The First Map of Los Angeles May Be Older Than You Think | KCET
The First Map of Los Angeles May Be Older Than You Think
Note: For the past two weeks, we have looked at what most regard as the first photograph and the earliest-known drawing of Los Angeles. This series on the earliest-known representations of the city continues with a map from 1786. Still to come is a 1542 written account.
Maps help a city comprehend itself -- to chart its future and reflect on its past. Commonly cited as the first cartographic representation of Los Angeles, "Los Angeles City Map No. 1" from 1849 combines an honest accounting of the layout of buildings and public streets with a projection of the newly American city's future street grid (see below).
But as a quick consultation with Los Angeles Public Library map guru Glen Creason confirms, Ord's work is only the first surveyed map of the city. Some 63 years earlier, a sergeant in the Spanish army sketched what was likely the first map of Los Angeles.
To induce the original settlers of Los Angeles to leave their homes in Sonora and Sinaloa for an uncertain future in far-off Alta California, the Spanish authorities offered several enticements. Governor Felipe de Neve described these benefits in his 1779 Reglamento, an early planning document that prescribed the town's layout and administration in detail. Upon arrival, settlers would receive livestock and an annual salary. They would also be granted - provisionally at first - several parcels of land: one house lot, two irrigated farm lots, and two dry farm lots. After five years, if they remained pobladores in good standing, the parcels would become theirs permanently.
So, five years after the town's official -- if not actual -- founding date of September 4, 1781, Sergeant Jose Arguello ventured from the presidio at Santa Barbara to confirm the settlers' titles to their land. The pobladores had already occupied their lots; Arguello's job was merely to record their placement and give each family a distinctive branding iron. By September 18, 1786, with the aid of two soldiers stationed at the pueblo, Arguello had completed the task and drawn the above map.
On the top-left, Arguello drew the heart of the pueblo: a common plaza (labeled "P"), surrounded by a guard house ("A"), two royal buildings ("B"), a granary ("C"), and the settlers' houses ("D" to "M"). Eight families are represented here, including seven of the original eleven. (Three of the eleven left within the first year. One additional family, that of Jose Francisco Sinova, joined the settlement in 1785.)
Three streets ("N") extend from the plaza at perpendicular angles, and the entire settlement is oriented at a 45-degree angle to the cardinal directions -- a requirement of the Law of the Indies meant to ensure optimal lighting and wind conditions.
Switching to a different scale, Arguello sketched out the settlers' agricultural fields on the bottom-right of this document. He drew two meandering lines -- an irrigation ditch and the Rio Porciuncula (Los Angeles River). In between the two he placed the propios--land the town could rent to fill its coffers -- and on the far right indicated the location of the realengas, or royal lands.
Arguello's map -- first deposited in the territorial archives of Alta California and today preserved in the form of two hand-drawn copies at UC Berkeley's Bancroft Library -- differs significantly from Ord's and later cartographic representations. Arguello worked without the benefit of professional surveying equipment. As a result, his map lacks a uniform scale and only roughly depicts spatial relationships between features of the landscape. Because of these deficiencies, the map provides few clues for solving one of the mysteries of early Los Angeles: the site of the original pueblo, before flooding forced the settlers to relocate.
It also makes a glaring omission. Like William Rich Hutton in his 1847 drawing of occupied Los Angeles, Arguello -- also in the employ of an invading army -- fails to note the presence of the town's previous occupants. Somewhere within the edges of this map would have been a major Tongva (Gabrielino) village, Yaanga, occupied for centuries and home to a sacred, ancient council tree. Spanish authorities had deliberately placed Los Angeles next to this village, and by the time Arguello arrived in 1786 it had become an important source of labor for the newborn pueblo. Yaanga's residents, who likely outnumbered the pueblo's in 1786, built many of Los Angeles' huts, adobes, and ditches. Without their aid -- some would say exploitation -- the Los Angeles depicted here might never have survived as a remote colonial outpost.
Sneak into The Autry's galleries to catch an intimate acoustic performance by Guatemalan American singer-songwriter Gaby Moreno as part of the museum's "Best of Los Angeles" series.
Black voters could in many ways be the decisive eco-voters of the most high stakes election in American history.
Nine parents of Los Angeles Unified children filed a proposed class-action lawsuit alleging that distance learning plans are inadequate and violate students' rights to a basic public education. It also alleges minorities are disproportionately impacted.
The Hollywood Bowl’s fireworks are a booming exclamation point on an evening spent under the stars. But how do they come together?
- 1 of 358
- next ›
Griffith Park is one of the largest municipal parks in the United States. Its founder, Griffith J. Griffith, donated the land to the city as a public recreation ground for all the people — an ideal that has been challenged over the years.
During World War II, three renowned photographers captured scenes from the Japanese incarceration: outsiders Dorothea Lange and Ansel Adams and incarceree Tōyō Miyatake who boldly smuggled in a camera lens to document life from within the camp.
Prohibition may have outlawed liquor, but that didn’t mean the booze stopped flowing. Explore the myths of subterranean Los Angeles, crawl through prohibition-era tunnels, and visit some of the city’s oldest speakeasies.
Although best known for designing the homes of celebrities like Lucille Ball and Frank Sinatra, the pioneering African-American architect Paul Revere Williams also contributed to some of the city’ s most recognizable civic structures.
As recently as a century ago, scientists doubted whether the universe extended beyond our own Milky Way — until astronomer Edwin Hubble, working with the world’s most powerful telescope discovered just how vast the universe is.
- 1 of 5
- next ›