Mean.’” Los Angeles Times (1923-Current File). February 29, 1940.
“Gower Gulch’s Cowboy Slayer Must Stand Trial for Murder: Blackjack Ward Flouted Legal Code in Shooting His One-Time Partner in Hollywood, Court Finds.” Los Angeles Times (1923-Current File). March 5, 1940, sec. LOCAL NEWS.
“HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD’: Film Cowboy on Trial in ‘Gower Gulch’ Slaying Jury of Seven Men and Five Women Chosen to Determine Fate of ‘Blackjack’ Ward Actor Slayer Goes on Trial.” Los Angeles Times (1923-Current File). July 16, 1940.
“Hollywood’s Cowpokes Defend Pard in Killing: Riders of ‘Gower Gulch’ Testify Gun Victim Was Maverick Who Had to Be Taken Care Of GOWER GULCH MOVES INTO COURTROOM FOR INQUEST.” Los Angeles Times (1923-Current File). February 28, 1940, sec. GENERAL NEWS.
MacPHERSON, HARRY. “GOWER GULCH: Ever since That Wild West Shooting, People Have Been Asking the Truth about This Wild and Woolly Haunt of the Hollywood Cowboys. Here It Is GOWER GULCH.” Los Angeles Times (1923-Current File). March 31, 1940.
 Diana Serra Cary, The Hollywood Posse: The Story of a Gallant Band of Horsemen Who Made Movie History (Boston: Houghton Mifflin, 1975), 139, 136–137.
 Ibid., 140–141.
 Ibid., 141.
 “Hollywood’s Cowpokes Defend Pard in Killing: Riders of ‘Gower Gulch’ Testify Gun Victim Was Maverick Who Had to Be Taken Care Of GOWER GULCH MOVES INTO COURTROOM FOR INQUEST,” Los Angeles Times (1923-Current File), February 28, 1940, sec. GENERAL NEWS.
 “HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD’: Film Cowboy on Trial in ‘Gower Gulch’ Slaying Jury of Seven Men and Five Women Chosen to Determine Fate of ‘Blackjack’ Ward Actor Slayer Goes on Trial,” Los Angeles Times (1923-Current File), July 16, 1940.
 Cary, The Hollywood Posse, 142.
 “HOLLYWOOD ‘RANGERS’ COME TO AID OF ‘PARD.’”
Header image by Kent Kanouse. Used under a Creative Commons license.
Astrophysicist Andrea Ghez, user experience designer Evan Sullivan, and choreographer Kyle Abraham talked about everything from what it means to be creative to how we can overcome creative fears.
Places like Taylor Yard give us a window to explore ways to balance the city's critical needs for green space, livable space and climate change strategies.
A Q&A will immediately follow the screening with actor Susan Kelechi Watson and production designer Jade Healy.
After the screening, KCET Cinema Series host Pete Hammond conversed with director Fernando Ferreira Meirelles (City of Gold), and writer Anthony McCarten.
This episode explores how Yosemite has changed over time: from a land maintained by indigenous peoples; to its emergence as a tourist attraction; to the site of conflict over humanity’s relationship with nature.
California’s deserts have sparked imaginations around the world. This episode explores the creation of the Salton Sea; the effort to preserve Joshua Tree National Park; and how commercial interests created desert utopias like Palm Springs.
This episode explores how surfers, bodybuilders, and acrobats taught Californians how to have fun and stay young at the beach — and how the 1966 documentary The Endless Summer shared the Southern California idea of the beach with the rest of the world.
From its origins as a seaside resort to its fame as a countercultural hub, Venice Beach boasts a rich history. This episode explores the original plans for Venice, the Beat poets who lived there and the history of the Abbot Kinney commercial district.