Philippines - Wang Od Oggay and Grace Palica

Written and directed by Courtney Montour. Metis artist Audie Murray sees tattooing as a way for people to connect with their culture and communities when they are away from home. Audie's art and tattoo practice draw from the duality in her life, especially her experience growing up in Regina and Lebret, and then moving to Vancouver to pursue her art career. She finds inspiration for her work in Metis beaded designs. When Audie returns home to Regina and Lebret, her work is centered around creating and learning from family.

Written and directed by Roxann Whitebean. The Haudenosaunee Confederacy is a matrilineal society consisting of five founding Nations who later adopted a sixth nation to join their family. Kanentokon Hemlock is a traditional Bear clan representative from the Mohawk Nation at Kahnawake, a small community located outside Montreal. Their traditional territory is divided between present-day Quebec, Ontario and New York State. From a young age, Kanentokon was fascinated by his culture. He began the art of tattooing to revitalize the lost tradition and ancient protocols.

Written and directed by Roxann Whitebean. Isaac Murdoch and Christi Belcourt founded the Onaman Collective, which represents a group of multidisciplinary artists who focus on land-based decolonization. They established a new traditional community called Nimkii Aazhibikong in Northern Ontario. Under the guidance of elders, they studied ancient markings from the past and are carrying them forward by tattooing individuals from various nations to unify the Indigenous peoples of the land.

Written and directed by Angie-Pepper O'Bomsawin. Born in Honolulu, Hawaii, Stephanie Big Eagle grew up astray from her identity. She reconnected with her culture when she rekindled relationships in her home community, the Yankton Sioux Reservation in South Dakota. She immersed herself in the fight for aboriginal rights and became a prominent figure in the Dakota pipeline protests, where her thunder hawk hand poke design became a symbol of the standoff. Stephanie found her calling as an environmental and Indigenous activist and full-time hand poke tattoo artist.

Written and directed by Angie-Pepper O'Bomsawin. Julie Paama-Pengelly is a veteran in the revitalization of ta moko Maori tattooing. Her studio in Mount Maunganui mixes contemporary and traditional designs and cultivates artists from all walks of life. With twenty years teaching experience, her art practice ranges from the use of symbolic imagery to pure abstraction in graphic design, painting, mixed media, and tattooing. Over time many misconceptions have surfaced about who has the right to wear and practice tâ moko. Julie is one of the first women to practice in the male-dominated field.

Written and directed by Randy Kelly. Mo Naga is a traditional tattoo artist from Manipur, in the lush North East Region of India on the Myanmar border. While studying fashion design in his early 20s, Mo Naga stumbled across some interesting Naga textile designs and quickly realized their cultural importance. He gradually started researching, archiving and preserving them. His creativity and love for tattoos led him to create a neo-Naga style of design.

Written and directed by Angie-Pepper O'Bomsawin. Pip Hartley is on a mission to infuse Auckland's city core with as much Maori culture as possible. From her Karanaga Ink studio, she practices traditional and contemporary Maori tattooing, tâ moko. Although her approach is always guided in Maori style, it is a dance between artist and receiver in telling a story that will become permanent. Pip embraces the power of artistic expression to inspire and educate. Karanaga Ink has become one of Auckland's most respected Maori businesses in a very influential part of New Zealand.

Written and directed by Randy Kelly. The Paiwan people are one of about 20 Indigenous minorities who make up roughly 3 percent of the population of Taiwan. When Cudjuy Patjidres discovered that his Paiwanese ancestors had a tattoo culture, he was surprised and amazed. Having developed his artistic skills from watching his grandfather weave and carve wood, he is now dedicated to preserving the ancient symbols and designs that were once common on the island.